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Tales of Ancient Rome #3
Call to Juno
"An elegant, impeccably researched exploration of early Rome... Elisabeth Storrs weaves a wonderful tale!"
Kate Quinn, author of The Empress of Rome Saga
Four unforgettable characters are tested during a war between Rome and Etruscan Veii.
Caecilia has long been torn between her birthplace of Rome and her adopted city of Veii. Yet faced with mounting danger to her husband, children, and Etruscan freedoms, will her call to destroy Rome succeed?
Pinna has clawed her way from prostitute to the concubine of the Roman general Camillus. Deeply in love, can she exert her own power to survive the threat of exposure by those who know her sordid past?
Semni, a servant, seeks forgiveness for a past betrayal. Will she redeem herself so she can marry the man she loves?
Marcus, a Roman tribune, is tormented by unrequited love for another soldier. Can he find strength to choose between his cousin Caecilia and his fidelity to Rome?
Who will overcome the treachery of mortals and gods?
Call to Juno is the third book in the Tales of Ancient Rome saga, which includes The Wedding Shroud and The Golden Dice.
Kate Quinn, author of The Empress of Rome Saga
Four unforgettable characters are tested during a war between Rome and Etruscan Veii.
Caecilia has long been torn between her birthplace of Rome and her adopted city of Veii. Yet faced with mounting danger to her husband, children, and Etruscan freedoms, will her call to destroy Rome succeed?
Pinna has clawed her way from prostitute to the concubine of the Roman general Camillus. Deeply in love, can she exert her own power to survive the threat of exposure by those who know her sordid past?
Semni, a servant, seeks forgiveness for a past betrayal. Will she redeem herself so she can marry the man she loves?
Marcus, a Roman tribune, is tormented by unrequited love for another soldier. Can he find strength to choose between his cousin Caecilia and his fidelity to Rome?
Who will overcome the treachery of mortals and gods?
Call to Juno is the third book in the Tales of Ancient Rome saga, which includes The Wedding Shroud and The Golden Dice.
544 pages, Kindle Edition
First published April 19, 2016
176 people are currently reading
654 people want to read
About the author
Elisabeth Storrs
4 books148 followersElisabeth Storrs has a great love for the history - both trivia and the serious stuff. She is the award-winning author of the A Tale of Ancient Rome saga which was endorsed by Ursula Le Guin, Kate Quinn and Ben Kane. Now she’s hurtling centuries forward with FABLES & LIES, a novel set in WW2 Germany about the Aryan myth, crazy Nazi archaeology, and a race to save Trojan Treasure during the fall of Berlin. She is the founder and program director of the Historical Novel Society Australasia, and a former Deputy Chair of Writing NSW. In 2020, Elisabeth headed the team that introduced the $150,000 ARA Historical Novel Prize to the ANZ literary calendar. She lives in Sydney with her husband in a house surrounded by jacarandas. She is also a member of the History Girls.
The Wedding Shroud was endorsed by Ursula Le Guin and judged runner-up in the 2012 Sharp Writ Book Awards for general fiction. The Golden Dice, was judged runner-up in the 2013 Sharp Writ Book Awards, and was a first place category winner in the Chaucer Award as was the third volume, Call To Juno, which was an Editor's Choice in the Historical Novels Review and endorsed by Kate Quinn. It also was a first place category winner in the Chaucer Award in 2017.
The Wedding Shroud was endorsed by Ursula Le Guin and judged runner-up in the 2012 Sharp Writ Book Awards for general fiction. The Golden Dice, was judged runner-up in the 2013 Sharp Writ Book Awards, and was a first place category winner in the Chaucer Award as was the third volume, Call To Juno, which was an Editor's Choice in the Historical Novels Review and endorsed by Kate Quinn. It also was a first place category winner in the Chaucer Award in 2017.
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Displaying 1 - 30 of 67 reviews
October 31, 2022
Най-често победителите са самодоволни. И пишат историята на победените.
През 396 г.пр.н.е. Веи е под задушаваща и жестока обсада от Рим. Последният крал и неговата кралица все повече се обръщат към боговете и към знаци дали предначертаното е наистина неизбежно.
Генерал Камилий е на път да се превърне в жив символ на всички свои представи за света и да ги наложи на победители и победени. А трибунът Марк извървява докрай неравния път на човек, който в името на оцеляването никога няма да си позволи да бъде самия себе си.
Тази последна част от трилогията има много силен край. Но началото и средата ме поотегчиха на моменти с твърде много суеверие у героите си, което предвид развитието им в предните две книги, никак не се свърза логически с вече изградените им характери. Имаше и куп излишни повторения на факти от първите две части. Някои от героите от втората част, които имат участие и тук (като Семни), са още по - излишни и скучни.
Би било интересно да се види какво ще се случи с някои от оцелелите герои, но явно не се предвиждат продължения, което може и да е за добро.
През 396 г.пр.н.е. Веи е под задушаваща и жестока обсада от Рим. Последният крал и неговата кралица все повече се обръщат към боговете и към знаци дали предначертаното е наистина неизбежно.
Генерал Камилий е на път да се превърне в жив символ на всички свои представи за света и да ги наложи на победители и победени. А трибунът Марк извървява докрай неравния път на човек, който в името на оцеляването никога няма да си позволи да бъде самия себе си.
Тази последна част от трилогията има много силен край. Но началото и средата ме поотегчиха на моменти с твърде много суеверие у героите си, което предвид развитието им в предните две книги, никак не се свърза логически с вече изградените им характери. Имаше и куп излишни повторения на факти от първите две части. Някои от героите от втората част, които имат участие и тук (като Семни), са още по - излишни и скучни.
Би било интересно да се види какво ще се случи с някои от оцелелите герои, но явно не се предвиждат продължения, което може и да е за добро.
April 19, 2016
Call to Juno is the third in Elisabeth Storrs’ series set in both in the Etruscan city of Veii and ancient Rome. The opening book built an unlikely love story between Roman Caecilia and the Etruscan warrior Vel Mastarna. They were forced into a marriage to build an uneasy peace between their cities, but now in the third book, that peace is long gone. The compelling love story between a man and woman has expanded to the children and extended family they share and the heavy responsibilities as rulers of a Veii under siege that they carry together.
