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The Troubadours Quartet #2
Bladesong: 1151 in the Holy Land
'A masterpiece. A historical feast.' C.M.T.Stibbe, Chasing Pharoahs
1151: the Holy Land
From the Winner of the Global Ebook Award for Best Historical Fiction
Estela, the troubadour, is following the destiny of her beautiful voice. Dragonetz, her passionate knight has a dangerous mission to fulfill; divided by the times they love in, they fight to be together.
Imprisoned in Damascus, Dragonetz suffers the mind games inflicted by his anonymous enemies, as he is forced to remember the traumatic events of the crusade, two years earlier. His military prowess is as valuable and dangerous to the balance of power as the priceless Torah he has to deliver to Jerusalem, and the key players want Dragonetz riding with them - or dead.
Instead of remaining safely at home, Estela is desperate to rescue Dragonetz at all costs. She sets out for the Holy Land, never realising that the person she thinks will be her knight's saviour might actually be his doom. Can Estela get him out alive, despite Nur-ad-Din, the Muslim Atabeg; Mélisende, the Queen of Jerusalem; and an avenger from the past? Will she still want to, when she knows what they've done to him?
Once more 'the master of historical intrigue' whirls the reader off into medieval mayhem. Jean Gill's details of crusading strategy and riding a camel are as convincing as the pangs of medieval childbirth. She brought medieval France to life in 'Song at Dawn'; now she adds 12th century Damascus and Jerusalem with equal aplomb.
'Wonderful. If you love historical romance and adventure, you must pick up this series!'Autumn Birt, Rise of the Fifth Order
www.jeangill.com Sign up to Jean's newsletter for a free Jean Gill book
Trailer youtube.com/watch?v=5PREVetis1E
1151: the Holy Land
From the Winner of the Global Ebook Award for Best Historical Fiction
Estela, the troubadour, is following the destiny of her beautiful voice. Dragonetz, her passionate knight has a dangerous mission to fulfill; divided by the times they love in, they fight to be together.
Imprisoned in Damascus, Dragonetz suffers the mind games inflicted by his anonymous enemies, as he is forced to remember the traumatic events of the crusade, two years earlier. His military prowess is as valuable and dangerous to the balance of power as the priceless Torah he has to deliver to Jerusalem, and the key players want Dragonetz riding with them - or dead.
Instead of remaining safely at home, Estela is desperate to rescue Dragonetz at all costs. She sets out for the Holy Land, never realising that the person she thinks will be her knight's saviour might actually be his doom. Can Estela get him out alive, despite Nur-ad-Din, the Muslim Atabeg; Mélisende, the Queen of Jerusalem; and an avenger from the past? Will she still want to, when she knows what they've done to him?
Once more 'the master of historical intrigue' whirls the reader off into medieval mayhem. Jean Gill's details of crusading strategy and riding a camel are as convincing as the pangs of medieval childbirth. She brought medieval France to life in 'Song at Dawn'; now she adds 12th century Damascus and Jerusalem with equal aplomb.
'Wonderful. If you love historical romance and adventure, you must pick up this series!'Autumn Birt, Rise of the Fifth Order
www.jeangill.com Sign up to Jean's newsletter for a free Jean Gill book
Trailer youtube.com/watch?v=5PREVetis1E
340 pages, Kindle Edition
First published January 22, 2013
348 people are currently reading
861 people want to read
About the author
Jean Gill
45 books239 followersJean Gill is a Welsh writer and photographer living in the south of France with two scruffy dogs, a beehive named 'Endeavour', a Nikon D750 and a man. For many years, she taught English in Wales and was the first woman to be a secondary headteacher in Carmarthenshire. She is mother or stepmother to five children so life was hectic.
Publications are varied, including prize-winning poetry and novels, military history, translated books on dog training, and a cookery book on goat cheese. With Scottish parents, an English birthplace and French residence, she can usually support the winning team on most sporting occasions.
Sign up for Jean's newsletter at www.jeangill.com for updates and a free book. If you review one of Jean's books you can add a dog to Jean's Readers Dogs Hall of Fame on her website. Contact Jean at jean.gill@wanadoo.fr with comments or questions. She loves to hear from readers.
Publications are varied, including prize-winning poetry and novels, military history, translated books on dog training, and a cookery book on goat cheese. With Scottish parents, an English birthplace and French residence, she can usually support the winning team on most sporting occasions.
Sign up for Jean's newsletter at www.jeangill.com for updates and a free book. If you review one of Jean's books you can add a dog to Jean's Readers Dogs Hall of Fame on her website. Contact Jean at jean.gill@wanadoo.fr with comments or questions. She loves to hear from readers.
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Displaying 1 - 30 of 44 reviews
July 10, 2019
4,25 stars - English Ebook 🌹🌹🌹
Quote from the book: With a small dose each day, I think we will quickly make him hours without him noticing. His Quick mind will betray him because he is too interested in what I can tell him to realise what his body could tell him. The langer he stays with us, the thighter we bind him, and the more sluggish that Quick mind will grow. When we let him escape, he is ours wherever he goes. He lead us to them.....There were the book shall go. 🌷🌷🌷
This second Historical novel has the same line as the first. An Historical fiction novel with to fictional protagonists in a real Historical time line with real life Historical figures. Also the book named in this novel, the rare torah, could be the Aleppo codex, a rear middle age antiek with special notes. This is well woven into this story and deepens the story even more. 🦋🦋🦋
Quote from the book: With a small dose each day, I think we will quickly make him hours without him noticing. His Quick mind will betray him because he is too interested in what I can tell him to realise what his body could tell him. The langer he stays with us, the thighter we bind him, and the more sluggish that Quick mind will grow. When we let him escape, he is ours wherever he goes. He lead us to them.....There were the book shall go. 🌷🌷🌷
This second Historical novel has the same line as the first. An Historical fiction novel with to fictional protagonists in a real Historical time line with real life Historical figures. Also the book named in this novel, the rare torah, could be the Aleppo codex, a rear middle age antiek with special notes. This is well woven into this story and deepens the story even more. 🦋🦋🦋
August 30, 2014
A Trickster Eric Novels review
Jean Gill asked me to read her historical novel "Blade Song" which is the second book in her "The Troubadours" series. She had previously requested a review for the first book, Song at Dawn, and I rated it highly so I was excited for the sequel. Now I have mixed feelings. I will examine Plot, Characters, and Polish and then assign a grade.
PLOT
There's good and bad in this one. I'll do the former and then latter.
