Poetry. GOING DOWN GRAND, the first full length anthology of Grand Canyon poems, gathers the voices and thoughts of explorers, cowboys, river- runners, hikers, artists, geologists, rangers, and others whose words reveal and bear witness to this complex and magnificent place. For readers on the river, the trails, the rim, or beyond, the poems on these pages will make fine canyon company.
Mortals: meet The empty air, Arias carved Out of rocks beyond Our puny clock Philosophy.
Thea Gavin
Juniper trees lacing this desert landscape, the color of a pine green that rests in my dreams, thoughts yielding to elements of sun, light, heat, storms, western sky, lichen described as being as prolific and extravagant as coral, a place that creates "a peace that exists only in this place where I most belong, an interval I wholly owned." These poems capture so much of the experience, taking the indescribable beauty, the un-capturable grandeur, the stunning astonishment and gives a taste of what it feels like, sounds like, or how you breathe when above, in, on, near the Grand Canyon. I just finished a fantastic biography of John Wesley Powell who made the first runs down the canyon, and then I hiked the headwaters of the Colorado River in Rocky Mountain National Park, so these amplify the experience. I think another whole book of poems can be written just about the headwaters area, so far from the bottom of the Grand Canyon, but so connected.
You have come to the edge in your T-shirt and tennis shoes, And there, like nothing you had imagined, Nothing in the pocket-sized postcards,
Is the split continent, enormous and jagged, A terrible incision, terribly gorgeous,
The late-afternoon air pouring in Like liquid spilled from far fissures or glacial thaw.
Joan Baranow
How much grandeur does it take until
Our eyes fall to the small life before us, The geologic blink we call our lives?
Fred Diggs
The Colors of Darkness
Flash after flash across the horizon: Tourists trying to take the Grand Canyon By night. They don’t know Every last shot will turn out black.
It takes Rothko sixty years to arrive At the rim of his canyon. He goes there only after dark. As he stands at the railing, his pupils open Like a camera shutter at the slowest speed.
He has to be patient. He has to lean Far over the railing To see the color as of darkness: Purple, numb brown, mud-red, mauve -an abyss of bruises. At first, you’d think it was black on black Something you son’t want to look at, he says
As he waits, The colors vibrate in the chasm Like voices: You there with the eyes, Bring back something from The brink of nothing to make us see.
by Chana Bloch
Thomas Moran Paints
This place gets inside you with its soft reds And tans. You can feel the lithe sweep of brushes Inside your head. Your empty hands moving From side to side involuntarily. It is like seeing An angel’s brilliancy for the first time and trying To describe it to your own soul in a language Of the eye your heart can understand The light is always different here getting darker Near the river paler near the rim. But it is The way the canyon breathes warm air rising Cool air settling that makes the colors vibrant Gives them luster. I can pile and scrape paint On a canvas forever and miss the one rare Note that hides in the throat of a canyon wren But I can dream that bird within me and capture It on silk where its song will bring this magical Secret landscape into my art on its wings.
by Daniel Williams
Grand Canyon/West Human stories roll across the Landscape, demanding attention, voicing Their energy, responding to my questions; The land only vibrates in the wind. Or not. Rocks and lava, caught in the moment Of fall, of flow, expose fractured Innards and cooled heat, vibrate only rarely. These human voices and the tales they tell Deflect with looks,their gestures, Their act of giving me what it can feel Myself, or at least understand. I can’t Put myself in the pinyon’s place, trembling At the edge, growing at the upper end of a Human sized bowl, the lower end a slot i peer Through to see the river’s ribbon, its white flecked Trail through the deepest cleft of all. I can’t know The pinyon’s mind , though I try.