Over the course of this series Storrs builds a vivid picture of the beauty and grace of the Etruscan world—which we know will crumble eventually under Rome’s mighty hand. That ephemeral quality of this exquisite place and time enriches the emotional resonance of the complex bonds and loves that Storrs brings to life. Even the scornful Romans who view the Etruscans as degenerate and effete stop in amazement when they enter Veii and see how much grander and elegant it is than their own capital of Rome. What would our world today be like if the Etruscans, not the Romans had prevailed? Perhaps far more beautiful and gracious.
Storrs intrigues her reader with details about things like an Etruscan lady’s make-up and dress, and she contrasts them with the prim and misogynist Roman standards. Various modern parallels will occur to the reader and this adds depth to the reading experience. Early in Call to Juno Caecilia enters the great temple of Uni in order to placate the goddess. The description of both the goddess and Caecilia gives a good taste of Storrs’ skill in recreating the lost world of the Etruscans:
“Queen Uni towered ten feet high above Caecilia as she knelt before the goddess she’d once worshiped as the Roman Juno. The sculpted face of the terra-cotta statue was serene in the muted sunlight of the sanctum. …A decade of war had taken its toll. The terra-cotta that cladded the columns and roof rafters of the vast temple was cracked, the red and black paint fading…. Despite the negelect of her surrounds the divinity still looked regal. The Veientanes revered her too much to disregard her person. Her goatskin was not tattered, and she wore a diadem and pectoral of gleaming gold. Rings of silver and turquoise bedecked her fingers, and her lapis eyes were deep blue.
Gazing at the divine queen’s apparel made Caecilia conscious of her own. Vel was not the only one who was uncomfortable with donning the purple. Yet she could not deny she enjoyed the feel of her fine woolen chiton, its bodice tight, revealing the curve of her breasts and defining her nipples. Its hem was a solid band of cloth of gold. Beads of amethyst and pearl encrusted her heavy purple mantle. She knew her father would hate to see her this way, dressed flagrantly instead of garbed in the modest stola of a Roman matron, wearing a crown instead of covering her head with a palla shawl.”
Another of the strengths of this final book in this strong series is the emotional force Storrs develops not only in the Vel and Caecilia relationship but in a wide palette of characters. When things go right we are celebrating with a lot of joyous people. When they go wrong, we are watching a range of relationships in jeopardy and we are totally invested in them. The betrayals and the unshakeable loyalties will surprise and engage you.
As in the previous books, Storrs narrates from both the Roman and Etruscan point of view. Our sympathies for the Romans are growing more tenuous, although even there Storrs shows some characters transcending expectations. We can understand the concerns of various individuals among the Roman cast and we are well aware the Etruscans would happily destroy Rome if they could, but still, the scales begin to tip decidedly for the Etruscan characters and for the way of life that they have embraced. We want delight in pleasure and the goodness of graceful abundance to win out over stern Roman duty and delight in war. There is plenty to think about as you finish this book. And plenty to feel enriched by. In the meanwhile, you’ve been drawn along by an entertaining epic. Call to Juno is a book for long, delicious savoring.
Over the course of this series Storrs builds a vivid picture of the beauty and grace of the Etruscan world—which we know will crumble eventually under Rome’s mighty hand. That ephemeral quality of this exquisite place and time enriches the emotional resonance of the complex bonds and loves that Storrs brings to life. Even the scornful Romans who view the Etruscans as degenerate and effete stop in amazement when they enter Veii and see how much grander and elegant it is than their own capital of Rome. What would our world today be like if the Etruscans, not the Romans had prevailed? Perhaps far more beautiful and gracious.
Storrs intrigues her reader with details about things like an Etruscan lady’s make-up and dress, and she contrasts them with the prim and misogynist Roman standards. Various modern parallels will occur to the reader and this adds depth to the reading experience. Early in Call to Juno Caecilia enters the great temple of Uni in order to placate the goddess. The description of both the goddess and Caecilia gives a good taste of Storrs’ skill in recreating the lost world of the Etruscans:
“Queen Uni towered ten feet high above Caecilia as she knelt before the goddess she’d once worshiped as the Roman Juno. The sculpted face of the terra-cotta statue was serene in the muted sunlight of the sanctum. …A decade of war had taken its toll. The terra-cotta that cladded the columns and roof rafters of the vast temple was cracked, the red and black paint fading…. Despite the negelect of her surrounds the divinity still looked regal. The Veientanes revered her too much to disregard her person. Her goatskin was not tattered, and she wore a diadem and pectoral of gleaming gold. Rings of silver and turquoise bedecked her fingers, and her lapis eyes were deep blue.
Gazing at the divine queen’s apparel made Caecilia conscious of her own. Vel was not the only one who was uncomfortable with donning the purple. Yet she could not deny she enjoyed the feel of her fine woolen chiton, its bodice tight, revealing the curve of her breasts and defining her nipples. Its hem was a solid band of cloth of gold. Beads of amethyst and pearl encrusted her heavy purple mantle. She knew her father would hate to see her this way, dressed flagrantly instead of garbed in the modest stola of a Roman matron, wearing a crown instead of covering her head with a palla shawl.”
Another of the strengths of this final book in this strong series is the emotional force Storrs develops not only in the Vel and Caecilia relationship but in a wide palette of characters. When things go right we are celebrating with a lot of joyous people. When they go wrong, we are watching a range of relationships in jeopardy and we are totally invested in them. The betrayals and the unshakeable loyalties will surprise and engage you.
As in the previous books, Storrs narrates from both the Roman and Etruscan point of view. Our sympathies for the Romans are growing more tenuous, although even there Storrs shows some characters transcending expectations. We can understand the concerns of various individuals among the Roman cast and we are well aware the Etruscans would happily destroy Rome if they could, but still, the scales begin to tip decidedly for the Etruscan characters and for the way of life that they have embraced. We want delight in pleasure and the goodness of graceful abundance to win out over stern Roman duty and delight in war. There is plenty to think about as you finish this book. And plenty to feel enriched by. In the meanwhile, you’ve been drawn along by an entertaining epic. Call to Juno is a book for long, delicious savoring.
