What do you think?
Rate this book
In Search of Nella Larsen: A Biography of the Color Line
Born to a Danish seamstress and a black West Indian cook in one of the Western Hemisphere's most infamous vice districts, Nella Larsen (1891-1964) lived her life in the shadows of America's racial divide. She wrote about that life, was briefly celebrated in her time, then was lost to later generations--only to be rediscovered and hailed by many as the best black novelist of her generation. In his search for Nella Larsen, the "mystery woman of the Harlem Renaissance," George Hutchinson exposes the truths and half-truths surrounding this central figure of modern literary studies, as well as the complex reality they mask and mirror. His book is a cultural biography of the color line as it was lived by one person who truly embodied all of its ambiguities and complexities.
Author of a landmark study of the Harlem Renaissance, Hutchinson here produces the definitive account of a life long obscured by misinterpretations, fabrications, and omissions. He brings Larsen to life as an often tormented modernist, from the trauma of her childhood to her emergence as a star of the Harlem Renaissance. Showing the links between her experiences and her writings, Hutchinson illuminates the singularity of her achievement and shatters previous notions of her position in the modernist landscape. Revealing the suppressions and misunderstandings that accompany the effort to separate black from white, his book addresses the vast consequences for all Americans of color-line culture's fundamental race trumps family.
Author of a landmark study of the Harlem Renaissance, Hutchinson here produces the definitive account of a life long obscured by misinterpretations, fabrications, and omissions. He brings Larsen to life as an often tormented modernist, from the trauma of her childhood to her emergence as a star of the Harlem Renaissance. Showing the links between her experiences and her writings, Hutchinson illuminates the singularity of her achievement and shatters previous notions of her position in the modernist landscape. Revealing the suppressions and misunderstandings that accompany the effort to separate black from white, his book addresses the vast consequences for all Americans of color-line culture's fundamental race trumps family.
624 pages, Hardcover
First published May 30, 2006
10 people are currently reading
282 people want to read
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 18 of 18 reviews
February 9, 2015
I really wish I could have met this woman. Born to a poor Danish immigrant mother and a West Indian father in the 19th century, she was destined to be very much on the outs with any culture she might lay claim to. She was not someone who could have "passed" as far as her appearance. Still, she was able to rise above many of her white colleagues in the nursing and librarian fields, not to mention write the novels she is best known for. She lived abroad for periods as a child and an adult, was uber stylish, partied with both blacks and whites of the Harlem Renaissance crowd, and somehow slipped through the cracks of history. Larsen's white half-sister, who along with her mother had disowned Larsen while she was still a child (for their own protection) ended up inheriting a substantial estate from this fascinating woman who died alone, in obscurity. Hutchinson does an amazing job of tracking down information about a person who left very little historical material to go on. It was only after I got into the book that I found out he teaches right here in Bloomington.
September 6, 2020
This book took FOREVER to get through- it’s not entirely the author’s fault, the paucity of sources for some eras and people, and the density of sources for others, unfortunately make it very difficult to write a consistently paced book.
Nella was of course a complex, often difficult person, and Hutchinson does a good job of conveying that, although I found his rather heavy-handed judgment of her and those around her, consistent throughout the book, often distracting and unhelpful.
This book is definitely a catalyst for wanting to read more on the Harlem Renaissance generally, and specific people in her social circle specifically. Carl Van Vechten for sure, but also James Weldon Johnson and Edna Thomas and Jessie Fauset and all the other girls from the 135th Street NYPL branch.
My favorite thing about this book is the attention paid paid to the Black librarians and teachers and nurses who shaped the history of the arts scene in Harlem. Hutchinson mentions that his wife is a nurse in his acknowledgements, and the care he puts into blurring the line between artistic work and other professional pursuits for women is for me the best revelation of the book (and a lesson I wish more people would learn!)
If you’re here for Harlem Renaissance gossip, there’s plenty of it, and it’s juicy, but sometimes you do have to wade through overlong passages of photo and literary criticism to get to it. It’s still worth it overall. I read the book bit by bit over the course of a few months, so while I can’t claim you won’t be able to put it down, there was always enough to keep me picking it back up.
Nella was of course a complex, often difficult person, and Hutchinson does a good job of conveying that, although I found his rather heavy-handed judgment of her and those around her, consistent throughout the book, often distracting and unhelpful.
