One of the things that makes Iva Kenaz’s writing so wonderful to read is it’s refreshing, unique, and void of any desire to be the next mainstream big thing. This is the third book I’ve read by her, and a standalone sequel to her first novel, The Witch Within, and it pulled me in just as much as the other two novels, if not more. Set in 16th-century Italy, The Goddess Within follows Berka, a 15-year-old girl who lives in the wilds of the forest with her recluse father, who has raised her to live in harmony with nature.
Drawn by dreams to a faun, a creature from a parallel, magical realm, she soon finds herself on a journey of self-discovery as bandits and shadow spirits create havoc in her forest home. For believers in the mysteries of the forest, this story brings nature and spirituality in tune. Although there’s a romance, it doesn’t dominate the story by any means, but instead serves as a thread tying elements of the story together. And yet, the love story was truly one of my favorite parts of the book.
One thing I really appreciate about Kenaz’s writing is how she subtlety weaves magic into the mundane. A passing glance often reveals something so much more meaningful without launching into lengthy explanations, making it masterfully done. Her characters never lack a voice, and Berka’s growth from a willful, naive, innocent girl to a woman who, although still very much a pure soul, delves into her “inner goddess,” was well-written and served as a main theme. Much like in her previous novel The Witch Within, the story explores earth-based, ancestral spiritualism that centers around the feminine mystique.
This enchanting tale of self-discovery, growth, and forgiveness blends sacred geometry—which is the belief that God has ascribed symbolic and sacred meaning to geometric shapes—mythical creatures, and familial bonds to create a tale that anyone who appreciates nature, fantasy, and love will want to read.
*I received this copy from the author in exchange for a fair and unbiased review.