April 18, 2016
It's been an amazing journey since The Wedding Shroud, through The Golden Dice, to Call to Juno. It is one of the best trilogies set in the past I've ever read. It includes 3 page-turners I really enjoyed to delve into. Dense with tension, emotion and sensuousness, crowded with unforgettable vivid characters, the three tales of Ancient Rome will stay with me for their enchanting picture of a world so near to my heart but so distant in time: the magic and beauty of the Etruscan world, the allure and intrigue of Ancient Rome. As I wrote in my first review of Elisabeth Storrs's works, ancient history becomes life, love and passion in her novels.
The journey of the main characters is so interesting, touching and gripping the reader comes to relate to and care for all of them. Caecilia and Mastarna, Arrun and Semni, Pinna and Marcus are my best favourite ones. Though very different from one another, they are all complex, round characters, brave human beings ready to sacrifice themselves for what they believe in and for whom they love.
A Call to Juno is an emotional ride. The reader follows the main characters through tough and testing times: a siege, a terrible epidemy, the end of a very long war resulting into winners and losers. But in a time of great hatred, forgiveness and love will prevail in the hearts of our heroes and heroines.
If you love historical fiction which resonates to contemporary hearts, I recommend you to read this saga. What I particularly appreciate in this trilogy is Elisabeth Storrs's blend of historical accuracy with smooth, fascinating story - telling. Last but not least, if you are not into series, you must know that you can read the three books both as a saga but also as stand-alone novels.
Read my complete review at my FLY HIGH! blog
http://flyhigh-by-learnonline.blogspo...
The journey of the main characters is so interesting, touching and gripping the reader comes to relate to and care for all of them. Caecilia and Mastarna, Arrun and Semni, Pinna and Marcus are my best favourite ones. Though very different from one another, they are all complex, round characters, brave human beings ready to sacrifice themselves for what they believe in and for whom they love.
A Call to Juno is an emotional ride. The reader follows the main characters through tough and testing times: a siege, a terrible epidemy, the end of a very long war resulting into winners and losers. But in a time of great hatred, forgiveness and love will prevail in the hearts of our heroes and heroines.
If you love historical fiction which resonates to contemporary hearts, I recommend you to read this saga. What I particularly appreciate in this trilogy is Elisabeth Storrs's blend of historical accuracy with smooth, fascinating story - telling. Last but not least, if you are not into series, you must know that you can read the three books both as a saga but also as stand-alone novels.
Read my complete review at my FLY HIGH! blog
http://flyhigh-by-learnonline.blogspo...
August 12, 2017
Call to Juno opens on a simple domestic scene, a mother watching over her squabbling children. A scene universal and timeless, yet one that is situated firmly in an Etruscan court. All the indicators are present, in the richly described and meticulously accurate details of the setting, the reader left in no doubt that she has been transported back to ancient Roman times. In this fashion the third in Storr’s series is staged, as Caecilia, a Roman treaty bride, helps her husband Vel Mastarna prepare for an important ceremony.
The reader is led through the details of the previous titles in the series with finesse. If at first the various characters are confusing, the story soon settles in and the drama plays out. The battle scenes are depicted in fine detail, themes of love, betrayal, fate and destiny deftly handled, and the characters carefully crafted and believable.
It is refreshing to read of Roman times from a distinctly feminine perspective, one that captures the intimacy of motherhood and domesticity as much as it does the political horrors of war. Storrs maintains narrative control throughout, displaying that necessary skill of the historical fiction author, a deep empathy with the times she has chosen to set her work.
This is a story for those who enjoy their historical fiction rich with fine and accurate detail. Call to Juno is intensely visual, bringing ancient Rome to life, composed by an author who clearly knows her subject.
I would like to thank the author for my review copy https://isobelblackthorn.com/2017/08/...
The reader is led through the details of the previous titles in the series with finesse. If at first the various characters are confusing, the story soon settles in and the drama plays out. The battle scenes are depicted in fine detail, themes of love, betrayal, fate and destiny deftly handled, and the characters carefully crafted and believable.
It is refreshing to read of Roman times from a distinctly feminine perspective, one that captures the intimacy of motherhood and domesticity as much as it does the political horrors of war. Storrs maintains narrative control throughout, displaying that necessary skill of the historical fiction author, a deep empathy with the times she has chosen to set her work.
This is a story for those who enjoy their historical fiction rich with fine and accurate detail. Call to Juno is intensely visual, bringing ancient Rome to life, composed by an author who clearly knows her subject.
I would like to thank the author for my review copy https://isobelblackthorn.com/2017/08/...
April 23, 2016
Stunned. My one word reaction to 'Call to Juno', a passionate and inspired conclusion to Elisabeth Storrs' incredible trilogy. I can't reveal the ending.... no I can't say anything....except... the ending.... powerful truth. Vivid amazing images are still whirling through my mind.
Elisabeth Storrs has created a vibrant and totally believable world. I felt that I knew Caecilia, Semni and Pinna as friends. I sympathised so much with Marcus, his intense suffering at the denial of his sexuality, his valiant attempts to conform and to be a ‘noble Roman’. And the children. Each one has a distinctive lovable character. Again, no more must be said, but the children’s individual story lines are epic.
'Call to Juno' is a brilliantly evocative historical novel with themes that are relevant to all eras and places. Intense love, ambition, greed and lust for power are universal human characteristics. Omens and portents are not as codified in modern times as in ancient Rome and Etruria but still affect many people. Wherever you are, dealing with a goddess is always extremely tricky.
Most of all, this is a powerful love story. Caecilia and Vel Mastarna are now part of my inner imaginative world, archetypal lovers. I congratulate Elisabeth Storrs on her achievement. These are books to treasure and to read over again, and would make memorable and visually astounding films.
Elisabeth Storrs has created a vibrant and totally believable world. I felt that I knew Caecilia, Semni and Pinna as friends. I sympathised so much with Marcus, his intense suffering at the denial of his sexuality, his valiant attempts to conform and to be a ‘noble Roman’. And the children. Each one has a distinctive lovable character. Again, no more must be said, but the children’s individual story lines are epic.