For the good there's the reconstruction of the Macguffin trope, same quality of research and the depth of scheming. A 'macguffin' is an object that starts conflict because people fight each other to get it and is meaningless in and of itself. This is not the case here. The fact that Dragonetz is carrying a Jewish holy book that is fought over by a Muslim and a Christian is symbolic of multicultural 'Otra mar' (Middle East) and of the Grey and Grey Morality of the setting. As for the research and scheming, they are on the level with the first book. There's Islamic poetry written in two languages (I assume one is Arabic), tensions between groups (and there are many groups) and varying levels of medical knowledge depending on the character. I very much enjoyed these parts.
For the bad there's Dragonetz's improbable fame in a wide setting and Estela's hangnail plot. For the first, there are five people that want to recruit Dragonetz as their general/military trainer and they are: the ruler of the Saracen Muslims, both rulers of Christian Jerusalem (de-jury and de-facto) and the grandmasters of the Knights Templar and Hospitaler Knights. The backbone of the plot is an elaborate scheme by two of these people to recruit him or kill him so no one else can have him. It stretches my Willing Suspension of Disbelief because I don't see Dragonetz as that valuable and he doesn't either. For the second, Estela has a side plot completely unrelated to Dragnetz and when is connected, she becomes an extra; it feels like a hangnail.
This book feels more loose and unorganized because it is on a grand scale. The first book is confined to a single city in France and is a smaller game board with fewer players. The second book is spread from France to the Holy Land and many more people are involved. When I realized that, I also realized that this book is written the same way) as its predecessor: It has the same multi player scheming, it has the same research into historical figures and trappings, it has the same commitment to character motivation. It's the Macguffin plot that can be blamed for the bulk of the problems and it made so much sense at the end of the first that I am willing to forgive it.
CHARACTERS
There's good and bad here too. The good is the web of alliances and information that connect characters. The bad is the downgraded villains.
The thing I liked about the story is the web of alliances and motives and knowledge. "Sticky threads" as it's called in the story. One has to be aware of a lot of information and who is aware of what information and from what perspective each character views this information from. The climax is dizzying from this perspective but that's what makes it so impressive; Miss. Gill kept it all straight. It lends to the atmosphere of the setting because keeping track of this web is what rulers and generals and merchants, etc do everyday. It's the 'everyday scheming', as contrasted with 'epic scheming' that I liked so much about the first book.
The thing I don't like is the villains seem less competent and more petty. Nur ad-Din and Melisende treat Dragonetz' book like a bauble and so they seem like children with nothing to better to do. De Raccon and Miguel likewise are like children plucking the wings off flies because their main motivation is sadism for imagined slights. This is easy to overlook because Bar Philipos, the main and plot moving villain (The Heavy), is exempted from this. Bar Philipos is a good villain. He's dangerous and evil but he's not pure evil and not without an understandable motive. He's much more competent and acts more like his age.
Dragnetz' angst is good. In the first book it was implied that he was disillusioned by the second crusade but it wasn't until now that the source of it all was revealed. That part was interesting. I like seeing the change in character from the past to present day and on through the story; a flawed knight but a knight nonetheless.
POLISH
No spelling or grammar errors. I feel some parts could be edited out but they are interesting on their own terms; characterization and such.
Trickster Eric Novels gives "Blade Song" a B+
Disclaimer: This is a free review request. I was not paid for it in anyway except a free copy in exchange for an honest review.
Jean Gill asked me to read her historical novel "Blade Song" which is the second book in her "The Troubadours" series. She had previously requested a review for the first book, Song at Dawn, and I rated it highly so I was excited for the sequel. Now I have mixed feelings. I will examine Plot, Characters, and Polish and then assign a grade.
PLOT
There's good and bad in this one. I'll do the former and then latter.
For the good there's the reconstruction of the Macguffin trope, same quality of research and the depth of scheming. A 'macguffin' is an object that starts conflict because people fight each other to get it and is meaningless in and of itself. This is not the case here. The fact that Dragonetz is carrying a Jewish holy book that is fought over by a Muslim and a Christian is symbolic of multicultural 'Otra mar' (Middle East) and of the Grey and Grey Morality of the setting. As for the research and scheming, they are on the level with the first book. There's Islamic poetry written in two languages (I assume one is Arabic), tensions between groups (and there are many groups) and varying levels of medical knowledge depending on the character. I very much enjoyed these parts.
For the bad there's Dragonetz's improbable fame in a wide setting and Estela's hangnail plot. For the first, there are five people that want to recruit Dragonetz as their general/military trainer and they are: the ruler of the Saracen Muslims, both rulers of Christian Jerusalem (de-jury and de-facto) and the grandmasters of the Knights Templar and Hospitaler Knights. The backbone of the plot is an elaborate scheme by two of these people to recruit him or kill him so no one else can have him. It stretches my Willing Suspension of Disbelief because I don't see Dragonetz as that valuable and he doesn't either. For the second, Estela has a side plot completely unrelated to Dragnetz and when is connected, she becomes an extra; it feels like a hangnail.
This book feels more loose and unorganized because it is on a grand scale. The first book is confined to a single city in France and is a smaller game board with fewer players. The second book is spread from France to the Holy Land and many more people are involved. When I realized that, I also realized that this book is written the same way) as its predecessor: It has the same multi player scheming, it has the same research into historical figures and trappings, it has the same commitment to character motivation. It's the Macguffin plot that can be blamed for the bulk of the problems and it made so much sense at the end of the first that I am willing to forgive it.
CHARACTERS
There's good and bad here too. The good is the web of alliances and information that connect characters. The bad is the downgraded villains.
The thing I liked about the story is the web of alliances and motives and knowledge. "Sticky threads" as it's called in the story. One has to be aware of a lot of information and who is aware of what information and from what perspective each character views this information from. The climax is dizzying from this perspective but that's what makes it so impressive; Miss. Gill kept it all straight. It lends to the atmosphere of the setting because keeping track of this web is what rulers and generals and merchants, etc do everyday. It's the 'everyday scheming', as contrasted with 'epic scheming' that I liked so much about the first book.
The thing I don't like is the villains seem less competent and more petty. Nur ad-Din and Melisende treat Dragonetz' book like a bauble and so they seem like children with nothing to better to do. De Raccon and Miguel likewise are like children plucking the wings off flies because their main motivation is sadism for imagined slights. This is easy to overlook because Bar Philipos, the main and plot moving villain (The Heavy), is exempted from this. Bar Philipos is a good villain. He's dangerous and evil but he's not pure evil and not without an understandable motive. He's much more competent and acts more like his age.