Mary Beath
Sunrise, Grand Canyon
We stand on the edge, the fall Into depth, the ascent
Of light revelatory, the canyon walls moving Up out of
Shadow, lit Colors of the layers cutting
Down through darkness, sunrise as it Passes a
Precipitate of the river, its burnt tangerine Flare brief, jagged
Bleeding above the far rim for a split Second I have imagined
You here with me, watching day’s onslaught Standing in your bones-they seem
Implied in the record almost By chance- fossil remains held
In abundance in the walls, exposed By freeze and thaw, beautiful like a theory stating
Who we are is Carried forward by the x
Chromosome down the matrilineal line Recessive and riverine, you like
Me aberrant and bittersweet... Riding the high
Colorado Plateau as the opposing Continental plates force it over
A mile upward without buckling, smooth Tensed, muscular fundament, your bones
Yet to be wrapped around mine- This will come later, when I return
To your place and time... The geologic cross section
Of the canyon Dropping
From where I stand, hundreds millions of shades of terra cotta, of copper
Manganese and rust, the many varieties of stone- Silt, sand, and slate, even “green
River rock...my body voicing its immense Genetic imperatives, human
geology falling away Into a
Depth i am still unprepared for The canyon cutting down to
The great unconformity, a layer So named by the lack
Of any fossil evidence to hypothesize About and date such
A remote time by, at last no possible Retrospective certainties...
John Barton
Eating Fruit at the Grand Canyon- A song to make death easy
Since this great hole in earth is beyond My comprehension and I am hungry, I sit on the rim and eat fruit
The colors of the stone i see, Strawberries of iron cliffs, sagebrush melons, white sand apple, grapes
The barely purple of the stonewashed slopes, And every color I eat is in my vision, Colonized by my eye, by me and everyone
I have known, so vast, so remote, That we can only gaze at ourselves, wondering At our reaches, eat fat fruit while we
Grow calm if we can, our folded Rocky interiors pressed upwards through Our throats, side canyons seeming almost
Accessible, the grand river of blood Carving us even as we sit, devouring Color that will blush on our skin
Nourish us so that we may climb The walls of the interior, bewildered, Tremulous, but observant as we move
Down in, one foot, another, careful not to fall, to fall, The fruit fueling us in subtle
Surges of color in this vastly deep Where birds make shadow and echo And we have no idea
Why we cannot comprehend ourselves, Each other, a place so deep and bright It has no needs and we wonder
What we’re doing here on this fragment Of galactic dust, spinning, cradled, Awestruck, momentarily alive.
Diane Hume George
The Silence, the Sun
The silence is simpler, Deeper even than the abyss The Colorado Coursing through Arizona Graved into rock,
Hangs weightless Everywhere Confounding thought
Buries the canyon Beneath the sun Comprehending all of it,
Broods. Even the river’s water-thunder Does not rise to the rim.
All the blind hours Sun chronicles shadows Sloping over steeps of earth
Here Where centuries come together Still Uncounted In the silence Which does not tell Phyllis Hoge Thompson
From Many Hats
On the rim a quizzical gray-glinting hombre was telling himself how it looked to him-the sun and the air are endless with silver tricks- the light of the sun has crimson strategy set-the changes go on in stop-watch split seconds-the blues slide down a box of yellow and mix with reds that melt into gray and come back saffron clay and granite pink- a weaving gamble of color twists on and it is anybody’s guess what is next.
A long sand-brown shawl shortens to a glimmering turquoise scarf- as the parapets and chimneys wash over and out in the baths of the sunset and the floats of the gloaming, one man says there goes God with an army of banners, and another man, Who is God and why? Who am i and why?
He told himself, this may be Something else than what I see when I look- how do I know? For each man sees him- Self in the Grand Canyon- Each one makes his own Canyon Before he comes, each one brings And carries away his own Canyon- Who knows? And how do I know?
Carl Sandburg
This World
we hear that other lands are better: we do not know. The pines sing and we are glad. Our children play in the sand and we hear them sing and we are glad. The seeds ripen an we have them to eat and we are glad. We do not want their good lands; we want our rocks and the great mountains where our fathers lived. A Shi’vwits chief to JW Powell
Sun on red rock Raves riding thermals Jays crazy in the pines
Big blue mountain On the far horizon And here- infinite air-
Moving, opening East-west, north-south, Up-down, high
Over the one-way river Pulling The whole sky west.
