The next stop in my end-of-the-world reading marathon was Robert McCammon's post-apocalyptic epic Swan Song. Published in 1987, nine years after Stephen King's The Stand, the story follows two bands of survivors -- one representing good, the other evil -- as they make their way across what used to be America while a supernatural being no less than Old Scratch himself seeks to undermine the good souls and shift the battle onto the side of evil. Yes, kids, eeriely similar to The Stand. More on that later.
The tale begins on July 16 with the President of the United States, a former astronaut, facing a world in crisis. Eight months ago, the Soviet Union unleashed nuclear and chemical strikes on Afghanistan. A twelve-and-a-half kiloton nuclear device has leveled half of Beirut, with dozens of terrorist groups claiming responsibility. India and Pakistan have exchanged nuclear and chemical strikes, and Iraq and Iran follow suit.
American and Soviet naval and air forces shadow each other over the Persian Gulf, while off Key West, a trigger happy U.S. fighter jet sends a missile into a crippled Russian sub. The U.S.S.R. responds by blinding American satellites. The President is adamant that he will not start World War III but his advisers remark that the world is already at war. In a game of brinkmanship, he reluctantly gives the A-OK to intercept Soviet submarines on the seas ...
Meanwhile, several Americans go about the last day of their rest of their lives:
-- In Manhattan, bag lady Sister Creep, whose regular life ended with drunk driving and its aftermath, opens up a razorblade on two men who assault her. Sister uses her last bit of change to enter the subway, where she seeks shelter in a tunnel, plagued by bad memories of what sent her here in the first place.
-- In Concordia, Kansas, professional wrestler "Black Frankenstein", alias Josh Hutchins, resorts to some stagecraft when his opponent injures himself and risks allowing the bad guy to win the bout. Unlike his character, Josh is one of the good guys, with a wife and two sons in Mobile and a love for donuts.
-- In Wichita, Sue Wanda Prescott tends to a garden she's planted outside the mobile home she shares with her stripper mom Darleen and "uncle". Swan, who has a gift for growing things and seeing into people, unnerves her mom's latest boyfriend, and after he slaps Darleen, mother and daughter hit the road.
-- In Idaho, the Croninger family wind their RV up Blue Dome Mountain, where they're bought a two-week time share in Earth House, an underground compound managed by Vietnam veteran Colonel James Macklin. The young Roland Croninger, a geek for computers and strategy games, is not impressed with the middle-aged war hero, while his mother observes numerous drainage problems in the mountain fortress.
These are the unlucky ones who survive the global thermonuclear war that begins at 10:16 a.m. EST.
Sister Creep emerges from the subway to find her favorite spot in the city -- a glassworks shop -- destroyed along with all the other buildings. Amid the ruins, she discovers a ring of glass forged by the nuclear fire into a priceless jewel which seems to enable the bearer to "dreamwalk" great distances and see fantastic things. The ring gives hope to each of the shellshocked survivors Sister reluctantly gathers up to lead through the flooding Holland Tunnel to safety.
Josh meets Swan & Doreen at a gas station near a cornfield in Kansas where the locusts seem to sense something headed their way. Swan feels it next but is unable to alert the grownups before missile silos in the cornfield open and fire ICBMs into the atmosphere. In the retaliatory strike that follows, Josh, Swan & Doreen are buried in a fallout shelter under the gas station.
Colonel Macklin and the staff of Earth House track World War III in real time and seal the mountain as they've drilled for countless times. Located far from any likely targets, they watch in disbelief as a U.S. missile headed for Russia malfunctions and explodes close enough to hit the compound with a shockwave. The faulty drainage system turns the mountain in a tomb, separating Roland from his parents. The boy loses his mind but finds a new patron in Colonel Macklin, whom he rescues from the rubble and helps escape to the surface.
In New Jersey, Sister Creep encounters a survivor who gives the name of Doyle Halland and claims to be a priest. Something about the man and the way he appeared suddenly makes Sister uneasy. He becomes fixated on the ring she's carrying after seeing the effect it has on other survivors. Halland reveals himself to be something less than human and far worse, a creature of many different faces and names (The Man With the Scarlet Eye among them) who's taken a front row seat to every genocide in history. Sister manages to escape and using the ring, begins to experience visions of a special girl in Kansas.
This takes us through page 267 of 956 or roughly one third of the book. By the conclusion, I kept hoping it would never end.
In Stephen King's anthology Four Past Midnight, the story The Library Policeman features an exchange between librarian Mrs. Lortz and a realtor named Sam Peebles, who feels the librarian's borrowing instructions to the kids seem harsh. She replies, "Their favorite novel was a paperback original called Swan Song. It's a horror novel by a man named Robert McCammon. We can't keep it in stock, Sam. They read each new copy to rags in weeks. I had a copy put in Vinabind, but of course, it was stolen. By one of the bad children."
If that's not an endorsement from Uncle Stevie, I don't know what is.
I first read Swan Song in high school and revisiting this 25 years later, am happy to say that I was even more enthralled the second time around. Once I quit comparing it to The Stand, which I read recently for the first time and still had very fresh on my mind, and simply submitted to McCammon's fits of imagination and gift of majestic storytelling, I never looked back.
With The Stand, King's characters all seemed to me like they could be found in the same hardware store in Maine, and while King knows those characters, their pasts and their personalities extremely well, McCammon jets the reader out of the hardware store and scatters us to four corners of the country, introducing characters I found much more diverse and almost as compelling.
The Man with the Scarlet Eye, alias Doyle Halland, alias Friend, is as close as I've seen an author get to using "Sympathy For the Devil" by The Rolling Stones to bring a character to life. He's introduced in a sleazy theater in Times Square watching Faces of Death III, laughing at the carnage, looking for himself on screen and giving the employees the creeps. Strangely, none of the staff members can agree on what the man looks like, and are reminded of painful memories while in proximity to him. Spook Central.
One aspect of Swan Song I found wonderfully novel was the introduction of a skin condition among some of the survivors that becomes known as Job's Mask, which starts off as facial warts that begin to connect through tendrils and eventually wrap the sufferer's entire face in a thick mask. Those afflicted suffer great pain over many months and years as their facial structure itself begins to be altered ... altered into what becomes one of the great questions in the book.
My only complaint about Swan Song is one that I reserve for every paperback I've picked up with McCammon's name on the cover and that's how awful the art is. Granted, McCammon's output in the '80s and '90s trafficked in demons, aliens and werewolves, but these covers look like something a demon, alien or werewolf coughed up. Any illustrator with a love for these novels could do a certifiably better job of capturing the majesty and scope of the storytelling. When reading a McCammon book in public, I actually turn the cover over so nobody will see what I'm reading. That's how bad this artwork is.
Swan Song is not for the faint of heart, but what I found most remarkable about it is the lengths McCammon goes to render the country barren and why. The United States is cloaked in nuclear winter. The earth and bodies of water have been polluted. Rats are a good meal and for water, melted snow, which often makes those forced to sip it ill. At night, wolves come out of the woods to feed and later, things that no carnival freakshow could conjure up. Sunlight has vanished and along with it, hope.
What happens when the characters finally come together in Missouri and begin to build a community -- where previously there were only survivors waiting for neighbors to die so they could steal clothes or food -- is I was watching them like a kid would some string beans he'd planted. I was invested emotionally in the transformation of the wasteland into something resembling a home and when it comes under attack, I was hooked into seeing it protected. I haven't come this close to talking to a book in some time.