Dragnetz' angst is good. In the first book it was implied that he was disillusioned by the second crusade but it wasn't until now that the source of it all was revealed. That part was interesting. I like seeing the change in character from the past to present day and on through the story; a flawed knight but a knight nonetheless.
POLISH
No spelling or grammar errors. I feel some parts could be edited out but they are interesting on their own terms; characterization and such.
Trickster Eric Novels gives "Blade Song" a B+
Disclaimer: This is a free review request. I was not paid for it in anyway except a free copy in exchange for an honest review.
June 22, 2022
4,25 sterren - English Ebook
Book 1 Song at Dawn: 1150 in Provence
On the run from abuse, Estela wakes in a ditch with only her lute, her amazing voice, and a dagger hidden in her underskirt.
Her talent finds a patron in Eleanor of Aquitaine and more than a music tutor in the Queen's finest troubadour and Commander of the Guard, Dragonetz los Pros. Meanwhile, their enemies gather, ready to light the political and religious powder-keg of medieval Narbonne.
Rhis is fiction mixed with history but I loved the read. Like to read the other two books in this series.
Book 1 Song at Dawn: 1150 in Provence
On the run from abuse, Estela wakes in a ditch with only her lute, her amazing voice, and a dagger hidden in her underskirt.
Her talent finds a patron in Eleanor of Aquitaine and more than a music tutor in the Queen's finest troubadour and Commander of the Guard, Dragonetz los Pros. Meanwhile, their enemies gather, ready to light the political and religious powder-keg of medieval Narbonne.
Rhis is fiction mixed with history but I loved the read. Like to read the other two books in this series.
September 18, 2015
Jean Gill has truly outdone herself with Bladesong (sequel to the equally magnificent Song at Dawn). Bladesong is book 2 in The Troubadours series and picks up about a year after where its predecessor left off. The sheer complexity of the plot has been taken to another level in this novel. Not only did Gill maintain impeccable consistency between books, but she mastered the task of crafting an entirely new adventure; interweaving historical detail and imagination as if they were two sides of the same coin. I fell even more in love with Estela and Dragonetz and deeply enjoyed experiencing their evolution, both individually and as a couple.
The story opens with our brave knight, Dragonetz, imprisoned in Damascus; an independent city wedged in the middle of a political tug-of-war. Dragonetz has no choice but to face the demons of his past if he has any hope of carrying out his mission with both his life and honor intact. Dragonetz must fight with everything he has to fulfill his oath to Raavad, overcome the fatal drug coursing through his veins, and return home to the only woman he’s ever truly loved.
Estela certainly has her own trials to overcome. Welcoming Dragonetz’ son, Txamusca, into the world was no easy task (especially alone), but she embraced motherhood with every ounce of her being. Also receiving a threat from her past, Estela must make the most difficult decision of her life: to send away her precious child as the only means of keeping him alive. Living in sadness for months after placing Musca in hiding, Estela receives an unexpected message from Dragonetz, asking her to join him Oltra mar and she embarks on an unfathomable journey to be reunited with her knight.
Bladesong is not just a novel you read, it’s a novel that you feel. You can’t help but develop an emotional connection to these characters. Every chapter elicits a genuine reaction from the reader. There were moments when I was angry with Dragonetz and Estela, moments when I worried for them and felt sadness for them. Jean Gill’s writing is so descriptive that I could almost hear the couple as they sang and I could see each scene in my mind’s eye as if I were an actual observer in the room. I challenge you to read this series, take in the detail, appreciate the incredible imagination and historical research that went into creating it, and feel anything other than admiration.
PS. Be still my beating heart! Book 3, Plaint for Provence, is now available for pre-order on Amazon. Review coming ASAP!
Additional reviews available at http://www.readingonrepeat.com
The story opens with our brave knight, Dragonetz, imprisoned in Damascus; an independent city wedged in the middle of a political tug-of-war. Dragonetz has no choice but to face the demons of his past if he has any hope of carrying out his mission with both his life and honor intact. Dragonetz must fight with everything he has to fulfill his oath to Raavad, overcome the fatal drug coursing through his veins, and return home to the only woman he’s ever truly loved.
Estela certainly has her own trials to overcome. Welcoming Dragonetz’ son, Txamusca, into the world was no easy task (especially alone), but she embraced motherhood with every ounce of her being. Also receiving a threat from her past, Estela must make the most difficult decision of her life: to send away her precious child as the only means of keeping him alive. Living in sadness for months after placing Musca in hiding, Estela receives an unexpected message from Dragonetz, asking her to join him Oltra mar and she embarks on an unfathomable journey to be reunited with her knight.
Bladesong is not just a novel you read, it’s a novel that you feel. You can’t help but develop an emotional connection to these characters. Every chapter elicits a genuine reaction from the reader. There were moments when I was angry with Dragonetz and Estela, moments when I worried for them and felt sadness for them. Jean Gill’s writing is so descriptive that I could almost hear the couple as they sang and I could see each scene in my mind’s eye as if I were an actual observer in the room. I challenge you to read this series, take in the detail, appreciate the incredible imagination and historical research that went into creating it, and feel anything other than admiration.
PS. Be still my beating heart! Book 3, Plaint for Provence, is now available for pre-order on Amazon. Review coming ASAP!
Additional reviews available at http://www.readingonrepeat.com
October 18, 2013
Bladesong is book 2 of the Troubadour series, of which book 1, Song at Dawn with its mix of historical romance, intrigue, and adventure completely captured my heart and imagination. You can read my review of Song at Dawn on Goodreads as well. Dragonetz and Estela were characters I could not forget. Overtime, my appreciation for Song at Dawn actually deepened as I remembered the brilliant characters and settings that author Jean Gill had so masterfully created from the fabric of history. So of course, I was very excited to pick up book 2!
Bladesong begins soon after the end of Song at Dawn. Dragonetz has begun his journey to the Holy Land, returning a sacred Torah in an effort to restore his wealth and reputation. But Dragonetz has already been ensnared by politics and factions seeking the book. In fact, the story begins with Dragonetz caught in a trap I felt had no solution. Estela also is facing repercussions from her love of Dragonetz and the feisty though slightly naive woman who graced Song at Dawn is absent in the first few chapters. I really was worried about there Ms. Gill was taking book 2.
BUT, the plot quickly unfolds with many twists. The trouble plaguing Dragonetz that I was certain was unescapable twines through the book until the final resolution in the last chapter. Estela emerges again with her hopes and wits, naive enough to be a pawn but true enough to herself and love to find her way forward, perhaps not unscathed which only deepens her. The ending is everything the romantic in me wanted yet leaves me longing for a final resolution hopefully coming in book 3?