This book is definitely a catalyst for wanting to read more on the Harlem Renaissance generally, and specific people in her social circle specifically. Carl Van Vechten for sure, but also James Weldon Johnson and Edna Thomas and Jessie Fauset and all the other girls from the 135th Street NYPL branch.
My favorite thing about this book is the attention paid paid to the Black librarians and teachers and nurses who shaped the history of the arts scene in Harlem. Hutchinson mentions that his wife is a nurse in his acknowledgements, and the care he puts into blurring the line between artistic work and other professional pursuits for women is for me the best revelation of the book (and a lesson I wish more people would learn!)
If you’re here for Harlem Renaissance gossip, there’s plenty of it, and it’s juicy, but sometimes you do have to wade through overlong passages of photo and literary criticism to get to it. It’s still worth it overall. I read the book bit by bit over the course of a few months, so while I can’t claim you won’t be able to put it down, there was always enough to keep me picking it back up.
September 20, 2018
The true story of Nella Larsen (1891-1964), the biracial star of the Harlem Renaissance, who had a sadly limited literary career.
Book Review: In Search of Nella Larsen is more than a life story. George Hutchinson subtitled it A Biography of the Color Line, and while accumulating all that can be known about Nella Larsen herself, he also documents the larger and more painful picture of what it meant to be biracial in America in the early part of the 20th Century; how America viewed and views race. An obvious labor of love, Hutchinson was determined to set right the often (deliberately) distorted record of this excellent and important writer. Correcting the massive amount of lies and misinformation about Larsen (even found on GR), this exhaustively thorough book documents a life as interesting as any novel. How many authors, having published two novels (Quicksand (1928) and Passing (1929)) and three short stories, could have a compelling and fascinating 600-page biography? In Search of Nella Larsen is over twice as long as all Larsen's published work, and amply demonstrates her essential leadership in the Harlem Renaissance.
Nella Larsen was born to a Danish immigrant mother and a West Indian father, who was at least partially black and died not long after Larsen's birth -- she never knew her father. In a little over a year her mother had a second daughter with another Danish immigrant. Because Nella was mixed race her family had trouble finding a place to live, the largely white family having to live in the seedy "border" areas of Chicago. Her white step-father rejected her, but her mother ensured that Nella received an education and the skills to make a living (which she didn't do for her white daughter). Although raised in a white family, Larsen's mother knew she would only be accepted by the black community. But Nella was unfamiliar with black and Southern culture when she left home (perhaps similar to American President Obama). As such, she was denied a "group" identity. Larsen married a black physicist, who later had an affair with a white woman. Although less than half black, Nella still wasn't white enough for her husband, and as in Chicago and with her step-father, she was once again rejected for her blackness. This seemed to be the proverbial straw and after the divorce she descended into depression and possible alcohol or drug use. She stopped writing and avoided her friends from the Harlem Renaissance, then a few years later emerged as Nella Imes (her husband's name) an extremely successful and talented supervisory nurse, which was her career for the rest of her life.
Hutchinson is careful in his opinions, diligent in his research, reasonable in his speculation, and always persuasive in his exposition. In Search of Nella Larsen is a massive and masterful book, that reads quickly and easily. Larsen comes off as possibly traumatized in childhood, headstrong in running her own life, proud and loyal and alone in the world, but capable and intelligent in the face of any challenge. Although she had to rediscovered, as was Zora Neale Hurston, and was likewise buried in an unmarked grave, her position as an important and early leader in creating black American literature is secure. [5★]
Book Review: In Search of Nella Larsen is more than a life story. George Hutchinson subtitled it A Biography of the Color Line, and while accumulating all that can be known about Nella Larsen herself, he also documents the larger and more painful picture of what it meant to be biracial in America in the early part of the 20th Century; how America viewed and views race. An obvious labor of love, Hutchinson was determined to set right the often (deliberately) distorted record of this excellent and important writer. Correcting the massive amount of lies and misinformation about Larsen (even found on GR), this exhaustively thorough book documents a life as interesting as any novel. How many authors, having published two novels (Quicksand (1928) and Passing (1929)) and three short stories, could have a compelling and fascinating 600-page biography? In Search of Nella Larsen is over twice as long as all Larsen's published work, and amply demonstrates her essential leadership in the Harlem Renaissance.