'Call to Juno' is a brilliantly evocative historical novel with themes that are relevant to all eras and places. Intense love, ambition, greed and lust for power are universal human characteristics. Omens and portents are not as codified in modern times as in ancient Rome and Etruria but still affect many people. Wherever you are, dealing with a goddess is always extremely tricky.
Most of all, this is a powerful love story. Caecilia and Vel Mastarna are now part of my inner imaginative world, archetypal lovers. I congratulate Elisabeth Storrs on her achievement. These are books to treasure and to read over again, and would make memorable and visually astounding films.
June 3, 2016
I have included Elisabeth Storrs as a favourite author, having had time now to check some of her historical basis, little being known about the Etruscans. I am not averring that she is accurate - that can't be known - but it's a thoughtful possibility accompanied by excellent storytelling and characterisation - though that falls down a bit with secondary characters, thus 4 stars. I think development of secondary characters is one of the things that separates a good writer from a brilliant one. Or vice versa....
But now what? I will be looking with interest to see what she writes next!
But now what? I will be looking with interest to see what she writes next!
May 29, 2025
I remember feeling so-so about book 1 (i wasn’t super interested in the love story as i was in the history&culture) but i am SO glad i picked the series back up and finished it.
Where Book 2 brought the drama and setup, Book 3 brings it home - this author has a talent for writing richly in her characters AND the action. I never know what’s happening when reading battle scenes in books (lol) but i was in it the whole time here which was great. We all know how things ended for the Etruscans (its literally history) and there was still so much suspense and hope for our characters. Loved!
Where Book 2 brought the drama and setup, Book 3 brings it home - this author has a talent for writing richly in her characters AND the action. I never know what’s happening when reading battle scenes in books (lol) but i was in it the whole time here which was great. We all know how things ended for the Etruscans (its literally history) and there was still so much suspense and hope for our characters. Loved!
December 6, 2016
This title has a very significant meaning which will only become apparent by the end of the book, but I also wanted to point out that this is the most intriguing and powerful title for me. While I am not someone who chooses to buy books based on covers, I am definitely drawn to titles.
By the last book events are becoming very intense. It is pretty much universally known (or at least unconsciously known) that only one can emerge victorious. There is just too much conflict on both sides and the greediness of Rome knows no bounds. And this makes a very epic conclusion and one of my favourite last books in a trilogy.
By now, Rome actually dominates the book quite a bit. The book is evenly split between the two cities as both cities are preparing themselves for one last battle. And our Roman antagonist is revealing himself as both a megalomaniac and a visionary genius that is fit to lead the charge. Our antagonist also promises that Rome will conquer Veii so that all the Roman plebian can take a share of the wealth that has been long denied. This book is also the book where it explores Roman society more thoroughly, where the lines between patrician and plebian are still firmly in place in principles and in law, but not necessarily in wealth or luxuries.
The plot itself is heartbreaking: betrayals, outbreak of disease, starvation, and a final battle as well as final plea to the deities that can save them. This is a very emotional ride and I am entirely attached to all the characters—from the Roman side as well as everyone from Veii. It is also in the hardships that I truly appreciate the bond that Mastarna and Caceilla have, as they always see each other as equals and will share the burden no matter what circumstances they find themselves and their family in. I am happy that the characters have such strong ties to help them get through all the hard times.
Another thing that I really enjoyed is how far Tarchon has come as a supporting character. His decisions and actions in this book demonstrate how much he matures as a person and how Storrs paints such great and emotional changes so succinctly. My only wish is that more of his willingness to shoulder on responsibility is shown as opposed to just told as I am rather attached to his character.
Despite the historical ending, I am very glad that Storrs manages to end the story with semblance of hope. Nothing is perfect and only after reading this trilogy do I realize with the loss of the Etruscan society that the world has lost something very beautiful and sacred. But I am glad to have had such wonderful glimpses at this lost society thanks to Storrs many talents.
By the last book events are becoming very intense. It is pretty much universally known (or at least unconsciously known) that only one can emerge victorious. There is just too much conflict on both sides and the greediness of Rome knows no bounds. And this makes a very epic conclusion and one of my favourite last books in a trilogy.
By now, Rome actually dominates the book quite a bit. The book is evenly split between the two cities as both cities are preparing themselves for one last battle. And our Roman antagonist is revealing himself as both a megalomaniac and a visionary genius that is fit to lead the charge. Our antagonist also promises that Rome will conquer Veii so that all the Roman plebian can take a share of the wealth that has been long denied. This book is also the book where it explores Roman society more thoroughly, where the lines between patrician and plebian are still firmly in place in principles and in law, but not necessarily in wealth or luxuries.
The plot itself is heartbreaking: betrayals, outbreak of disease, starvation, and a final battle as well as final plea to the deities that can save them. This is a very emotional ride and I am entirely attached to all the characters—from the Roman side as well as everyone from Veii. It is also in the hardships that I truly appreciate the bond that Mastarna and Caceilla have, as they always see each other as equals and will share the burden no matter what circumstances they find themselves and their family in. I am happy that the characters have such strong ties to help them get through all the hard times.
Another thing that I really enjoyed is how far Tarchon has come as a supporting character. His decisions and actions in this book demonstrate how much he matures as a person and how Storrs paints such great and emotional changes so succinctly. My only wish is that more of his willingness to shoulder on responsibility is shown as opposed to just told as I am rather attached to his character.
Despite the historical ending, I am very glad that Storrs manages to end the story with semblance of hope. Nothing is perfect and only after reading this trilogy do I realize with the loss of the Etruscan society that the world has lost something very beautiful and sacred. But I am glad to have had such wonderful glimpses at this lost society thanks to Storrs many talents.
June 3, 2016
Wow!! I am blown away!! I just finished this book and it was stellar, well worth the wait to complete this amazing series!! We pick up right where The Golden Dice left off, following the stories of 3 women and those people and events that spiral out to create their lives.
Still we follow Pina, a former night-moth, a tomb-whore who has caught the coat tails of a Roman general at the front of the war with the Etruscans and with deal making, is putting herself out as a respectable army-wife and concubine, Semi, a salve in a well to do household in Veii with a young son, a husband to be, and acts as nurse maid to the children and wet nurse to baby. Finally Caecilia, the lady of the house in Veii, of Roman origin and originally a treaty bride who stayed for love, yet all share things in common, love for their men, pride in their work and country-and most of all? a handful of secrets.
