Séparés des autres membres de leur famille par une tempête, Thorgal et sa fille abordent dans une île de rêve.
Isolée du reste du monde par les Brumes du Néant, cette île paradisiaque est sous la dépendance totale de son immortelle et suprême maîtresse : Arachnéa. En échange des bienfaits dont elle les gratifie, cette redoutable déesse exige que deux fois par an, aux équinoxes d'automne et de printemps, les habitants lui fournissent un jeune homme capable de la féconder et de lui insuffler ainsi l'énergie indispensable pour survivre dans l'éternité...
(4 of 5 for good old Thorgal's adventures) The less ingenious of Thorgal's stories are still very good even if the backbone of the story is very simple. It's because the world is built very organically, the story is very well told and it works perfectly as whole. As in this classic "stranded castaway until the curse is broken" story. The art is good as always.
Arachnéa me rappelle un peu l'album # 5 Au-delà des ombres, en un peu moins bien orchestré et la surprise de la découverte en moins. Sympa quand même de lire un album qui voit évoluer Thorgal et Louve ensemble, eux qui ont été séparés si longtemps jusqu'ici.
Na de lange cyclus met Thorgal als Shaigan zonder genade (albums 19 t/m 23) lijkt Van Hamme de weg te zijn kwijtgeraakt. Omdat Thorgal in album 23 besloten heeft het eiland dat sinds album 8 zijn thuis is te verlaten, vinden we zijn gezin ineens in een of andere Griekse omgeving. Van Hamme tuigt een hele eigen mythologie op om dit verhaal enige body te geven (dit achtergrondverhaal beslaat maar liefst drie bladzijden) en dan nog slaat het nergens op. Vooral de rol van Maika raakt kant noch wal. Bovendien is dit zo'n verhaal waarin Thorgal vooral door enorme porties geluk blijft leven, iets wat in het volgende verhaal nog erger zou zijn...
Dopo le vicende di Shaigan, dopo il commovente (fra le altre cose) ritorno di Thorgal, ecco che torniamo a un episodio auto conclusivo, anche se c’è un’apertura, come sempre nella serie, verso il futuro. Arachnea è una bella storia di fantasy classico, con una maledizione da rompere e un prescelto che riesce dove altri hanno fallito. Raccontata, al solito, benissimo.
Interesting continuation from the ending of the previous cycle. It's a difficult one to follow but this volume is a fun albeit formulaic sword and sorcery story, the art feels a little off in some places but others it really shines through. Thorgal's character is also on display much more than previous issues which was great to see.
The series goes Greek as a magical island needs Thorgal's help. A cross between Minoan mythos and arachnid designs makes this an enjoyable story. While it feels pulpy and at times cliche, it did connect with me in the end.
This one shot album deals with Thorgal on his voyage in the sea with his family after abandoning his island...
As a storm splits the little party, Thorgal and wolfcub are washed ashore on a mysterious island covered by fog and is said to be ruled by the evil half-spider half-woman Arachnea..
No es un mal álbum y tiene cosas muy interesantes, pero quizá aquí ya empieza a notarse una cierta sensación de agotamiento en la serie. Obviamente no llega a la calidad de obras anteriores, pero es una lectura entretenida.
Mam wrażenie, że autorzy mają na tym etapie jakiś szablon postaci, sytuacji i miejsc, w jakie wrzucają bohaterów. Niby poprawny tom, ale naprawdę przerabialiśmy to już kilka razy - zmienia się jedynie scenografia. Dosyć jałowe
Thorgal débarque sur une île coupée du reste du monde et doit affronter une araignée géante imposant son emprise sur des habitants naïfs. Un album dont la qualité de l'écriture s'éloigne de ce que nous a habitué Van Hamme.
Thorgal naleće na antiku. Kroz maglu, progonjen strahom za vučicu juri paucima u susret usput s njom ipravlja davnu nepravdu. I dalje visoki standardi se održavaju.
1er opus du cycle de 3 tomes: THORGAL : LE VIKING ERRANT (tomes 24-25-26), il se retrouve sur une ile isolée du monde et dominée par la terrible Arachnéa...
Thorgal and family have sailed from their island home in search of a new place to set down roots, but along the way the twin boats run into a storm in which Thorgal and Wolfcub become separated. By the time the sea has calmed the other boat is nowhere to be seen and Thorgal and Wolfcub find themselves caught in a current that is dragging them into some sort of fog bank, on the other side of which is a hidden island with an isolated population ignorant of an outside world.
While escaping up the cliff face from a mass of spiders Wolfcub strays into a cave and is magically prevented from leaving, forcing Thorgal to complete the hazardous climb and step onto the hidden land above. It’s one of fertile soil, good produce and what appear to be contented people, but having no understanding of a wider world they take Thorgal for a demon and he finds himself thrust into a locked cell to await his fate.
Meanwhile, within the heart of the island, Wolfcub is pushed deeper inside by her fear of the spiders, until an elderly woman commands them to leave her alone. She appears taken with Wolfcub and proceeds to tell her a tragic tale of a love lost, in which the gruesome details reveal a black and heartless curse that sees a young princess transformed into a hideous spider-like creature to which the populace must sacrifice her a husband each equinox by thrusting him into her labyrinth beneath their city.
It’s into such a maze that Thorgal is destined to be thrown, but he’s a man of courage and resourcefulness so he doesn’t go in unarmed even if he can’t exactly be prepared. It’s here among the cobwebs that he must restore some sort of normality to the people of the island if he’s to hope of seeing Wolfcub and his other family members again.
If you found Shelob’s lair one of the more skin-crawling moments of Lord Of The Rings then you’ll have something of an idea of what Rosinski and Van Hamme have planned here, although it’s a very different tale, feeling more like a missing Greek myth with its tragedy and monstrous beast. Van Hamme consistently manages to tell a cracking good tale regardless of the genre he’s working in, and Thorgal remains one of his best books with its inventive mash-up of the historical and fantastical, something that Rosinski seems the perfect choice to visualise each and every time. Sixteen volumes in and I still get the same buzz when I begin reading a new one - can’t be bad.
my roommate brought me this comic book as a gift. Apparently he got it as a gift as well, but gave it to me. I read it and was easily drawn to the mythological qualities of the story. Thorgal's character is easily appraised as an anti-hero, and the love he has for his family is what pushes the story forward.
Very simple story, but expertly executed. I was not expecting the twist at the end, and then I was like 'duh'!
Det här var en av de första fantasy serierna jag läste som blandade in science fiction i allt det magiska. Det var en ögonöppnande upplevelse som gjort det här en mycket minnesvärd serie! Har den åldrats? Absolut, men jag kan inte låta bli att älska den trots detta.
Un album qui s'affranchit de la mythologie nordique pour s'offrir une incursion dans les mythes gréco-romain. Louve tient un rôle important, et ceci pour une des toutes premières fois.