What need For any other world?
Ken Lauter
“Tonto Plateau” Among rains resurrected as cactus I confessed to a great River: no need to mind me, Just say whatever you said long before this When there was no one to hear it.
SO where time and the land Wear the same face i listened all afternoon And in the hustle, then whisper, then roar Then whisper again, heard the world And in the river’s voice the sound Of always, pouring, pouring Through everything we believe. Reg Saner
time line Little more than the width of a hair, a feather or poem on thin paper-
enough room for my life and yours- and we are climbing, lifted
by six million years of stone laid down, our ancestors firmly in place
but alive as isotopes, molecules dancing, darting, spinning, ever alive,
uncrushably, eternally alive, and we too are almost glowing.
by David Ray
Rim are there horizons where there is no horizontal
where mountains fold space, hold distance up?
embedded in a canyon our heads tilt instinctively.
here earth meets sky, we can reach it; the rim
does not shimmer and recede.
we lean into diagonal lives, relieved of right angles
eyes, arms, hearts drawn upward, vectored to ridgelines
keenly aware of the slant of time, its shape and substance;
it is a wedge; it moves along ray-stroked slopes;
we pass into it, are passed over.
Laurelyn Whitt
In the river in the river, in the fluid, in the wetness of my own blood, I know my body is a beautiful canyon slowly being worn down to nothing. and beyond my personal continent, other bodies and rivers lives work with and against each other, seeking some final balance between the search for an ocean to easily and without thought flow into and a time allotted for this search…
and body means the soul that lives there housed and deserting its house the body by hookcrook and random forgetfulness of how far it can fly without losing sight of known topography that place where a single life in a time alone at certain moment starts to carve its way starting to be to find a way to join to make a canyon to the ocean.
Phillip Wofford
Grand Canyon
I speak now of that Grand Canyon which lies within each of us. There are pre-Cambrian rocks at the center, the core, and talus from yesterday’s fall; marble and granite grown hard from the pressure and heat of heartbreak and passion; crumbling sandstone, layer on layer of sediment, sentiment piled on over a lifetime’s experience. The sun bursts on us each morning then dies and we are in darkness, but moon shadows tease our walls. We listen to the pulsating rhythm of time’s river lapping at our shores. The sandy places slide, diffuse, move closer to the sea. A billion years of erosion is magnifed, demagnifed into sixty or seventy years as we measure time. Perhaps in a million years your shinbone will be a fossil in another Grand Canyon, cold in a bed of rock next to mine.
Amil Quayle
GRAND CANYON
They say the layered earth rose up Ancient rock leviathan Trailing ages in its wake Lifting earthness toward the sun And coursing water cut the rock away To leave these many-storied walls Expose’ of ages gone Around this breathless emptiness More wondrous far than earth had ever known
My life has risen layered too Each day, each year in turn has left Its fossil life and sediments Evidence of lived and unlived hours The tedium, the anguish, yes the joy That some heart-deep vitality Keeps pressing upward toward the day I die
And Spirit cuts like water through it all Carving out this emptiness So inner eye can see The soaring height of canyon walls within Walls whose very color, texture, form Redeem in beauty all my life has been The darkness and the light, the false, the true While deep below the living waters run Cutting deeper through my parts To resurrect my gravebound heart
Going Down Grand, Poems from the Canyon, Edited by Peter Anderson & Rick Kemps (2015, 137pp). When going through Moab like I did today I always stop at Back of Beyond Books, one of the best dependent bookstores in the SW. Buying this little anthology of poems about the Grand Canyon was my modest way to support the store. Long may they live. For readers of Grand Canyon-related books, some of these writers will be familiar. While many of names were new to me, the subject matter felt quite familiar. It’s a nice and varied collection.
I don't read a lot of poetry, but this is a wonderful collection of poems about the Grand Canyon by people who are writing from their personal experiences on the rim, on the trails, and on the river. Having had my first visit to, and rafting trip in, the Canyon,a mere two months ago, I found many of the poems absolutely magical in capturing the spirit and solace of the place and time.