3.5 - 4.0
"Let He who hath understanding
Reckon the number of the Beast;
For it is a human number,
It's number is Six Hundred and Sixty Six."
Revelations
This is another case, where I've seen the movie (1976) before reading the book. I loved the movie (not the 2006 remake); and enjoyed the novel - just as much, mostly - though I think the movie was, slightly, better. Some of the death-scenes played-out differently, and Thorn's visit to Meggido, where Yigael's Wall is situated in the Old City of Jezreel - and has the image of the Anti-Christ (Damien) wasn't in the book (or is it in Damien: Omen 2? I can't remember now. Haven't seen the movies, for eons). He went to Israel with Jennings to find Bugenhagen - but didn't see the Wall. Why? It wasn't even mentioned. Why? As a marketing stratagem, the book preceded the movie by two-weeks.
I loved the soundtrack, as well, which was used to great dramatic-effect; especially when something bad was about to happen. Jerry Goldsmith won an Oscar for Best Original Score. I think the graveyard scene creeped-me-out the most, when Thorne opens the graves and sees what lies within. It's like revelations. After the movie was shown: there was an influx of people wanting to own Rottweilers, for some reason. The scene in the elevator (Omen 2), ensured I took the stairs, regardless how many flights I had to ascend.
The 1976 film, had a budget of $2.8 million and took $60.9 million at the Box office, compared to the 2006 (pointless) remake, which took $119.5 million at the Box office.
1976 cast:
Gregory Peck (Robert Thorn)
Harvey Spencer Stephens (Damien Thorn)
Lee Remick (Katherine Thorn)
David Warner (Keith Jennings)
Billie Whitelaw (Mrs. Baylock)
Patrick Troughton (Father Brennan)
Holly Palance (Nanny) - didn't know Jack Palance's daughter was in the film.
Martin Benson (Father Spilletto)
"It happened in a millisecond. A movement in the galaxies that should have taken eons, occurred in the blinking of an eye."
And so it begins...
American Diplomat, Robert Thorn, is visiting a hospital in Rome, where his wife, Kathy, is about to give birth. When he reaches the hospital, he's told, his child is dead, 'It breathed for a moment,' whispered the priest, 'then breathed no more.' He's advised that his wife is safe, but will be unable to bear another child. She's been pregnant twice-before which were still-born, this one went to full-term and died - unbeknownst to Thorn - with a little intervention.
In another part of the hospital, a mother has given birth: where the child survived and the mother died. The priest tells him, he could adopt. 'It's a foundling,' said the priest. ' It's mother died as your own child...in the same hour.' And so begins Thorn's deception. He can't - won't - tell his wife, she's lost another child. It'd destroy her.
Only three people are privy to the child's true nature: Father Spilletto, Sister Teresa and Father Tasscone. And only one of those, eventually, has a conscience. I liked the background-history on Tasscone; and how he became part of the covenant in Rome - that was quite amusing. He wants absolution for his transgressions. Er.. redemption denied.
Playlist:
● "The Number Of The Beast," Iron Maiden.
● "O Fortuna," Carl Orff/Wagner.
● "Shout At The Devil," Motley Crue.