The day his wife gave birth to twin boys, Doerr found out he won a fellowship he hadn't applied for: a year in Rome with all expenses paid so he can write. Six months later Anthony and Shauna, Henry and Owen, leave Boise and move to Rome. He lives in the same neighborhood Julius Caesar lived and sits in the garden where Galileo sat. Ponder that! The book he was preparing to write was All the Light We Cannot See. [Now that he's moved to Paris, I'm kicking myself for not driving a few hours to Boise for one of his readings.]
Doerr's book intersects with some of my highest interests: family, travel, the daily life of an author. It won 5 stars because of the wonder-infused writing, a blend of N.D. Wilson and Frances Mayes.
Quotes:
"Rome is a broken mirror, the falling strap of a dress, a puzzle of astonishing complexity. It is an iceberg floating below our terrace, all its ballasts hidden beneath the surface."
"I x-ray sentences, I claw away a paragraph and reshape it as carefully as I can, and test it again, and peer into the pages to see if things in there are any clearer, any more resolved. Often they are not. But to write a story is to inch backward and forward along a series of planks you are cantilevering out into the darkness, plank by plank, inch by inch, and the best you can hope is that each day you find yourself a little bit farther out over the abyss."
"I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world."
“Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw— actually saw— a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs.”
"In the States, practically every time someone would stop us on the street or in the grocery store, they'd gesture at the stroller and say, "Twins? Bet you have your hands full." They'd mean well, of course, but to be reminded of something you can't forget is debilitating. I prefer the Italian mothers who lean over the stroller and whisper, "So beautiful," the smiles of passing children, the old Roman who stopped us today and grinned at Henry and Owen before shaking my hand and saying, with a bow, "Compilmenti." My compliments."