I found this book more solid in following the main plot of the sacred book, Dragonetz, and Estela compared to book 1, which had a few subplots revolving around secondary characters, such as some political maneuvering that only vaguely touched on Dragonetz and Estela. The plot is trim and engrossing. Ms. Gil's writing is beautiful, crafting a historic setting with enough detail to give you a feel for the time without overwhelming the characters. Could my only complaint be Dragonetz is just a little too well known and wanted? But that fits a knight troubadour and though his fame is great, his character is human with fitting flaws.
This is an excellent book with a great story. If you love historical romance and adventure, you must pick up this series!
Bladesong begins soon after the end of Song at Dawn. Dragonetz has begun his journey to the Holy Land, returning a sacred Torah in an effort to restore his wealth and reputation. But Dragonetz has already been ensnared by politics and factions seeking the book. In fact, the story begins with Dragonetz caught in a trap I felt had no solution. Estela also is facing repercussions from her love of Dragonetz and the feisty though slightly naive woman who graced Song at Dawn is absent in the first few chapters. I really was worried about there Ms. Gill was taking book 2.
BUT, the plot quickly unfolds with many twists. The trouble plaguing Dragonetz that I was certain was unescapable twines through the book until the final resolution in the last chapter. Estela emerges again with her hopes and wits, naive enough to be a pawn but true enough to herself and love to find her way forward, perhaps not unscathed which only deepens her. The ending is everything the romantic in me wanted yet leaves me longing for a final resolution hopefully coming in book 3?
I found this book more solid in following the main plot of the sacred book, Dragonetz, and Estela compared to book 1, which had a few subplots revolving around secondary characters, such as some political maneuvering that only vaguely touched on Dragonetz and Estela. The plot is trim and engrossing. Ms. Gil's writing is beautiful, crafting a historic setting with enough detail to give you a feel for the time without overwhelming the characters. Could my only complaint be Dragonetz is just a little too well known and wanted? But that fits a knight troubadour and though his fame is great, his character is human with fitting flaws.
This is an excellent book with a great story. If you love historical romance and adventure, you must pick up this series!
August 2, 2014
It goes without saying, Jean Gill is the master of historical intrigue. As with several of her books, this is another I own. She has a distinctive voice and her characters are always convincing.
A delicious mix of language and cultures, of Moors and Knights, of treasures and thieves, Bladesong gives a plaintive, atmospheric first chapter that puts the reader right in the thick of it. Danger always accompanies priceless treasure so we know we’re in for a thrilling ride.
Lord Dragonetz is in prison, guarded by the most courteous of jailors. He has no idea who the nobleman is behind his capture and can only find solace in a Syrian who brings him black honeyed tea. Regardless of the fact that Dragonetz feels a rising nausea at a few parting words, I too begin to wonder what Bar Philipos is up to. Gill ratchets up the tension here with a swift POV change and we start to understand a far greater scheme. I really like Dragonetz’s link to Bar Philipos and the terrible guilt he suffers. A liaison with a beautiful girl is not quite what it seems.
The underlying history is both well researched and well received. Damascus, the golden city, is a rare jewel everyone wants to possess. Saracen forces under Nur ad-Din are growing stronger and in the south, Jerusalem is suffering disharmony.
There are sub-plots in this novel that weave between the chapters sleeker than a sidewinder. Much like a game of shatranj, with its strange ivory pieces, the reader will also be caught up in the devious side-stepping and jagged moves. The elaborate texture of this book defines it as one of the best of its kind. It strikes a beautiful balance between suspense and strategy, power and weakness. As with many of Gill’s books I can’t help giving it five stars. It really doesn’t deserve anything less.
A delicious mix of language and cultures, of Moors and Knights, of treasures and thieves, Bladesong gives a plaintive, atmospheric first chapter that puts the reader right in the thick of it. Danger always accompanies priceless treasure so we know we’re in for a thrilling ride.
Lord Dragonetz is in prison, guarded by the most courteous of jailors. He has no idea who the nobleman is behind his capture and can only find solace in a Syrian who brings him black honeyed tea. Regardless of the fact that Dragonetz feels a rising nausea at a few parting words, I too begin to wonder what Bar Philipos is up to. Gill ratchets up the tension here with a swift POV change and we start to understand a far greater scheme. I really like Dragonetz’s link to Bar Philipos and the terrible guilt he suffers. A liaison with a beautiful girl is not quite what it seems.
The underlying history is both well researched and well received. Damascus, the golden city, is a rare jewel everyone wants to possess. Saracen forces under Nur ad-Din are growing stronger and in the south, Jerusalem is suffering disharmony.
There are sub-plots in this novel that weave between the chapters sleeker than a sidewinder. Much like a game of shatranj, with its strange ivory pieces, the reader will also be caught up in the devious side-stepping and jagged moves. The elaborate texture of this book defines it as one of the best of its kind. It strikes a beautiful balance between suspense and strategy, power and weakness. As with many of Gill’s books I can’t help giving it five stars. It really doesn’t deserve anything less.
September 30, 2017
BLADESONG by Jean Gill: A Review
This is the second of Ms Gill’s “Troubadour Quartet” and follows perhaps a few months after the events of “Song At Dawn”. The action is split between France and the Holy Land of 1151, and as in the previous volume, the author’s knowledge and feel for her period is obvious from the opening words.
Oddly for a historical action/ romance novel, there are some uncomfortable themes explored in this book, alongside the more usual treachery, hidden agendas and double-dealing that one might expect in a tale of former Crusaders returning to the scenes of their crimes and attempting to find a way through the wreckage. The narration is paced just perfectly, reflecting the slow passage of time whilst imprisoned or kept far away from where the protagonist might wish to be, but also the frantic moments when freedom finally allows action and decisions. Parts are dealt with swiftly that perhaps could have been explored further, but whether a longer description of what must have been a fairly monotonous sea voyage would help the pace of the book is perhaps an open question! Overall it is an enjoyable read - I certainly went through it at quite a pace, which is one of my main criteria for this sort of thing - and if I felt it was not perhaps as detailed or intricate as the preceding volume in the series, well, there was more to be described in that one! This book describes a time in the main character’s lives when the pace of life has slowed, though not entirely by their design, and enough is going on to keep the reader totally engaged and hoping for a suitable outcome. I possibly need to read it again to fully “get” the feel of it, but it is easily worth 4 stars even now.
This is the second of Ms Gill’s “Troubadour Quartet” and follows perhaps a few months after the events of “Song At Dawn”. The action is split between France and the Holy Land of 1151, and as in the previous volume, the author’s knowledge and feel for her period is obvious from the opening words.