Again Storrs shows hours of research as well as dedicated world building establishing her surroundings and embellishing upon histories, traditions, and stories and character development that had begun in the previous books, bring them to a startlingly vibrant and powerful conclusion. With a great balance of descriptive writing and dialog, sharing romance and physicality in a well written and tasteful approach that still lends the full life to the times
Covering in a period were Rome is still developing in 397-396BC and Veii, part of the 12 Etruscan cities "The League" is view as licentious and lacking morals, and Rome, righteous and at war in the name of women 'taken' and marring the family name, and so an epic war was begun and now, we see it end. But to who's victory?
I would definitely want to see a continuation of this!!
Highly recommended to any fans of historical fiction, especially of Ancient Rome in the early years!
Still we follow Pina, a former night-moth, a tomb-whore who has caught the coat tails of a Roman general at the front of the war with the Etruscans and with deal making, is putting herself out as a respectable army-wife and concubine, Semi, a salve in a well to do household in Veii with a young son, a husband to be, and acts as nurse maid to the children and wet nurse to baby. Finally Caecilia, the lady of the house in Veii, of Roman origin and originally a treaty bride who stayed for love, yet all share things in common, love for their men, pride in their work and country-and most of all? a handful of secrets.
Again Storrs shows hours of research as well as dedicated world building establishing her surroundings and embellishing upon histories, traditions, and stories and character development that had begun in the previous books, bring them to a startlingly vibrant and powerful conclusion. With a great balance of descriptive writing and dialog, sharing romance and physicality in a well written and tasteful approach that still lends the full life to the times
Covering in a period were Rome is still developing in 397-396BC and Veii, part of the 12 Etruscan cities "The League" is view as licentious and lacking morals, and Rome, righteous and at war in the name of women 'taken' and marring the family name, and so an epic war was begun and now, we see it end. But to who's victory?
I would definitely want to see a continuation of this!!
Highly recommended to any fans of historical fiction, especially of Ancient Rome in the early years!
April 27, 2016
I was given an advanced reading copy. Oh how lucky I was to see this before it was released. I was torn between wanting to finish quickly so I would know the outcome and wanting to draw it out and savor it. I loved these characters, and make no mistake, they grow deeper in this third book than should be possible. How I hated some and loved others. One in particular, who was not endearing before, became a hero in my eyes--totally redeeming himself. They run the gamut of human frailties and strengths.
I like stories that make me soar and sink, fly and plummet. This book does all that in spades.
Absolutely a favorite, a book I look forward to reading again, along with its two companions.
I like stories that make me soar and sink, fly and plummet. This book does all that in spades.
Absolutely a favorite, a book I look forward to reading again, along with its two companions.
June 22, 2023
Although I enjoyed the earlier books, I struggled a bit with this one. It felt too long, and parts of it were turgid enough for me to skim. But Storrs still makes excellent use of her research and creates interesting, believable characters who develop as their lives change. Plus the ending is really well done, so I'm not sorry I read it. It would be interesting to see a sequel featuring the surviving Etruscans!
May 7, 2017
A triad of books
Worth every minute spent reading and transporting yourself to other lives in an other time. Great spellbinding read. Historical enough but never dry.
Worth every minute spent reading and transporting yourself to other lives in an other time. Great spellbinding read. Historical enough but never dry.
December 16, 2018
This book was okay, but was my least favorite of the trilogy. It was long and rambled a bit.
January 4, 2019
12/25/18
Review: a historical novel, Call to Juno, by Elisabeth Storrs
509 pages (68 chapters)
Reviewed by Lin Sten
Set in neighboring regions of ancient Italy, Call to Juno is a powerful story of two fierce cultures—Roman and Etruscan—competing for dominance, with the attendant determination, courage, successes, failures, and uncertainties.
For me, whether I am writing or reading a novel (for review), my response is necessarily personal, with whatever shortcomings that may imply. That being understood, how does one fairly judge the quality of a novel? One way, like reviewing a feature film, is to keep track of the ratio of the number of memorable scenes to the total number of scenes; one definition of a successful film I heard, to encourage a director, is to make several great scenes and to not annoy the audience for the rest of the film. Another standard might be the extent to which there are characters to which or by which, respectively, the reader is strongly drawn or repelled.
For a novel, which takes more effort than a film to enjoy, the standard might be higher. For example, one might find that at the end of each chapter the reader is left eager to read the next (“unable to put the book down”). Another approach, analogous to the example for films mentioned above, might be to consider the ratio of the number of memorable chapters to the total number of chapters. On the other hand, if the novel has several memorable (high quality) chapters, one might be satisfied to ask only if there were enough memorable chapters to keep the reader reading those in between in anticipation of finding the next jewel (memorable one).
Additionally, for historical fiction, the reader is usually expecting (hoping) to be transported to a different place and a different time, and to experience other people’s lives (or other species’ lives) in that place and time. Let us also assume that most readers want a factual read (at least I do) to the extent that the story does not violate the historical record; furthermore, it should not present any fictional premises that are of such significance that they would have been recorded given the extent to which such a time period was recorded.
Call to Juno is a hefty read, but does deliver on its promise and meets expectations from every standpoint. (My knowledge of that part of the ancient Mediterranean world does not qualify me to attest to the historical accuracy.) At the end of each chapter, though I was able to pull myself away, after about page fifty I was always interested in reading more later, anticipating another memorable scene not too far ahead if not next. This novel abounds with them, of every type: true love, unrequited love, lust (normal, forbidden, or contrary to the royal will), ambition, honor, treachery, valor, loyalty, betrayal (even by the gods), suckling the newborn, an endearing scene of family farewell before going off to war, suspense, children at play in the palace, jealousy, justice, injustice, cruelty within the Roman ranks, military defeat, victory, family reunion, the plague, a great battle, religion, faith (religious devotion), anguish, elation, etc. This novel has it all—life and death, success and failure, war and peace.
Statistically, I counted ten memorable chapters among the first 46 (more than enough to bring me back for more after each recess). Then from chapter 47 through chapter 59 (pp. 353-447), I could not put the book down. After that, I still found every chapter through the last (Chapter 68) engaging and brimming with life.