Nella Larsen was born to a Danish immigrant mother and a West Indian father, who was at least partially black and died not long after Larsen's birth -- she never knew her father. In a little over a year her mother had a second daughter with another Danish immigrant. Because Nella was mixed race her family had trouble finding a place to live, the largely white family having to live in the seedy "border" areas of Chicago. Her white step-father rejected her, but her mother ensured that Nella received an education and the skills to make a living (which she didn't do for her white daughter). Although raised in a white family, Larsen's mother knew she would only be accepted by the black community. But Nella was unfamiliar with black and Southern culture when she left home (perhaps similar to American President Obama). As such, she was denied a "group" identity. Larsen married a black physicist, who later had an affair with a white woman. Although less than half black, Nella still wasn't white enough for her husband, and as in Chicago and with her step-father, she was once again rejected for her blackness. This seemed to be the proverbial straw and after the divorce she descended into depression and possible alcohol or drug use. She stopped writing and avoided her friends from the Harlem Renaissance, then a few years later emerged as Nella Imes (her husband's name) an extremely successful and talented supervisory nurse, which was her career for the rest of her life.
Hutchinson is careful in his opinions, diligent in his research, reasonable in his speculation, and always persuasive in his exposition. In Search of Nella Larsen is a massive and masterful book, that reads quickly and easily. Larsen comes off as possibly traumatized in childhood, headstrong in running her own life, proud and loyal and alone in the world, but capable and intelligent in the face of any challenge. Although she had to rediscovered, as was Zora Neale Hurston, and was likewise buried in an unmarked grave, her position as an important and early leader in creating black American literature is secure. [5★]
June 5, 2008
Nella Larsen, a noted writer from the Harlem Renaissance, led an interesting life that surpasses the lives of the characters she wrote about. In Hutchinson's biography of Larsen, he digs deep to unearth truths and dispel rumors, clearing a lot of falsities said about Mrs. Larsen. Her life was tragic but intriguing and her books were great.
Hutchinson also gives a very detailed thesis on the relation of race in America and how this impacted Larsen and other people with mixed race heritage. This takes up the majority of the book but it helps to put Larsen's life into perspective and gives readers a history to relate to.
Hutchinson also gives a very detailed thesis on the relation of race in America and how this impacted Larsen and other people with mixed race heritage. This takes up the majority of the book but it helps to put Larsen's life into perspective and gives readers a history to relate to.
June 11, 2017
This was an incredibly well-written and detailed biography. It especially paints a vivid picture of life in Harlem among the literary elite in the late 1920s. I find Nella Larsen's life and writing absolutely fascinating, and what a great shame it is that none of her later correspondence and writings survived - if there were any.
August 4, 2009
Incredible. Just incredible. Reading Passing again after reading this book was an eye-opening experience as well.
April 22, 2012
Involving an exhaustive amount of research, Hutchinson puts previous biographical works about Larsen to shame, and shows them in no uncertain terms that some of their assumptions about this so-called mystery woman of the Harlem Renaissance are simply wrong. Larsen's is a story that is as fascinating (if not more so) than any of her books or stories, and Hutchinson tells her own story with great passion.
The third recent biographer to devote a major biographical study on Larsen (after Charles Larson and Thadious M. Davis), Hutchinson attempts to discover the reason behind Larsen’s absence from the pen and the public eye. While Davis and Larson suggest that this disappearance was due to Larsen’s inability to accept the blackness of her skin and internalization of the prevalent racism of her time, Hutchinson, in what he calls a “biographical reclamation” found in his eight years of research new data (including records at the New York Public Library, blueprints, census data, and documents owned by Harlem Renaissance recorder & Larsen’s mentor Carl Van Vechten) to paint a slightly different picture. While detailing the various people with whom she connected and providing insight into the plagiarism scandal, Hutchinson also, more notably, suggests that she did not pass during the final decades of her life but instead effected a productive and successful career change (and, was in fact not as light-skinned as was previously thought). While the use of Van Vechten’s documents is controversial because of his reputation as a Harlem voyeur, this is a good accompaniment to the previous research done by Larson and Davis, with some added information that paints a fuller picture of the writer popularly known as the mystery figure of the Harlem Renaissance. With illuminating conviction, Hutchinson argues that, though Larsen “never stopped thinking of herself as a Negro” (186), she deliberately chose not to live on either side of the color line and rejected the limitations of racial categories.