Oddly for a historical action/ romance novel, there are some uncomfortable themes explored in this book, alongside the more usual treachery, hidden agendas and double-dealing that one might expect in a tale of former Crusaders returning to the scenes of their crimes and attempting to find a way through the wreckage. The narration is paced just perfectly, reflecting the slow passage of time whilst imprisoned or kept far away from where the protagonist might wish to be, but also the frantic moments when freedom finally allows action and decisions. Parts are dealt with swiftly that perhaps could have been explored further, but whether a longer description of what must have been a fairly monotonous sea voyage would help the pace of the book is perhaps an open question! Overall it is an enjoyable read - I certainly went through it at quite a pace, which is one of my main criteria for this sort of thing - and if I felt it was not perhaps as detailed or intricate as the preceding volume in the series, well, there was more to be described in that one! This book describes a time in the main character’s lives when the pace of life has slowed, though not entirely by their design, and enough is going on to keep the reader totally engaged and hoping for a suitable outcome. I possibly need to read it again to fully “get” the feel of it, but it is easily worth 4 stars even now.
August 9, 2015
In Book 2 of Jean Gill’s brilliantly written Troubadours Quartet Series, “Bladesong: 1151 in the Holy Land”, the author once again takes the reader into a long ago world of intrigue and romance. Gill’s ability to capture the essence of the time period borders on magic. With much of the story taking place in Damascus and Jerusalem, Gill creates the flavor of the Middle East with an incomparable skill. The sights and scents of post Crusade Damascus are rich throughout the segment. Bravely taking on the issues of homosexuality and drug addiction in a time when the subjects were virtually incomprehensible to the Europeans, “Oltra mar”, Gill is able to create a view of the time period that is rarely produced in literature.
Following the lives of her characters, Estela and Dragonetz, when they are separated, while maintaining the passions of their love, is a daunting challenge. Gill steps up and does so eloquently. Even as they encounter new characters, and face confrontations with familiar characters, the essence of their ardor is never lost. As they negotiate the daily challenges of their lives, their thoughts are often on one another, recognizing that time and distance may have cooled the desire of the other.
As usual Gill adds real historical people to her tale, effectively developing their personas and making them a believable addition to what is a riveting tale of political intrigue and white hot passion.
I highly recommend this lovely Second Book in the series as I eagerly await Book Three. It is obvious there are more adventures in store for Estela, Dragonetz, Nici, Gilles, Raoulf, and Txamusca.
Following the lives of her characters, Estela and Dragonetz, when they are separated, while maintaining the passions of their love, is a daunting challenge. Gill steps up and does so eloquently. Even as they encounter new characters, and face confrontations with familiar characters, the essence of their ardor is never lost. As they negotiate the daily challenges of their lives, their thoughts are often on one another, recognizing that time and distance may have cooled the desire of the other.
As usual Gill adds real historical people to her tale, effectively developing their personas and making them a believable addition to what is a riveting tale of political intrigue and white hot passion.
I highly recommend this lovely Second Book in the series as I eagerly await Book Three. It is obvious there are more adventures in store for Estela, Dragonetz, Nici, Gilles, Raoulf, and Txamusca.
July 3, 2015
Another great story!
It takes a great talent to create a story like this. My interest for Bladesong is centred on Estela and her lover Dragonetz my favourite characters from book one ‘Song At Dawn’ The distance between the lovers is my main focus wondering how Jean Gill will close the gap. It’s so tense! I developed a few Goosebumps I must say. I like Jean Gill writing style, using the same characters in book two but of course she added more interesting characters especially Musca, Simo and Prima. Estela’s brother and his sudden appearance makes the story so tense. The man is so arrogant! My heart skipped a beat when Estela was forced to make a decision, sending Musca and his bodyguard Nici into hiding for the fear of what her brother might do to what she treasures most. She is a brave young woman and she is only seventeen. I like Nici, the way he guards those around him….
Then there is Dragontz in Jeruserem tangled with Bar Philipos and the the Queen of Jerusalem, women and the sweet tea... This another tense section, very gripping, there is so much greed and corruption, there is no-one to trust… I fear for Dragontz’s safety…
I like a book that makes my heart race and Bladesong did exactly that. It’s a great story.
It takes a great talent to create a story like this. My interest for Bladesong is centred on Estela and her lover Dragonetz my favourite characters from book one ‘Song At Dawn’ The distance between the lovers is my main focus wondering how Jean Gill will close the gap. It’s so tense! I developed a few Goosebumps I must say. I like Jean Gill writing style, using the same characters in book two but of course she added more interesting characters especially Musca, Simo and Prima. Estela’s brother and his sudden appearance makes the story so tense. The man is so arrogant! My heart skipped a beat when Estela was forced to make a decision, sending Musca and his bodyguard Nici into hiding for the fear of what her brother might do to what she treasures most. She is a brave young woman and she is only seventeen. I like Nici, the way he guards those around him….
Then there is Dragontz in Jeruserem tangled with Bar Philipos and the the Queen of Jerusalem, women and the sweet tea... This another tense section, very gripping, there is so much greed and corruption, there is no-one to trust… I fear for Dragontz’s safety…
I like a book that makes my heart race and Bladesong did exactly that. It’s a great story.
March 7, 2016
A trip to the holy land filled with intrigue, danger, and lies. This book continues the story of Estella and Dragonetz, though they have been separated by a quest. Dragonetz shows his intelligence and ability to see several moves ahead even after being weakened by his captor. Estella continues to grow and blossom into a beautiful and talented troubadour. She displays her bravery and sacrifice while protecting those she loves.
The historical details have been well researched and only add to an already beautiful story. Dragonetz's love of learning how things are made is carried into this book, the second book in the series, showing the reader the wonders of Damascus and the middle east. The writing of Dragonetz's dreams feel chaotic and disjointed, only making them feel more real.
This book has the ability to take the reader back in time, pulling them into the delicate balance of the holy land during the second crusade. This is a must read for the historical fiction reader.
The historical details have been well researched and only add to an already beautiful story. Dragonetz's love of learning how things are made is carried into this book, the second book in the series, showing the reader the wonders of Damascus and the middle east. The writing of Dragonetz's dreams feel chaotic and disjointed, only making them feel more real.
This book has the ability to take the reader back in time, pulling them into the delicate balance of the holy land during the second crusade. This is a must read for the historical fiction reader.
February 24, 2016
Wow. As amazing as Song at Dawn is, I think Bladesong is even better. It feels more streamlined, the characters, particularly Dragonetz, more real. His struggles with the poppy were an interesting twist, particularly the dreams. No longer simply the courageous knight, Dragonetz has fallen victim to an ingenious scheme to turn him into an opium junkie. And strangely enough, his suffering makes an already likable character that much more compelling.
