I often feel as though I've entered a standoff between what happens around me & what's going on inside--& this life that goes on & on inside my head goes on & on & on it seems almost without me, as it has since childhood . . . --from "Standoff" For three decades, David Rivard has written from deep within the skin of our times. With Standoff , he asks an essential In a world of noise, of global anxiety and media distraction, how can we speak to each other with honesty? These poems scan the shifting horizons of our world, all the while swerving elastically through the multitude of selves that live inside our memories and longings--"all those me's that wish to be set free at dawn." The work of these poems is a counterweight to the work of the world. It wants to deepen the mystery we are to ourselves, stretching toward acceptance and tenderness in ways that are hard-won and true, even if fleeting.
David Rivard is the author of Bewitched Playground, Wise Poison, which won the James Laughlin Award of The Academy of American Poets, and Torque. He teaches at Tufts University and in the M.F.A. Writing Program at Vermont College. He lives in Cambridge, Massachusetts. "
I fed my father what as it turned out the future would call his last meal (tho at the time neither he nor I was required to think it that exactly)— ground chourico & chopped green pepper open-faced on a burger bun, french fries, a cupcake with icing almost chocolate in flavor—alarming, a departure from his diet of low-sodium, zeroed-out trans fats & sugar-free vegetables with high fiber- scores, suffering as he had been for years from barbarian cholesterol & geriatric diabetes (the nurse shrugged simply & said "why not?"— meaning of course that we should get it, all of us, he was going to die, and soon). A few loose chitters of ground sausage fell onto his johnnie from the fork I lifted to his mouth—they left tiny, paprika-red dots of oil on the sheer cotton, prussic red, corpuscle red like the small scabs my sister and I had left on his face while helping him shave the day before. A week earlier I had visited him at home; the day an unusually warm day in a March unusually cold. He was telling me how he'd gone out into the yard to get some sun only to return minutes later to the house, the wind far too strong— he said he worried that if the wind took his hat from his head, he might die while chasing it. I made a joke—forced to, I thought—chasing a hat, I said, that might be a better death than most, I said maybe the death certificate would read "killed by the wind." He laughed all right. You know, he said, you've really got a lousy sense of humor. Better than nothing, I guess—(did he say that, or did I think it?). Later he said . . . he'd said earlier . . . then I said . . . he said . . . I said . . . I said . . . I said . . . Say now that this might be all that's left for consolation, this might be love at the end, the confidences exchanged— all these pratfalls, & this skin chapped by a blade, and your willing servant's shaky hands, then a short trip to be washed a last, finally blameless time (so the scriptures say) in the blood of the lamb: a smell like the smell of sweetgrass burning crosswise the length of a dry plain and sent by a wind whose swiftness has in it the bright voices of kindergarteners, children born of a hardship town.
"Standoff" is the first book of poetry by David Rivard that I have read. It is a volume that has grown on me as I have read the poems. Some are quite cohesive, a few feel like they go off track. I encourage readers to take the time to savor these poems and decide for themselves.
I want to thank the publisher and Goodreads First Reads for an ARC of this book.
In the plume of smoke rising from a volcano on the coast of Iceland, papery sheets of ash--each ripped square like a note safety-pinned to a child's woolen coat but torn off by a roadside wind--
a missing explanation--
"Please help this boy," the note reads, "he is a good boy. Give him only what is needed. He will be neither genius nor dolt. He likes thinking (as if thinking were the same as swimming). When he hears the hum of bees in the honey locust teach him that a barge song is what the bees sing. Remind him that the lake is there for him to swim-- he doesn't always need to think. This is a world where a shy salaryman with a handful of supermarket roses wrapped in cellophane has to walk under a sky full of falling rain-- tell this boy the threadbare & blushing could use a spokesman too."
I'm not an expert at critiquing poetry, but there was nothing much that was moving or exceptional here. Occasional bursts of clever wordplay an imagery, but that's it. Mostly, this collection is filled with basic observations basically observed.
Standout poems: "Scooter", "Workrules", "Lucky Day Still", and "This".