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The Publics Is Never Wrong The Autobiography Of

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

344 pages, Hardcover

First published January 1, 1953

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About the author

Adolph Zukor

5 books1 follower
See also: Zukor Adolf

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Displaying 1 - 3 of 3 reviews
Profile Image for Ceejay.
555 reviews18 followers
May 24, 2014
This autobiography from 1953 is a great read. Adolph Zuckor was a movie producer from around 1910 through the publication of this book.He ended up as the head of Paramount Studios. His tales of early movie production, and the stories of various movie stars make for an interesting read. It is an autobiography from the early 50's, so the book is told only from his view point. But, it doesn't matter because it is interesting to read these first hand stories from a bygone era. If you love movies and you would like to learn about the old studio star system, then this is the book for you.
Profile Image for Greta.
222 reviews45 followers
April 8, 2009
Interesting, but less detailed than The House that Shadow’s Built. Rather self-serving, talks about how well he got on with everyone, and also talks about stuff he had nothing to do with, like Keystone. Liked Marguerite Clark a lot.
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