The plot is very clever. There are plans within plans, and watching everything unfold is both captivating and satisfying. It doesn't hurt that the world in which this story takes place is so carefully constructed. I can only imagine the amount of research that was required to bring 12th century Damascus and Jerusalem so thoroughly to life. From the music, to the language, to the clothing, to the architecture; everything feels authentic. And it contrasts well with the European setting of the previous novel.
This is proving to be a memorable series, and I look forward to reading the next installment, Plaint for Provence.
The plot is very clever. There are plans within plans, and watching everything unfold is both captivating and satisfying. It doesn't hurt that the world in which this story takes place is so carefully constructed. I can only imagine the amount of research that was required to bring 12th century Damascus and Jerusalem so thoroughly to life. From the music, to the language, to the clothing, to the architecture; everything feels authentic. And it contrasts well with the European setting of the previous novel.
This is proving to be a memorable series, and I look forward to reading the next installment, Plaint for Provence.
June 3, 2016
It was some time ago that I read the first book in this series (Song at Dawn) and called it 'one of the best historical novels I've read'. Well, now I've found a better one!
Bladesong has all the historical depth and authentic fine detail of the first book, and in reading it I learned a lot of fascinating facts about this period. For example, did you know that in those times nautical charts were the personal property of the ship's pilot, and no one else would be allowed to see them? As an ex-sailor myself, I found that particularly interesting.
But a historical novel needs more than just 'interesting'. It needs characters that you care about and a plot that absorbs you. Song at Dawn had all that - Bladesong has more, if anything. And this plot is brilliantly interwoven with real characters and situations of the period.
I thoroughly enjoyed this book. Not only one of the best historical novels I've read, one of the best novels I've read this year in any genre. I must definitely get to the next in the series!
Bladesong has all the historical depth and authentic fine detail of the first book, and in reading it I learned a lot of fascinating facts about this period. For example, did you know that in those times nautical charts were the personal property of the ship's pilot, and no one else would be allowed to see them? As an ex-sailor myself, I found that particularly interesting.
But a historical novel needs more than just 'interesting'. It needs characters that you care about and a plot that absorbs you. Song at Dawn had all that - Bladesong has more, if anything. And this plot is brilliantly interwoven with real characters and situations of the period.
I thoroughly enjoyed this book. Not only one of the best historical novels I've read, one of the best novels I've read this year in any genre. I must definitely get to the next in the series!
August 29, 2014
Very enjoyable, intricate historical fiction. This is a sequel and you must read the other book first - this is definitely not a series you can pick up random pieces of.
The breadth and scope of the plot is amazing. The political wrangling and intrigue is interesting and delightfully devious. Bar Philipos turns out to be an excellent villain - crafty and evil, yet with an understandable motive.
My only complaint is this book picks up immediately where the first ended, and the author seems to expect the reader to go directly from the first book to this one. While I remembered the majority of the plot and characters, there were times I couldn't quite place a name or plot thread. A little bit of backstory interspersed in the narrative would have made it easier for me to fall back into the story.
The breadth and scope of the plot is amazing. The political wrangling and intrigue is interesting and delightfully devious. Bar Philipos turns out to be an excellent villain - crafty and evil, yet with an understandable motive.
My only complaint is this book picks up immediately where the first ended, and the author seems to expect the reader to go directly from the first book to this one. While I remembered the majority of the plot and characters, there were times I couldn't quite place a name or plot thread. A little bit of backstory interspersed in the narrative would have made it easier for me to fall back into the story.
April 25, 2016
While I liked this book, my favorite is the first in the series. This book evokes strong emotion due to the distance between lovers separated by a quest and by the horrendous obstacles they must overcome. The mystery and intrigue are intense and the dialog and internal conflicts are amazing. The first book left me wistful. This one left me feeling that I had gone on this long journey, arriving nearly exhausted. The story is packed with description of places and events making it seem as though you are there. This isn't a light read but worth it for the experience.
February 16, 2016
Another stunning masterpiece by a brilliant author.
Jean Gill writes with passion, flair and knowledge of the era and location. The result is a superb story with wonderful settings and complex, well-developed characters who feel like old friends. Add the political intrigue and a long journey with surprises on the way, and the result is a book that is totally addictive!
If you’re a fan of historical fiction and love well written, exciting books, you won’t be disappointed.
Highly recommended.
Jean Gill writes with passion, flair and knowledge of the era and location. The result is a superb story with wonderful settings and complex, well-developed characters who feel like old friends. Add the political intrigue and a long journey with surprises on the way, and the result is a book that is totally addictive!
If you’re a fan of historical fiction and love well written, exciting books, you won’t be disappointed.
Highly recommended.
April 4, 2016
I loved the first book in this series. Unfortunately, this sequel has omitted all that made the first book good (Estela's introduction to court life and her interaction with Dragonetz) and left in all that was bad (page after page of exposition, usually disguised as Dragonetz ruminating on previous incidents and re-explaining to himself details of old political intrigues). One-fourth of the way into the book it felt like a long, dull slog. Life is too short to wade through dull writing.
November 24, 2015
Blade a little too 'made.' Dragonetz and Estela face and overcome incredible odds where everyone else has more power and resources than they. Characters are as strongly conceived and written as nearly any, but plot is a little less than believable, despite the clever use of symbols foreshadowing events.
July 9, 2016
LOVED IT! I am especially glad to have started this series right after reading the first two of Elizabeth Chadwick's books about Duchesse Alienor (Summer Queen and Winter Crown). I have been stuck (happily) in medieval France all summer!
September 29, 2016
I really enjoyed the first book in this trilogy, but I liked this book even better. For one thing, it was quite suspenseful and I felt really anxious to see whether Dragonetz and Estela would escape several pitfalls in their path.
May 23, 2017
Wonderful detail and loved the way spirituality wove it's way into the characters. Believable and fascinating culture differences made clear and real. Loved it even more than book one of this trilogy.
December 31, 2017
Great book.
Learned so much from reading the first two books in the series. Anxious to delve into the remaining two. Author does a excellent job of assuring the reader they are with the individuals all the way. Good read.
Learned so much from reading the first two books in the series. Anxious to delve into the remaining two. Author does a excellent job of assuring the reader they are with the individuals all the way. Good read.
April 18, 2018
Jean Gill has done it again. The paperback kept me up far too late night after night to find out what happens next. Possibly could be finished over a four-day weekend.
