Back in 1985, I saw the film version of CREATOR starring the inimitable Peter O’Toole, and I enjoyed it very much. It inspired me to buy the book (from 1980) ... a first edition hardback that was in a $1.00 remnant bin. Since I already knew the story and the $11.95 hardback had been consigned to the $1.00 bin, CREATOR moved to my bookshelves to be read “some day.”
Segue from 1985 to 2019 ...
Well, as much as I enjoyed the movie, Hollywood hadn’t even begun to explore the depths of CREATOR. Instead, they were satisfied with streamlining the surface tale and discarding the important stuff. What is especially funny about that is that the writer almost predicts that at one point in the book:
“It’s magnificent. (He’s) going to look through the mound of papers, and he’s going to throw out everything but the *** book, which, by itself, is just crap. For all his *** life he’s wanted you to give him the answers, and now he’s going to throw the answers in the crapper and send the crap to the publisher.” [Edits are to remove Spoilers and profanity.]
On the surface, CREATOR is about Dr. Harry Wolper, a research biologist who lost the great love of his life 33-years earlier. However, he has a plan. Although unethical, he is certain that he can clone his wife and restore her to him ... although he’ll be in his 90’s by the time she reaches the age of 26. To his mind, the biggest difficulty will be in keeping his son from having him committed to a mental institution.
CREATOR is so much more than that. It wrestles with morality and philosophy. It engages thoughts of what the life force truly is, and why it is tied to death. It plunged headlong into a struggle for Reason with God. Most of all, it probes into the blissful, messy, fearful, glorious and hateful aspects of human relationships through an astonishing assortment of characters.
Best of all, it has a better ending than the movie.
The book is written in a diary format. Interspersed throughout are chapters of a book Wolper is writing to deconstruct philosophical arguments through the fictional life of his protagonist. Yet, anyone who has written a fictional book, play or screenplay and had to contend with characters who want their own Voice will appreciate the Battle of Wills that takes place along the way.
Some scenes in it are explicit, although not in a titillating or pornographic way. Many beliefs that the Reader holds dear will be challenged. And emotions can run high, from laugh out loud playfulness to tears of empathy. Both happened to me.
In the final analysis, the Reader will need to decide what it means ... personally ... to be given life. Are we expected to stride forward with a Mission, or are we intended to deal with events as they occur? It isn’t essential to ponder these things, yet it will greatly enhance enjoyment of a unique book that is deceptively cloaked as romantic science fiction entertainment.
Has it spoiled my enjoyment of the movie? Not a bit. Indeed, the movie formed an aspect that I was never able to remove from my head. Despite the writer’s physical description of him, Harry Wolper consistently looked like Peter O’Toole in my mind and spoke with his voice. That often had me smiling during unusual moments.