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384 pages, Kindle Edition
First published September 1, 2015
Delightfully, the narrator is eight-year-old Sarah, who lives in a rural community in Arkansas. The story moves slowly, at first, as Sarah develops vivid descriptions of her Granny, her grandmother Mozelle (“Muhdea”), and her mother Esther, as well as members of her church (particularly the preacher), civil rights workers who have come to town on behalf of the Student Nonviolent Coordinating Committee (SNCC), the NCAAP lawyer, and the white school superintendent, sheriff, store owner, and other residents. She frames her tale with her earnest desire to be baptized and her desperate frustration in fulfilling that goal. The title of the novel comes from the row of seats during the summer revival where those who share that desire sit while they wait for “a sign” from God to stand and give their testimony as a prerequisite for immersion.
Her Baptist preacher leads the church members in resisting changes introduced by the Civil Rights Movement. As Professor Keith Miller summarizes, "Long accustomed to segregation, many elders feared losing the jobs that they had struggled mightily to secure, while also growing anxious that white racists would violently attack their children.” At first, Sarah accepts this point of view as the gospel. Gradually, however, as the plot unfolds, and through the influence of her mother (who has returned from going to college and working in Chicago and has brought home feminism along with civil rights values), Sarah changes her mind.
In addition to highlighting the anxious reluctance of the Black middle class to embrace civil rights, the novel draws attention to the concurrent, and sometimes competing, movement for women’s rights. A woman who is an ordained Methodist minister is not allowed to sit or stand on the platform of the Baptist church during the revival with the other clergy, most of whom are not ordained. Sarah’s mother marries one of the SNCC workers who has come from Mississippi. Assuming it's his right to do so because he’s a man, he abuses her verbally and physically, but because she stands strong, he leaves. The women in the story, even those who have long bowed to patriarchy, emerge as the breakthrough leaders for civil rights in the community.
With few exceptions, white people in Sarah’s world are hateful bigots who violently reject the social changes taking place in cities such as Little Rock and Atlanta. One of the exceptions is Gail, a white SNCC worker who has come from New England to teach and organize along with Sarah’s mother. The Black characters in this novel are much more multidimensional and complex.
Mourner’s Bench will probably wear well with readers. I’ve avoided spoilers, mostly, but I assure you, there’s plenty of excitement in this powerful novel. I know many of my friends will enjoy it just as I have. I thank my friend, Professor Keith Miller, for the recommendation.