The third recent biographer to devote a major biographical study on Larsen (after Charles Larson and Thadious M. Davis), Hutchinson attempts to discover the reason behind Larsen’s absence from the pen and the public eye. While Davis and Larson suggest that this disappearance was due to Larsen’s inability to accept the blackness of her skin and internalization of the prevalent racism of her time, Hutchinson, in what he calls a “biographical reclamation” found in his eight years of research new data (including records at the New York Public Library, blueprints, census data, and documents owned by Harlem Renaissance recorder & Larsen’s mentor Carl Van Vechten) to paint a slightly different picture. While detailing the various people with whom she connected and providing insight into the plagiarism scandal, Hutchinson also, more notably, suggests that she did not pass during the final decades of her life but instead effected a productive and successful career change (and, was in fact not as light-skinned as was previously thought). While the use of Van Vechten’s documents is controversial because of his reputation as a Harlem voyeur, this is a good accompaniment to the previous research done by Larson and Davis, with some added information that paints a fuller picture of the writer popularly known as the mystery figure of the Harlem Renaissance. With illuminating conviction, Hutchinson argues that, though Larsen “never stopped thinking of herself as a Negro” (186), she deliberately chose not to live on either side of the color line and rejected the limitations of racial categories.
November 26, 2024
Admittedly I skimmed a lot of this due partly to time constraints and partly to the fact that some of it is kind of dull (aka written for specialized Larsen scholars). BUT, this biography is overall engagingly written and chock full of juicy Harlem Renaissance gossip. I appreciate so, so deeply that Hutchinson makes a project of “de-pathologizing” biraciality and “rescuing” Larsen from misunderstanding and obscurity related to her mixed-ness. Larsen was/is an incredible artist and I thoroughly enjoyed plunging into her life for two weeks.
My major critique of this book is its occasionally flippant treatment of Larsen’s female friendships and connections. The women around her get a bit sidelined in favour of Van Vechten, Johnson etc. It’s likely due to an objective lack of biographical information (yay historical misogyny) but I think Hutchinson could have done a bit more legwork here considering how big the bio is.
Bottom line: cool read, made me smarter and turned me into a Larsen fan, don’t even start it unless you’re ready to invest hours and hours and hours.
My major critique of this book is its occasionally flippant treatment of Larsen’s female friendships and connections. The women around her get a bit sidelined in favour of Van Vechten, Johnson etc. It’s likely due to an objective lack of biographical information (yay historical misogyny) but I think Hutchinson could have done a bit more legwork here considering how big the bio is.
Bottom line: cool read, made me smarter and turned me into a Larsen fan, don’t even start it unless you’re ready to invest hours and hours and hours.
February 6, 2022
Meticulously detailed, this is a wonderful biography of a complicated woman who lived an amazing life. Author of the novel on which the recent movie Passing was based, it helps if you read her work (esp Passing, Quicksand, Sanctuary) before reading this biography. A “Who’s Who” of notables who were her artistic, literary and professional contemporaries, esp during the Harlem Renaissance, it is challenging to keep up with all the names and relationships! However, a close reading is enlightening and even a little awe-inspiring.
April 5, 2018
I feel as though I knew Larsen. I actually started crying when I got to the coda at the end of the last chapter, as if I'd experienced the loss of her myself. Hutchinson writes objectively, but with a warmth and sympathy and intelligence that I think Larsen would have appreciated.
A great work of scholarship, and like the best biographies, evokes what was most human and irreducible about its subject.
A great work of scholarship, and like the best biographies, evokes what was most human and irreducible about its subject.
October 22, 2022
This book took me longer than usual to read, but then it was eight years in the making. It’s very detailed and loaded with research that was relative to Ms Larson’s life and the times that she lived in. Reading this book felt like I was putting together the pieces of all the other books that I had read about Harlem Renaissance Writers. It was well worth the read. And I found embedded in this book other books that I’ve added to my list of books I want to read.