This novel will transport you, though it is not always pretty while necessarily gritty: I could smell the feces and death in the streets as the bodies piled up from starvation and the plague in a city under siege. On the other hand, I could feel Semni running her tongue across my abdomen.
Beyond anything I have written above, beyond having simply been transported, the author’s style and details invited and then allowed me to lend the weave of my soul to the time and places of her story, and, more importantly, to the characters who populate it. I lived all of their evolving lives with them, empathizing with each—the good and bad alike—, just as thoroughly as I am sure she did as she was writing their experiences into the intense reality of this novel. (I knew that if Cilla would take the plunge, then I would take it with her.)
Time, place, and soul transport are waiting for you in Call to Juno, at a level beyond my experience while reading a novel.
Review: a historical novel, Call to Juno, by Elisabeth Storrs
509 pages (68 chapters)
Reviewed by Lin Sten
Set in neighboring regions of ancient Italy, Call to Juno is a powerful story of two fierce cultures—Roman and Etruscan—competing for dominance, with the attendant determination, courage, successes, failures, and uncertainties.
For me, whether I am writing or reading a novel (for review), my response is necessarily personal, with whatever shortcomings that may imply. That being understood, how does one fairly judge the quality of a novel? One way, like reviewing a feature film, is to keep track of the ratio of the number of memorable scenes to the total number of scenes; one definition of a successful film I heard, to encourage a director, is to make several great scenes and to not annoy the audience for the rest of the film. Another standard might be the extent to which there are characters to which or by which, respectively, the reader is strongly drawn or repelled.
For a novel, which takes more effort than a film to enjoy, the standard might be higher. For example, one might find that at the end of each chapter the reader is left eager to read the next (“unable to put the book down”). Another approach, analogous to the example for films mentioned above, might be to consider the ratio of the number of memorable chapters to the total number of chapters. On the other hand, if the novel has several memorable (high quality) chapters, one might be satisfied to ask only if there were enough memorable chapters to keep the reader reading those in between in anticipation of finding the next jewel (memorable one).
Additionally, for historical fiction, the reader is usually expecting (hoping) to be transported to a different place and a different time, and to experience other people’s lives (or other species’ lives) in that place and time. Let us also assume that most readers want a factual read (at least I do) to the extent that the story does not violate the historical record; furthermore, it should not present any fictional premises that are of such significance that they would have been recorded given the extent to which such a time period was recorded.
Call to Juno is a hefty read, but does deliver on its promise and meets expectations from every standpoint. (My knowledge of that part of the ancient Mediterranean world does not qualify me to attest to the historical accuracy.) At the end of each chapter, though I was able to pull myself away, after about page fifty I was always interested in reading more later, anticipating another memorable scene not too far ahead if not next. This novel abounds with them, of every type: true love, unrequited love, lust (normal, forbidden, or contrary to the royal will), ambition, honor, treachery, valor, loyalty, betrayal (even by the gods), suckling the newborn, an endearing scene of family farewell before going off to war, suspense, children at play in the palace, jealousy, justice, injustice, cruelty within the Roman ranks, military defeat, victory, family reunion, the plague, a great battle, religion, faith (religious devotion), anguish, elation, etc. This novel has it all—life and death, success and failure, war and peace.
Statistically, I counted ten memorable chapters among the first 46 (more than enough to bring me back for more after each recess). Then from chapter 47 through chapter 59 (pp. 353-447), I could not put the book down. After that, I still found every chapter through the last (Chapter 68) engaging and brimming with life.
This novel will transport you, though it is not always pretty while necessarily gritty: I could smell the feces and death in the streets as the bodies piled up from starvation and the plague in a city under siege. On the other hand, I could feel Semni running her tongue across my abdomen.
Beyond anything I have written above, beyond having simply been transported, the author’s style and details invited and then allowed me to lend the weave of my soul to the time and places of her story, and, more importantly, to the characters who populate it. I lived all of their evolving lives with them, empathizing with each—the good and bad alike—, just as thoroughly as I am sure she did as she was writing their experiences into the intense reality of this novel. (I knew that if Cilla would take the plunge, then I would take it with her.)
Time, place, and soul transport are waiting for you in Call to Juno, at a level beyond my experience while reading a novel.
November 6, 2017
During the first book, I researched the Etruscan civilization and found that they were conquered by Rome. Despite knowing the eventual outcome, I could have never prepared myself for the devastation in this final installment of the Tales of Ancient Rome.
I can't remember the majority of the novel for the epicness of the last few chapters. The traitor, Artile, once again shows his depth of deception by revealing the secret tunnels of Veii to the Romans; just when it seems King Mastarna may pull ahead. Rising from behind the statue of Juno, Drusus finally kills Mastarna despite orders; and just like that Mastarna is gone in a few short sentences. Drusus' finishes his decline into madness by fighting Marcus. Forced to protect himself, Marcus kills the love of his life. A character who I expected to drift off in the story made such an impact. I felt sorry for Drusus yet despised him.
The Romans brutally take Veii. Luckily Caecilia's children are saved through the tunnels that were the city's downfall. Arunns and Semni save themselves and the you princes, whisking them away to family in Tarchon.
Caecilia is chained and forced to face Camilus, Pinna describes the scene as Caecilia keeps her head held high. I found in interesting that Pinna who seemed to have disgust for Caecilia as the traitoress, which is melted away by pity and she begins to see the dark side of her beloved Wolf. Women sticking together is a really nice theme throughout the novels.
Pinna leaves the series drifting into a quiet life. After its revealed to Camilus that Pinna was a whore, he abandons her. In her disgrace she keeps Marcus' secret and steals away with Caecilia's infant daughter. Pinna will finally have the life she deserves, making hers the only happy ending to the story.
Caecilia faces her greatest fear of plunging to her death. As she faces the final jump, lightening strikes Rome; a clear sign of the revenge for Veii that will one day befall Rome. Caecillia is at peace waiting to join Mastarna.
