Bradley Beaulieu is quickly becoming one of my favorite fantasy writers, and he proves his mettle once again in A Veil of Spears. A Veil of Spears picks up a mere couple of weeks following the end of With Blood Upon the Sand, joining Ceda, Kerim, and her wolf friends adrift in the desert, with no where to go but further in. And with her onward march through the dunes Ceda, and the reader by association, are introduced to the long lost Thirteenth Tribe as well as those who make their livelihoods trapped between Sharakhai and the neighboring kingdoms. All the while, we still have Ramahd and his mad queen plotting god knows what, along with Emre's upward movement through the ranks of the Moonless Host to deal with.
What Beaulieu does so well is his use of character view to drive the plot forward. He has a built a vast landscape that traverses not just our desert jewel city but through the desert tribes into Qaimir, Malasan and beyond. There are characters from various areas that all converge only to be swept apart when the plot demands it. So just as we spend the bulk of our time following Ceda as she seeks to connect with her heritage while also working to convert the blade maidens to her cause, we get a story made that much richer by our ability to follow King Ihsan, whose behind the scenes plotting against his fellow kings may lead to their downfall faster then Ceda can kill them. We can see Emre who, by the order of Macide and Ishaq, works to improve relations and gather support for the Moonless Host against the Kings. Ramahd, in turn, gives us insight into Qaimir's Queen's meddling and power quest. This is a great story telling technique because it allows the reader to learn more than each individual character. You read along and wonder when Ceda is going to learn that a certain someone is dead, or that Guhldrathen is after her because of someone else. He creates suspense in his ability to dangle pieces of plot in each person's narrative which makes the reader long to see the day when it is all put together.
As much as I mostly enjoy all the varying POVs, there are some I enjoy more then others. If I had single one out as not as interesting the award would have to go to Davud. Now it is not to say that his POV is not important, especially when where Beaulieu left him, Davud and his budding bloodmagery is going to add yet another layer to the mix. My problem lies with the fact that Davud's beginning chapters are a bit boring and repetitive. He has about three in a row where he visits the adichara trees, has a overly convoluted vision, wonders about making his friend talk to him again, and reading a book. But instead of going down a decidedly George R. R. Martin route and filling a thousand pages with Davud picking his nose and inventorying canned food, Beaulieu manages to break the monotony by bringing him in contact with multiple kings and eventually Ceda. And once he has played out his part he simply removes him from the book for the time being. Thank you Beaulieu by not continuing to stuff Davud down our throats when he is no longer contributing to the bulk of the story direction for the moment. It is a smart move and the reason I didn't subtract more stars because for a moment there I found him highly annoying. Useful but no less annoying. I just hope that Beaulieu remembers that while his supporting characters are well thought out, realized, and important to the plot, they are still not Ceda, who as far as I, and your inside cover flap, are concerned, is the main character that I show up to read about.
It is both a blessing and a curse that Beaulieu has created such a vast and detailed land, because with the large distances to traverse growing even larger, the main characters seem even further apart. I live for the days when the POVs start to join together and although we got the unlikely duo of Brama and Ramahd, and the dude squad of Emre and Macide, I was really hoping to see Ceda interact more with all of them. In a Veil of Spears, up until the end, the majority of the action seemed to lie with the guys, especially as Ceda spent time learning about her family and her tribe. I want to see them all fight together. I want to see them take down a ship or infiltrate a castle together. Even if they have to part again, I would like these characters to interact a little more. And I'm saddened by the ending's suggestion that some characters may be spending even more time apart then I would want. Although once again I have to applaud Beaulieu, because even as he does things that drive me crazy, he is careful to depict the importance of the move through dialogue, so that while I'm still grumbling about his choice, I am able to begrudging nod at the sense of the move.
I started reading this series thinking it was a trilogy, but with the addition of three more books I am so excited to see where this endless battle takes us. I can't wait for the next book to come out. The stage is set for a massive Sharakhaini brawl and I will definitely be lined up to witness the show.