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Colorado rancher Atticus Cody receives word that his wayward younger son, Scott, has committed suicide in Resurrection, Mexico. When Atticus travels south to recover Scott's body, he is puzzled by what he finds there and begins to suspect murder. Illuminating those often obscure chambers of the human heart, Atticus is the story of a father's steadfast and almost unfathomable love for his son, a mystery that Ron Hansen's fiction explores with a passion and intensity no reader will be able to resist.
Author I believe that it is risk that energizes a writer," says Ron Hansen. "I am challenged when I write from a woman's perspective or set my work in a historical period, because there is so much more that I have to imagine." Hansen has been imaging fictional worlds since his childhood in Nebraska, when stories of old west outlaws helped shape his future writing. In fact his first two novels, Desperadoes and The Assassination of Jesse James by the Coward Robert Ford, retell Wild West legends. His other novels are Mariette in Ecstasy and Atticus, which was a finalist for the National Book Award. Nebraska, a collection of short stories, received an Award in Literature from the American Academy and Institute of Arts and Letters. With fellow novelist Jim Shepard, he edited the anthology You've Got to Read Contemporary American Writers Introduce Stories That Held Them in Awe. He also wrote the screenplays for Mariette in Ecstasy and, more recently, for Tom Wolfe's The Electric Kool-Aid Acid Test.
Hansen graduated from Creighton University in Omaha, and went on to the University of Iowa'sWriters' Workshop where he studied with John Irving. Having spent many years as an itinerant scholar, he is now Gerard Manley Hopkins, S. J., Professor in Arts and Humanities at Santa Clara University in northern California. Hanson earned a Masters degree in spirituality from Santa Clara in 1995.
His strong personal interest in the connection between religion and literature is the focus of his next book, A Stay Against Essays on Faith and Fiction, which HarperCollins will publish in January 2001.
A conversation with Ron Hansen about Hitler's Niece
When did you first hear the nearly forgotten story of the strange love affair between Hitler and his niece, Geli Raubal?
I was reading Hitler and Parallel Lives by Alan Bullock, and he mentions Geli Raubal several times. I had never heard about her, but was struck by the fact that she was the only woman that Hitler every loved or wanted to marry. I at first intended to write a short story about her, a story that would consider what it might have been like to be loved by this evil man, one of the monsters of the 20th century. Was she seduced by Hitler, was she an accomplice, or was she in love with him? I started reading other books, mostly reminiscences of people who knew her, and as I got into it I realized that there was so much more than a short story. I had a novel.
What was it about Geli's story that attracted you and inspired you to write a novel?
I've long been fascinated by Hitler's character. How did this monster have such control over people and almost win his war? He was an unprepossessing character with no education—seemingly nothing going for him except his incredible oratory skills. Why was that enough to sway a whole country? I thought that by looking at Hitler through Geli's eyes, from her perspective, we might gain some insights.
What did you feel you, as a novelist, could bring to the story that may have eluded historians and biographers?
Historians are stuck with the facts as they've been presented, and in some ways they are facts that were massaged by the machinery of the Nazi party. And, in the case of Hitler, there are enormous gaps. But if you read between the lines, it all makes perfect sense. And that's what novelists do. I try to take the facts and fill in based on what I've observed about human behavior—to try to figure out what would be the likeliest way for a character to get from one point to the next. That's what I've done with Geli Raubal in Hitler's Niece.
And, as a novelist, you needed to get inside Hitler and, sometimes surprisingly, imbue him with human characteristics.
I think the one thing we learn from fiction is that people are never totally good or totally bad. As hard as it is to believe, this has to have been true about Hitler as well. He had that extraordinary ability to dominate and control people, to keep people coming back to him. He had to be more than a selfish bore or people would not have been drawn to him.
Many years after the war, Hitler's architect, Albert Speer, was released from prison and he watched film footage of Hitler for the first time in many years. He said he was struck by how dull Hitler seemed on film, as opposed to how he really was. Hitler must have had qualitie...
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First published February 1, 1996
‘She told him, "When I was in college I read a folktale about a father pursuing a son who'd run far away, from one world to the next. The father called to him, 'Please come back!' But his son looked across the great gulf between them and shouted to him, 'I can't go that far!' So his father yelled to his son, 'Then just come back halfway!' But his boy replied, I can't go back halfway!' And finally his father shouted, 'Walk back as far as you can! I'll go the rest of the way!'"’Firstrate! I want to read everything by Hansen!