January 7, 2018
My only regret after having read book one in the Troubadour series by Jean Gill was not having read the sequel sooner.
Bladesong has been quite an adventure! The final chapters of the book whooshed by so intensely and so fast that I was almost out of breath when I finished reading them. It is an amazing feast for everyone who enjoys a great political thriller, historical fiction, romance (not in the traditional 'swooning' manner though) and fantastic characters. I can just bet the author felt it was an adventure, too, while writing it. It feels like an incredible journey in time, through countries, customs, culture and languages, and above all - human hearts, both at their worst and their best.
I have learned to love Estela and Dragonetz in Song at Dawn (book 1 in this series) so much that the author could have spent this sequel merely describing them having tea and that would have been a joy in itself. But she didn't. Some readers of historical fiction sometimes complain of authors going into too much detail of fact listing, politics, intrigue and history. Memo to them - historical fiction is supposed to go into researched detail. What I love about this book is that, despite or because of such dedicated attention to detail, the author never once drops the ball and loses from her focus the main characters and their destinies, emotions and thoughts, despite how far they may actually be distanced geographically. (No spoilers for those who will read this, but they will be distanced and yet... Estela and Dragonetz separated by an ocean, numerous powerful people and huge ordeal, even chapters, looking up at the same starts with the same thoughts - that was so masterfully woven into the plot, and felt like a balm on this reader's tormented heart.)
The author displays the characters with all their faults and virtues, providing timely background and explanation, but not making excuses. Their growth and development is remarkable, and even the villains got the attention and, as weird as it may sound, the respect they deserve. The fact that this is a series allows the author time and space to develop even the tiniest detail, but she uses her time and space with every respect for her readers, never squandering a single line. By chapter 8, I already had 8 favourite quotes marked, and that is saying something. Blending detail into the bigger picture, never losing the importance of either the big picture or the value of each detail, makes Jean Gill a great strategist and general of all the battles in this book, be they the ones in bedchambers, stables, battlefields, courts or the eyes of people when they meet or avoid each other.
History is alive in these books. Alive because you can hear the languages and music the characters use, the echoes and the hushed whispers of secrets, the drums and purposeful noise of those in public display of power, the clamour of dynamic battle, the breaths of those living their lives for their partners, friends, animal friends. You can smell the scents of food and beverages offered or denied, the fresh sea breeze turning sea-sickness into health, the strong odour of physical illness and human malice, of blood flowing quietly down the streets after a vicious, unnoticed murder. You can touch the silk and cloth of dresses and robes, the cold metal of armour and shiny curves of blades... You can laugh with them all, and cry with them all, and love. And when the book is finished, you might linger in that world for a while, not wanting to be torn away from it.
I could write essays about the faulty and powerful queens, the admirable leaders, the courageous lieges, the unyielding nursemaids, the incredible horses and dogs... but you'd better read the book(s). Book three is next for me. There is so much more to know.
Bladesong has been quite an adventure! The final chapters of the book whooshed by so intensely and so fast that I was almost out of breath when I finished reading them. It is an amazing feast for everyone who enjoys a great political thriller, historical fiction, romance (not in the traditional 'swooning' manner though) and fantastic characters. I can just bet the author felt it was an adventure, too, while writing it. It feels like an incredible journey in time, through countries, customs, culture and languages, and above all - human hearts, both at their worst and their best.
I have learned to love Estela and Dragonetz in Song at Dawn (book 1 in this series) so much that the author could have spent this sequel merely describing them having tea and that would have been a joy in itself. But she didn't. Some readers of historical fiction sometimes complain of authors going into too much detail of fact listing, politics, intrigue and history. Memo to them - historical fiction is supposed to go into researched detail. What I love about this book is that, despite or because of such dedicated attention to detail, the author never once drops the ball and loses from her focus the main characters and their destinies, emotions and thoughts, despite how far they may actually be distanced geographically. (No spoilers for those who will read this, but they will be distanced and yet... Estela and Dragonetz separated by an ocean, numerous powerful people and huge ordeal, even chapters, looking up at the same starts with the same thoughts - that was so masterfully woven into the plot, and felt like a balm on this reader's tormented heart.)
The author displays the characters with all their faults and virtues, providing timely background and explanation, but not making excuses. Their growth and development is remarkable, and even the villains got the attention and, as weird as it may sound, the respect they deserve. The fact that this is a series allows the author time and space to develop even the tiniest detail, but she uses her time and space with every respect for her readers, never squandering a single line. By chapter 8, I already had 8 favourite quotes marked, and that is saying something. Blending detail into the bigger picture, never losing the importance of either the big picture or the value of each detail, makes Jean Gill a great strategist and general of all the battles in this book, be they the ones in bedchambers, stables, battlefields, courts or the eyes of people when they meet or avoid each other.
History is alive in these books. Alive because you can hear the languages and music the characters use, the echoes and the hushed whispers of secrets, the drums and purposeful noise of those in public display of power, the clamour of dynamic battle, the breaths of those living their lives for their partners, friends, animal friends. You can smell the scents of food and beverages offered or denied, the fresh sea breeze turning sea-sickness into health, the strong odour of physical illness and human malice, of blood flowing quietly down the streets after a vicious, unnoticed murder. You can touch the silk and cloth of dresses and robes, the cold metal of armour and shiny curves of blades... You can laugh with them all, and cry with them all, and love. And when the book is finished, you might linger in that world for a while, not wanting to be torn away from it.
I could write essays about the faulty and powerful queens, the admirable leaders, the courageous lieges, the unyielding nursemaids, the incredible horses and dogs... but you'd better read the book(s). Book three is next for me. There is so much more to know.
March 21, 2021
Bladesong, the second book of Jean Gill’s Troubadours Quartet, finds Dragonetz imprisoned, watched over by deferential guards who speak Arabic. He knows that he was ambushed and knocked unconscious in the port of St Jean d’Acre en route to Jerusalem. Quite an embarrassment for the Christian knight, whose involvement in the second crusade has earned him the nickname, Lord Dragonetz the brave. He was captured carrying a precious copy of the Torah, which he must return to its rightful owners, the Jews, in order to have his debts cancelled. But who his captors are and what their plans for him might be is a mystery. Whilst imprisoned, Dragonetz is visited by Bar Philipos, a man he feels obligated towards, who teaches him chess. In this tale of many players, where it is never quite clear who is friend and who is foe, where to befriend the wrong people would be to sign your own death warrant, and where a person who thinks they are a player may find that they have been played, the author could have not made a more appropriate choice of game.
