I received a copy of this book in return for an honest review, via NetGalley
Who doesn't love the Beatles? Even generations beyond, I believe teens know enough about the Beatles that they could enjoy a novel about time traveling to meet the Beatles. Certainly Glee believed that today's teens could get excited by oldies. So while it's a little surprising that Lenny and Yoko (the main character and love interest in Get Back) have such an encyclopedic knowledge of the oldies music scene, I forgave it because it was clear that they were both unusual teens in this respect. Of course, we don't meet any other teens really, except for guys who beat up Lenny, but let's assume that the other teens aren't going to have every detail of the Beatles' lives memorized.
The premise is a fun one for music and time travel fans. Lenny uses his ability to time-travel (as guided through music he's listening to) to go back and meet his music idols. It comes up as a possibility that he could change the future by saving some that met tragic deaths, and eventually (and I say eventually because it doesn't come up until the last quarter of the novel) he wonders if he could save John Lennon.
My biggest problems were suspension of disbelief (mine about everyone else's) and the writing. Starting with the former, it seems like every single person Lenny tells about his abilities believes him (except his family, so, okay, complete strangers will believe you but not the people who know you best). After it's been stated as a fact that Yoko looks very much like her grandmother, when Lenny meets up with a woman who he met in the past as a teenager, she knows immediately that it's him and doesn't even consider the idea that he could be the son of the boy she once met. This leads me to another suspension of disbelief on my part. Everybody had total recall on faces. Years could go by, and everyone remembered that guy they met one time. Oddly the only one who didn't recognize Lenny right away the 2nd time they meet was John Lennon, despite having a crazy interaction with him. That one should have been memorable, but it's the others who recognize Lenny right away. Things seem to fall in to place simply for the sake of the plot. It's super-easy for Lenny to lie his way to meet the Beatles (though he starts freaking out about how bad he is at lying later in the book), get into clubs, convince people he's meant to be where he is, and practically trip over other rock idols. Very wish fulfillment, Gary-Stu-ish. Even when the plot isn't going Lenny's way, it still feels convenient for the story. Lenny loses Yoko in the past for a short time, and even though from the perspective of the present, she's missing for less than 24 hours, police question him about it almost immediately the next morning. Same with Dr. Roberts (the doctor Lenny's grandfathers took him to after he sustains a concussion, who just happens to be studying this time-travel phenomenon), even though Yoko's back. He misses one day of work, and the police are after Lenny again. Yeah, not buying it.
From the beginning, the writing was throwing me out of the book. The dialogue felt fake and distant, though some of that could be that there was no action, description, or emotional reactions included with the dialogue. All of Lenny's backstory was given to us upfront, along with the history of his family. At the 10% mark, I didn't know if I was going to finish the book, after Yoko and Lenny questioned a heckler's sexual prowess amid awkward dialogue and then we got infodump after infodump about Lenny's grandfathers and about his troubled past (which we don't actually see and doesn't even get brought up when the police are questioning him about Yoko; so when it's sort of implied at the end by his family, I had to dive in the depths of my memory to remember it was part of his history). There are inconsistencies here and there that were distracting, like about what happens when Lenny time travels, or a letter given to Lenny at one point and the letter says it was written after he left (then how did he get it?!), and then just people being stupid that I think an editor should've pointed out (When you're accused of murdering a girl and you know exactly how to get to her simply by playing a song, why not go back and get her right away? You were JUST accused of being responsible for someone's disappearance when they stayed in the past, so you let another person do the exact same thing so you could be accused of the same thing again?)
Unfortunately, despite an intriguing premise, I just had difficulty connecting to the book because of awkward dialogue and suspension of disbelief.
Recommended for fans of: the Beatles, elementary time-travel, tripping over older music stars in their prime, easy-going conflict, iPods.