April 12, 2024
left me screaming NELLA STOP PUSHING EVERYONE AWAY
basically i feel like nella and i are best friends now
besides reading this, i also recently read and watched passing and am writing a paper on it so i'm basically living in nella larsen- land rn
basically i feel like nella and i are best friends now
besides reading this, i also recently read and watched passing and am writing a paper on it so i'm basically living in nella larsen- land rn
May 2, 2025
Comprehensive and compelling overall, although the portions in the middle that were essentially an hour-by-hour account of Larsen's social calendar got a bit repetitive
February 15, 2025
A biography of one of the most important American writers of the 20th century and a true star of the Harlem Renaissance.
Nella Larsen was born in 1891 to a Danish seamstress and a black West Indian cook in Chicago. She had published two novels, Quicksand (1928) and Passing (1929), before vanishing from the literary world completely and it appears, willingly.
I took my time reading it is absolutely packed with research material, but Nella and her life were always on my mind. Here’s a woman who lived her life on her own terms while the world around was trying to find a proper box for this mixed race, highly educated and intelligent person. As a child she spent some time in Denmark with her white maternal relatives and spoke Danish. Prior to becoming a novelist she had worked as a nurse and married a prominent scientist. In 1930 she became the first black woman writer to receive a Guggenheim fellowship which she used for a research on her new novel on a trip to France and Spain. That novel was rejected by her publisher, her marriage fell apart and she stopped communicating with friends. Alone and most likely deeply depressed, she returned to work as a nurse, her literary career essentially over.
Nella’s life trajectory was as impressive as it was fragile. As I read this extensively researched biography of a deeply intelligent, sensitive and talented woman, I kept thinking how even in the best of circumstances, success is not promised to anyone. What impressed me the most about Nella is how strong and willful she was, despite so many soul crashing setbacks such as racism, traumatic childhood, infidelity, divorce, poverty and professional disappointments. She developed a deep distrust of others which in the end just exacerbated her loneliness. Yet, she always insisted on living her life on her own terms.
Nella Larsen was born in 1891 to a Danish seamstress and a black West Indian cook in Chicago. She had published two novels, Quicksand (1928) and Passing (1929), before vanishing from the literary world completely and it appears, willingly.
I took my time reading it is absolutely packed with research material, but Nella and her life were always on my mind. Here’s a woman who lived her life on her own terms while the world around was trying to find a proper box for this mixed race, highly educated and intelligent person. As a child she spent some time in Denmark with her white maternal relatives and spoke Danish. Prior to becoming a novelist she had worked as a nurse and married a prominent scientist. In 1930 she became the first black woman writer to receive a Guggenheim fellowship which she used for a research on her new novel on a trip to France and Spain. That novel was rejected by her publisher, her marriage fell apart and she stopped communicating with friends. Alone and most likely deeply depressed, she returned to work as a nurse, her literary career essentially over.
Nella’s life trajectory was as impressive as it was fragile. As I read this extensively researched biography of a deeply intelligent, sensitive and talented woman, I kept thinking how even in the best of circumstances, success is not promised to anyone. What impressed me the most about Nella is how strong and willful she was, despite so many soul crashing setbacks such as racism, traumatic childhood, infidelity, divorce, poverty and professional disappointments. She developed a deep distrust of others which in the end just exacerbated her loneliness. Yet, she always insisted on living her life on her own terms.
December 16, 2013
Nella Larsen was a fascinating woman -- on top of being a Black woman raised outside African American culture, she was involved in many momentous institutions during the early 20th century. A student at Fisk University, a nurse in New York City during the influenza epidemic of 1919 when so many public health policies were put into place, a teacher at the Tuskegee Institute, a librarian in NYPL system -- again when so many parts of modern public librarianship were initiated, a writer of the Harlem Renaissance, a member of its upper crust.
Hutchinson's research is exhaustive and he does what he can to illuminate this mystery woman's life and legacy.
Hutchinson's research is exhaustive and he does what he can to illuminate this mystery woman's life and legacy.
July 4, 2008
This is a long, meticulously researched biography that I found fascinating. She was a unique character who lived in an amazing era. I found it tough going sometimes, and quite sad, but really recommend it.
Want to read
March 1, 2008B larsen biography
January 3, 2011
Excellent.
Displaying 1 - 18 of 18 reviews