Meanwhile, left without news for months on end, troubadour Estela gives birth to Dragonetz’s child – a son she names Txamusca, who must for now remain a secret. A son threatens her brother’s inheritance, something he will not tolerate. When news of the child’s birth leaks, Estela reluctantly accepts that she has no option but to send him away, for his safety and for hers. But then, what seems like good news – de Rancon arrives at court, sent by Dragonetz to bring Estela to him in Jerusalem, where they are both to sing for Queen Melisende. It is only after they have embarked on the arduous journey that de Rancon confides that Estela may find Dragonetz a changed man. And as she hears of first-hand account of Dragonetz’s involvement in the ill-fated crusade, Estela cannot help but question how well she actually knows him.
Jean Gill proves herself an agile writer, keeping her readers in thrall as Estela ventures unwittingly into danger, not knowing that she is being used as a pawn. At the same time, Gill brings to life the various factions who would make a power-play for control of Damascus, all understanding that to have Dragonetz leading their armies would mean the difference between success and failure. The author Gill is in complete control of all of the players on the board. Rest assured, when the time comes, it is she who calls checkmate.
Meanwhile, left without news for months on end, troubadour Estela gives birth to Dragonetz’s child – a son she names Txamusca, who must for now remain a secret. A son threatens her brother’s inheritance, something he will not tolerate. When news of the child’s birth leaks, Estela reluctantly accepts that she has no option but to send him away, for his safety and for hers. But then, what seems like good news – de Rancon arrives at court, sent by Dragonetz to bring Estela to him in Jerusalem, where they are both to sing for Queen Melisende. It is only after they have embarked on the arduous journey that de Rancon confides that Estela may find Dragonetz a changed man. And as she hears of first-hand account of Dragonetz’s involvement in the ill-fated crusade, Estela cannot help but question how well she actually knows him.
Jean Gill proves herself an agile writer, keeping her readers in thrall as Estela ventures unwittingly into danger, not knowing that she is being used as a pawn. At the same time, Gill brings to life the various factions who would make a power-play for control of Damascus, all understanding that to have Dragonetz leading their armies would mean the difference between success and failure. The author Gill is in complete control of all of the players on the board. Rest assured, when the time comes, it is she who calls checkmate.
November 23, 2018
Classic Jean Gill
Dragonetz , Estela and their friends face enemies more powerful and subtle than those they faced in book one.
(Song At Dawn) The real history is impeccably researched and just as exciting as the story she waves around it. You cheer when good and evil people alike get what they deserve. You mourn when innocents die caught in battles they did not make. It's a gorgeous satisfying fantasy set inside the very real business of life as real people live it. I honestly believe that only Jean Gill could show us the hell of drug addiction and recovery in 12th century Jerusalem and make it work so well. She does so here.
Everyone is this story walks a tightrope. Some lose their balance and fall. Some survive the walk. The fun for readers is that you're constantly surprised at how it all plays out. You will guess wrong. You won't see the twist of the knife - or the plot - coming. But you will enjoy trying, and the reward is worth the wait. There's only one reason not to read this book. It might break your heart . It broke mine, and I may not forgive the author for that. (I'm also not going to miss the next two books either! )
Dragonetz , Estela and their friends face enemies more powerful and subtle than those they faced in book one.
(Song At Dawn) The real history is impeccably researched and just as exciting as the story she waves around it. You cheer when good and evil people alike get what they deserve. You mourn when innocents die caught in battles they did not make. It's a gorgeous satisfying fantasy set inside the very real business of life as real people live it. I honestly believe that only Jean Gill could show us the hell of drug addiction and recovery in 12th century Jerusalem and make it work so well. She does so here.
Everyone is this story walks a tightrope. Some lose their balance and fall. Some survive the walk. The fun for readers is that you're constantly surprised at how it all plays out. You will guess wrong. You won't see the twist of the knife - or the plot - coming. But you will enjoy trying, and the reward is worth the wait. There's only one reason not to read this book. It might break your heart . It broke mine, and I may not forgive the author for that. (I'm also not going to miss the next two books either! )
April 15, 2022
I must confess that this listen was out of my usual comfort zone but I do have a love of history. The year of 1151 and the rich medieval history of the Middle East won me over so quickly. The writing is superb and the narrator added to my enjoyment. I found myself immersed in the places I know so well and was transported to an era of danger, powerful people and intrigue.
It was of course helpful that I had listened to the first in this series but I felt one would be able to fill in the gaps quite easily.
I would recommend this to anyone and thank the author in her accurate accounts of known medieval history
It was of course helpful that I had listened to the first in this series but I felt one would be able to fill in the gaps quite easily.
I would recommend this to anyone and thank the author in her accurate accounts of known medieval history
December 31, 2018
Bladesong - oh, how I wanted to really like this book. Instead, I found myself almost erasing it from my Kindle before I had even finished one quarter. Problems - I didn't read the first in the series (didn't know this was the second). I don't speak or read French so the use of French words was a constant annoyance. Although I love history and know quite a bit about this period, I found myself overwhelmed with the history lesson and wishing the author's story was more prominent. The story just drags to an end. I did finish the book. Will I read more from this author - probably not.
May 10, 2019
Less Than a Good Read
This historical romance was light on history and romance. There were serious grammatical errors in my ecopy. The words 'can't' and 'debutante' were not used in the twelfth century, according to the quick research I conducted. I liked the first book in the series, and it upsets me that the second book was not a good read.
Sorry, Ms. Gill, this was not a good read for me.
This historical romance was light on history and romance. There were serious grammatical errors in my ecopy. The words 'can't' and 'debutante' were not used in the twelfth century, according to the quick research I conducted. I liked the first book in the series, and it upsets me that the second book was not a good read.
Sorry, Ms. Gill, this was not a good read for me.
May 9, 2022
Same brilliant characters plus a few new ones!
The Bladesong saga continues in the same well-researched historical detail. Jean Gill has woven a masterpiece of characters, plot, and intrigue. Delving into drugs, sex, and mayhem, she has kept the detail tight and smooth flowing. I am very happy that Jake Urry narrated both the first book and this book. His narration added a compelling depth to this audio experience.
The Bladesong saga continues in the same well-researched historical detail. Jean Gill has woven a masterpiece of characters, plot, and intrigue. Delving into drugs, sex, and mayhem, she has kept the detail tight and smooth flowing. I am very happy that Jake Urry narrated both the first book and this book. His narration added a compelling depth to this audio experience.
January 4, 2019
Reading this book was like walking slowly through a medieval monastery not wanting to miss a single sight or sound or smell. The plot felt slow at times but the world Gill creates is rich and deep and vivid. Thank you for a delightful read.
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