Solomon blends classic fantasy with a characterful evocation of how even good people aren’t perfect, creating heroes who don’t simply shrug off the trauma and stress of extreme situations.
Raised by elves after the death of his parents, Athson spends this time patrolling the wilds around a ranger station. On the heels of an encounter with a mysterious figure who claims he is heir to an ancient legacy, he is attacked by what seems the same band of creatures who destroyed his village, tangling his path with others also striving against the band. However, as he has suffered hallucinations since the death of his parents and the package the figure gave him is sometimes missing when he looks for it or appears in his bag after he has left it behind, how can he be sure which bits of the story are real.
Solomon reframes the classic fantasy quest of reluctant chosen one by making the protagonist’s doubt and resistance come from the consequences of skilfully portrayed mental trauma. This provides a potentially greater sense of plausibility to Athson’s turning away from evidence of destiny than is often provided by the stereotypical peasant who turns out to have shocking skills.
However, the rejection of apparent destiny is still a repeated rejection and so might not suit readers who do not enjoy the social and personal struggle of a hero against their destiny.
And it is only a potentially greater plausibility, for Athson is keeping a secret he promised his father never to share that suggests his line are the guardians of an ancient artefact. Thus, his refusal to wholeheartedly engage could seem either seem a powerful evocation of how lingering trauma can overcome even the strongest evidence or a bias that verges on blatant authorial fiat.
Athson is also not the only one keeping a secret from his longstanding and recent companions: almost all of the characters are concealing something significant, sometimes only from their companions but sometimes from the reader as well. Therefore, although this is not a book solely for readers actively seeking the experience of having explanations withheld, readers who dislike the trope of a mentor or guru who withholds answers because it is not the time or some other reason they will not share are quite likely to lose patience quite quickly.
Solomon’s world building, both on narrow and broader scale, is solid, creating a sense of a place with ancient and complex history filled mostly with people who are facing the ordinary issues of life. Thus, while it might irritate some readers, the pervasive habit of not sharing the whole truth is not a trick to cover a shallow story.
Unfortunately, Solomon’s focus on building his own world out of the basic tropes of fantasy rather than automatically conforming to the most common usage might create a cracked note. Rather than use troll in the most famous sense of a large and thuggish creature, he uses it in the more ancient sense of a collective term for several similar non-human races that live outside human civilisation. Therefore, readers who are more affected by having their mental image contradicted, might be jarred out of the story when the trolls who initially pursue Athson are later described as something small rather than huge.
The novel does include a complete arc from inciting incident to resolution of that; however, the broader plot of foiling the antagonists is not significantly advanced, giving the book a strong feel of being part of a series rather than standing alone.
Athson is a solidly crafted protagonist, driven forward by a genuine desire to do the right thing but hampered in that by not knowing who or what he can trust.
His companions, ancient gnomic hermit sage aside, display the same slightly illogical and therefore very plausibly human, muddle of decency and difficulty openly sharing.
The major antagonists are portrayed as having mostly logical but very selfish reasons for their actions, creating an engaging contrast with the protagonist’s core motivations that retains the pervasive sense of keeping secrets even from the closest associates.
The portrayal of the trolls harkens back to the almost-genetically evil creatures of Tolkien and early successors. Whether this adds or detracts will depend on whether a reader has strong feelings on moral relativism in fantasy.
Overall, I enjoyed this novel. I recommend it to readers seeking a story in which characters hold things back in the way most people do, rather than always putting the quest against great evil first.