Religion played a large part in this novel as well as the others. However in the third installment, the gods play an active roll. Their will is interpreted and Artile "convinces" Uni/Juno to abandon Veii for Rome. The old prophecy of the traitor is relived, although it is now clearly Artile and not the previous king or Caecilia. Artile is a character you truly love to hate. In the end he is the head of House Mastarna, it is stated that he is the head of nothing after his betrayal led to the downfall of Veii.
Storrs is a fantastic author and historian. The novels were well written with flowing vocabulary and story structure. Her characters were unique with complicated back stories and emotion. I particularly enjoyed the strength of the women in the story. Told from their perspectives they were never overwhelmed by the harsh world around them. Even to the end; facing death, destitution and the unknown, they remained inspirational in their ability to hold their heads high. I wish there was more to this story. I was sad to see the end.
I can't remember the majority of the novel for the epicness of the last few chapters. The traitor, Artile, once again shows his depth of deception by revealing the secret tunnels of Veii to the Romans; just when it seems King Mastarna may pull ahead. Rising from behind the statue of Juno, Drusus finally kills Mastarna despite orders; and just like that Mastarna is gone in a few short sentences. Drusus' finishes his decline into madness by fighting Marcus. Forced to protect himself, Marcus kills the love of his life. A character who I expected to drift off in the story made such an impact. I felt sorry for Drusus yet despised him.
The Romans brutally take Veii. Luckily Caecilia's children are saved through the tunnels that were the city's downfall. Arunns and Semni save themselves and the you princes, whisking them away to family in Tarchon.
Caecilia is chained and forced to face Camilus, Pinna describes the scene as Caecilia keeps her head held high. I found in interesting that Pinna who seemed to have disgust for Caecilia as the traitoress, which is melted away by pity and she begins to see the dark side of her beloved Wolf. Women sticking together is a really nice theme throughout the novels.
Pinna leaves the series drifting into a quiet life. After its revealed to Camilus that Pinna was a whore, he abandons her. In her disgrace she keeps Marcus' secret and steals away with Caecilia's infant daughter. Pinna will finally have the life she deserves, making hers the only happy ending to the story.
Caecilia faces her greatest fear of plunging to her death. As she faces the final jump, lightening strikes Rome; a clear sign of the revenge for Veii that will one day befall Rome. Caecillia is at peace waiting to join Mastarna.
Religion played a large part in this novel as well as the others. However in the third installment, the gods play an active roll. Their will is interpreted and Artile "convinces" Uni/Juno to abandon Veii for Rome. The old prophecy of the traitor is relived, although it is now clearly Artile and not the previous king or Caecilia. Artile is a character you truly love to hate. In the end he is the head of House Mastarna, it is stated that he is the head of nothing after his betrayal led to the downfall of Veii.
Storrs is a fantastic author and historian. The novels were well written with flowing vocabulary and story structure. Her characters were unique with complicated back stories and emotion. I particularly enjoyed the strength of the women in the story. Told from their perspectives they were never overwhelmed by the harsh world around them. Even to the end; facing death, destitution and the unknown, they remained inspirational in their ability to hold their heads high. I wish there was more to this story. I was sad to see the end.
This entire review has been hidden because of spoilers.
August 29, 2018
Throw a number of interconnected characters together, add a dash of mental complexity to each, sprinkle with a touch of war politics, compelling romance and jarring violence, and you have Call to Juno, the third book in Elisabeth Storrs’ series A Tale of Ancient Rome.
Storrs’ historical fiction novel flits largely between Ancient Rome and the Etruscian city Veii. Conflict between the cities is rife, largely due to ex-Roman Caecilia’s denunciation of her birthplace. Now Queen of Veii, Caecilia’s call to destroy Rome further escalates the tension between the two cities, ensuring that they become locked in a fierce war.
A number of characters are thrust into Call to Juno’s spotlight, affording readers the opportunity to view the Veii versus Rome clash from a number of differing viewpoints. Caecilia’s actions set the bulk of the novel’s narrative on course, certainly. But the journeys of other characters help to round out the novel and accurately centre in on life in Veii and Ancient Rome.
Roman tribune Marcus’ struggle with his sexuality is painfully rooted in truth. Marcus’ plight, to keep his feelings for friend Drusus carefully guarded, echo both Ancient Rome’s homophobic discourse, and the battle that a number of people still face today. Similarly, former sex worker Pinna, now a concubine in love with her master, fights to keep her past under wraps. Making it to book’s end in order to discover the fate of Marcus and Pinna alone is well worth multiple page-turning nights.
Each character is multifaceted in their own right. Caecilia is often frustratingly impulsive, making a number of important decisions seemingly based on her emotions. Yet her bravery in following through on her decisions is surprisingly inspiring. Just like the novel’s readers, Caecilia isn’t perfect. Her foibles and successes, as well as her obvious love for her four children and her husband, Vel Mastarna, paint her not as an annoying, one-dimensional character, but as a relatable human.
Storrs helpfully includes a Cast List of every character included in Call to Juno. As a large amount of characters contribute to the events of the novel, recalling how each person fits into the puzzle becomes a slightly overwhelming task at times. Readers can pour through the list whenever they need to, helping to clarify each character’s purpose.
To read a novel and feel as though you’re a first-hand observer of its events, no matter how long ago or far away it takes place, is an intoxicatingly satisfying feeling. When the war between the clashing cities escalates, readers are drawn directly into the heart wrenching action. While we obviously weren’t alive in 396 BC, Storrs’ ability to catapult her readers into days long past, no doubt due in part to her intricate research, allows us to walk through the shoes of each and every character living amongst the Call to Juno universe, thus cementing the novel’s status as highly readable.
This review by Tina Tsironis has featured in the Swinburne Journal 'Backstory', Issue 2.
Storrs’ historical fiction novel flits largely between Ancient Rome and the Etruscian city Veii. Conflict between the cities is rife, largely due to ex-Roman Caecilia’s denunciation of her birthplace. Now Queen of Veii, Caecilia’s call to destroy Rome further escalates the tension between the two cities, ensuring that they become locked in a fierce war.
A number of characters are thrust into Call to Juno’s spotlight, affording readers the opportunity to view the Veii versus Rome clash from a number of differing viewpoints. Caecilia’s actions set the bulk of the novel’s narrative on course, certainly. But the journeys of other characters help to round out the novel and accurately centre in on life in Veii and Ancient Rome.
