I am at a loss about where to start. This book is so far away from the norm that it's going to be hard to describe precisely why I liked it or, indeed, precisely what was wrong with it. It was, as we say in dear old Blighty: Barmy. In many respects the flaws in this book should damn it far down the star scale, but, somehow, they don't. This book gobbled up a couple of exceedingly enjoyable hours of my life, I read it straight through with no desire to put it down.
The plot doesn't set off too many alarms. Practical, scientific spinster, Olivia, sets out to have herself some sex without marriage because she'll never marry, but wants the experience. She wants to chose someone discrete who won't ruin her publicly because she does care about her family.
Typical romance fare. Nothing else is typical, really.
Everything moves at breakneck speed. This is a short book and so we go from finding the target (the hero of the piece, Nathaniel, obviously). To him saying no. To him flirting and sort of agreeing to the compromising in very few pages. Then to the compromising. And finally to a marriage proposal. Somewhat oddly, the longest time is spent on the period after the proposal when the heroine is unconvinced about the prospect of marriage, which seems like the easiest aspect of the story and in need of the fewest number of words. Yet everything in this story that moves like an Olympic triple jumper feels pretty well developed. If I was being asked to make big leaps of belief, I was unaware of most (on which, see below) of them and those that were a bit jarring I could accept in order to make progress with the story.
Bryce has a unique way with words and a very non-typical way of writing romance. Nathaniel on first seeing Olivia observes, “Here was a paragon of womanly failure. Her hair was pinned back in a widow’s knot and she was dressed in hideous brown bombazine with buttons clear to her neck. She looked quite capable of taking a swatch to his backside for any impropriety.” (loc 112). There’s no hair the colour of a thousand suns or piercing lavender eyes and the figure of Aphrodite. Olivia isn’t hiding her wares, she is just herself. Bryce makes an excellent job of convincing you that Nathaniel has fallen for her because she has a fascinating personality and is unlike any other woman of his acquaintance. Equally Olivia’s assessment of him is eminently practical, and as the reader discovers, very Olivia, “The only gentleman she hadn’t dismissed outright was the one in the corner who looked like he wanted to poke his eyes out… He looked quite responsible. Mature. Stoic in the face of adversity. Tight-lipped… He did look a bit tall but she supposed lying down it wouldn’t matter… His form was pleasing. Firm thighs, wide shoulders. Quite manly, actually.”
The book is dialogue heavy. Bryce isn’t one for detailed descriptions or musings on emotions, which is unusual in this genre, in my experience. But the dialogue flows wonderfully and is often funny and irreverent and puts you quickly and easily into the heads of the characters.
Having read one Bryce before, I thought she might not be one for on page sex. This book, however, does have on page sex and it was pretty good.
However, this isn’t perfect. As I said above, some of the leaps stretch the bounds of credibility. Nathaniel’s sudden willingness to consider the plan. And Olivia’s unwillingness to marry him and her entire ‘I’d make a terrible wife’ schtick lasted too long and was somewhat unbelievable to me. She might have been a committed spinster but she wasn’t undertaking any truly egregious activities that might render her ineligible as a spouse, especially when both families agreed about the marriage.
But those criticism cannot take away from the fact that I thoroughly enjoyed this book and it's a solid 3.5 stars rounded up to 4 because it was fun to read. There’s no doubt that Bryce is marching to the beat of her own historical romance drum, but I like her style and was absorbed by her characters.