Richard Wagner’s “total work of art,” the monumental, gripping, and fathomlessly deep story of the ring of the Nibelung, is here translated and narrated in a completely new breathless and distilled, it becomes the most exciting suspense novel of the opera world. The author follows the creator, dividing the spectacle into its four parts, “Rhinegold,” “The Valkyrie,” “Siegfried,” and finally, “Twilight of the Gods.” He leads his readers through the scenic festival that takes roughly thirteen hours when staged.They say money corrupts, or money is the root of all evil. Both claims are debatable. Poverty does not save people from corruption, and even moderate wealth does not necessarily build character. But maybe those who were corrupt from the beginning can sink even lower when in the thrall of riches? Oh yes, they sure can!The fuss over the legendary Rhinegold will prove that gold, and the power inherent in it, are the bearers of doom. The precious metal exerts an irresistible pull, a glamour that is also the curse that will be the downfall of humankind. That is the crucial message the drama of the ring of the Nibelung offers.The theft of the Rhinegold unleashes everything that keeps the world in suspense (and makes it go round) until the present unfettered greed, boundless love, unfathomable hatred, consuming envy, the everlasting fight for personal freedom. Antipodes clash in humans and gods, dwarves and giants, ethereal beings and thunderous forces of nature.
It took a little while to get used to the writing style of this, but once I did, I enjoyed it. And now so many things are made clearer. I was surprised that The Nibelungenlied is actually only the source of the events of the final opera of the Cycle - Gotterdammerung.