Roman tribune Marcus’ struggle with his sexuality is painfully rooted in truth. Marcus’ plight, to keep his feelings for friend Drusus carefully guarded, echo both Ancient Rome’s homophobic discourse, and the battle that a number of people still face today. Similarly, former sex worker Pinna, now a concubine in love with her master, fights to keep her past under wraps. Making it to book’s end in order to discover the fate of Marcus and Pinna alone is well worth multiple page-turning nights.
Each character is multifaceted in their own right. Caecilia is often frustratingly impulsive, making a number of important decisions seemingly based on her emotions. Yet her bravery in following through on her decisions is surprisingly inspiring. Just like the novel’s readers, Caecilia isn’t perfect. Her foibles and successes, as well as her obvious love for her four children and her husband, Vel Mastarna, paint her not as an annoying, one-dimensional character, but as a relatable human.
Storrs helpfully includes a Cast List of every character included in Call to Juno. As a large amount of characters contribute to the events of the novel, recalling how each person fits into the puzzle becomes a slightly overwhelming task at times. Readers can pour through the list whenever they need to, helping to clarify each character’s purpose.
To read a novel and feel as though you’re a first-hand observer of its events, no matter how long ago or far away it takes place, is an intoxicatingly satisfying feeling. When the war between the clashing cities escalates, readers are drawn directly into the heart wrenching action. While we obviously weren’t alive in 396 BC, Storrs’ ability to catapult her readers into days long past, no doubt due in part to her intricate research, allows us to walk through the shoes of each and every character living amongst the Call to Juno universe, thus cementing the novel’s status as highly readable.
This review by Tina Tsironis has featured in the Swinburne Journal 'Backstory', Issue 2.
June 5, 2018
A perfect blend of fact and fiction
This story was riveting because the author made you believe you were present in 386 B.C.
I read all 3 books in the series and only the Author's Notes at the end of the book tell you which parts are real history and her created storyline. The details were so vivid it was hard to tell if this work was fiction or biography.
This story was riveting because the author made you believe you were present in 386 B.C.
I read all 3 books in the series and only the Author's Notes at the end of the book tell you which parts are real history and her created storyline. The details were so vivid it was hard to tell if this work was fiction or biography.
August 8, 2018
Thoroughly researched
Very good series even though it was quite predictable , predictable enough thAt several times I almost quit reading. Having said that, the plot and characters became stronger as the story progressed. The one indisputable fact about this series is how thoroughly researched it was and the attention to detail. This alone makes these books worth reading.
Very good series even though it was quite predictable , predictable enough thAt several times I almost quit reading. Having said that, the plot and characters became stronger as the story progressed. The one indisputable fact about this series is how thoroughly researched it was and the attention to detail. This alone makes these books worth reading.
September 8, 2018
Vivid Historical Drama
All three books in this trilogy are very well written, really submerging you in ancient Rome and Veii. You can see, hear, and smell what it would have been like for the characters, as well as really feeling the conflict they deal with. A perfect mix of fast-paced action, chilling suspense, and the rollercoaster emotions of life.
All three books in this trilogy are very well written, really submerging you in ancient Rome and Veii. You can see, hear, and smell what it would have been like for the characters, as well as really feeling the conflict they deal with. A perfect mix of fast-paced action, chilling suspense, and the rollercoaster emotions of life.
June 11, 2019
If You love tales of ancient history get this book
The story pulled me right in. Once I started the first i read all 3 in a few days.. Well written and engaging. I felt like I was in vein with them. Should definitely write more as I would love to hear what happened to her children after. Get this series you won't regret it.
The story pulled me right in. Once I started the first i read all 3 in a few days.. Well written and engaging. I felt like I was in vein with them. Should definitely write more as I would love to hear what happened to her children after. Get this series you won't regret it.
May 8, 2021
I LOVED the first 80% of this book. I mean, really really loved it. I couldn't wait to learn more about the characters. Unfortunately, I did not know what happened in the history that this series is based on, and the ending shattered me. It was awful, and I was so mentally wounded that I had to read a couple of light chick lit romances to recover.
October 15, 2021
I completely enjoyed reading this series of three: The Wedding Shroud, The Golden Dice and The Call to Juno. Finishing The Call to Juno, is an exceptional ending to the series that brought out a lot of emotions and made me cry. I hadn’t realized how much I had grown to love the stories and the characters within. I’m happy these are now included with other great stories I love.
August 27, 2018
I enjoyed the first two books in this series much more than this one. I found this one easy to put down and not very enjoyable to finish. Generally feels like the author ran out of steam but wanted to wrap up the storyline inline with history.
September 1, 2019
The undying love
This book was so exciting
I've read all 3 books and each one has kept me wanting to read more.I love reading about ancient Greek history. The different types of traditions.This book is a love story that will capture your heart.
This book was so exciting
I've read all 3 books and each one has kept me wanting to read more.I love reading about ancient Greek history. The different types of traditions.This book is a love story that will capture your heart.
April 9, 2021
Incredible book...POV handle with superb mastery. Characters are vivid and they seems alive and kicking!
I really appreciate this book, I have to say author's style impressed me a lot.
The story is really intriguing and the jumps between the three leading character is what boost the plot.
I really appreciate this book, I have to say author's style impressed me a lot.
The story is really intriguing and the jumps between the three leading character is what boost the plot.
May 16, 2022
Tragic ending
A great trilogy that delves into history and how society varies even when you are talking about neighbors. I wish the ending had been a little happier but this period of history was full of tragedy and heartache
A great trilogy that delves into history and how society varies even when you are talking about neighbors. I wish the ending had been a little happier but this period of history was full of tragedy and heartache
February 9, 2018
Am sorry this trilogy had to end. I enjoyed reading all 3 books very much!!
April 11, 2018
....ow.
Don't read this one at work, folks, unless you can ugly cry in a corner somewhere unseen.
Don't read this one at work, folks, unless you can ugly cry in a corner somewhere unseen.
July 18, 2018
I cheated and skipped to the end after finishing two-thirds. Maybe I'll finish it properly, but I'm far too attached to these characters to see it all end. Solid series.
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