Jump to ratings and reviews
Rate this book

ICON TACT: Poems 1984 - 2001

Rate this book
All the sections of ICON TACT were conceived as book-length single texts or serial poems; some of them were published as such in limited editions either by the author (as The Eternal Network) or by other micro presses. This book reflects a tradition Coleman has followed since Coach House released CORRECTIONS in 1985. ICON TACT represents the end of what Coleman considers to be his ?conventional? poetry cycle, during which only AMERICA reflects his current concerns with Oulipian constraints and poetry as a kind of word sculpture. LETTER DROP (2000) and MI SING (BookThug, 2005) represent one half of a four book set of which the third (based on Mallarms prose) is currently in progress. The fourth book will be concerned with the writing and the lives of the Troubadours.

178 pages, Paperback

First published January 1, 2006

8 people want to read

About the author

Victor Coleman

39 books1 follower

Ratings & Reviews

What do you think?
Rate this book

Friends & Following

Create a free account to discover what your friends think of this book!

Community Reviews

5 stars
1 (16%)
4 stars
3 (50%)
3 stars
2 (33%)
2 stars
0 (0%)
1 star
0 (0%)
Displaying 1 of 1 review
Profile Image for M.W.P.M..
1,679 reviews29 followers
January 23, 2022
The Collective
is the blind spot
of Democracy

Consensus
an agreement of the whole
at one's expense

Old people
only die when
they're ready

The young
kill themselves
thru overdetermination

After three lines
the usual idiot
goes for the phone

No one answers
- Sock Options, pg. 9

* * *

I enter the realm of now
blown clear of the action
alone in the wonder of two

who knew? like God, what happens next
We walk into a moonset
gold on horizon, a welcome mat

for footloose rhyme, & rhythm
that gets you the points you need
to be freed from this realm

Topsoil goes to the heart
like mirth to the clone
Alone in the realm

unclear of the action
but consummate, elongated
& waiting for the right moment

to leap into the fray
w/ a surfboard that rides the universe
& toes that know only solace
- The Spin Cycle, cont'd, pg. 14

* * *

The awkward hugs of friendship
little licks in the game
blown changes, pure luck
a family

*

We empty the blood
into the cup, like supper,
or lunch, a hunch we had about
the taste

*

Would that I could write
a musical that worked like
marketing in bed

*

blind bets
tend to impact on the
personal economy

*

poetry in concrete
brings tears
to my eyes

*

I fog up
every time

a name
disappears

*

Nicky never knocks
He breaks in
It's his way

*

Dinner tomorrow
will probably be fabulous

*

Cid Corman
eats shit
on the moon

*

There's only so much whisky
before we nod
towards God

*

Haiku
flavours reason
with a passion

*

Mistranslation
is the last
reposte

*

Fury never meant
to do that - mistake
never crossed my path

*

Laundry goes around
the corner
where it belongs
- Endgame, for Steve Cope & Marshall, pg. 26-28

* * *

I watch you perform in my head
the heavy masks reveal only eyes
a disembodied voice touches my ear

I sit back & watch you perform
behind my eyes, your hands
hold your breasts up to my eyes

something in your body starts to undulate
as the voice turns guttural & low
slowly around the process

You climb from my vision as I rise to meet you
your tiny frame looms large
contains my imagination in a gentle strangle

Our hands are a single caress
on body parts that tumesce & self-lubricate
an oasis in the dessert
- Imaginary Performances, pg. 39

* * *

Can feel it
take up space
We triple

our trade in
provision
Second a

moment, not
now, other time
maybe next

week with love
in style in
your eyes my

body's a
pool into
which all jump

unbeknownst
to full water
fantasy

As you leap
letting go
again, a

loss, one more
moment caught
The pattern

survives, vibes
reverber-
ate, echoes,

inside my
passion. Large
rooms with flames

give glorious
space, our face
more care than

we can han-
dle, a stage
in our re-

lationship
that sinks into
the impulse
- for Carla Bley, pg. 57-58

* * *

The bus to nowhere
where I found you
virgin, in the arms of ardour

three things open
holes in you
mouth, heart - maybe four

I can't count
We make life
love follows

Is it a space, a face
a grace unchangeable?
Is it time gone nuts with the bees?

My heart says go for it
simple language
an infinite vocabulary

Merely words & signs
mind sets caught in moments
But real time

is fiction over easy
stories told
emboldened by your love

my heart &
everything
that matter most
- Grey Area, pg. 65

* * *

Tough meat
gone to
ground Ground
meat gone
to dine

Dressing
gowns and
hearts beat
in the
stomach

Wings in
delight
feet firm
in the
cement

of love
Time sep-
arates
cheese lives
not us

We sing
across
with our
bodies'
laughter
- Old Goat in Espanola, pg. 74

* * *

Go two!
It be-
hooves you.

Walk up
the I'll
like twins

friends - mends
heals wounds
long lost

Take turns
being
on top

Go light
a can-
dle in

the church
the bath
the child

Make it
new be-
cause who

Cares be-
comes a-
larming

Music
jumps up
meets you

Fire be-
littles
the trees

Forests
gone in
moments

What's left
of your
heart burns

In frames
you look
like Hell

A rose
is a
symbol

Your lips -
all four -
kissing

Little
buds of
springing

Singing
Angels
walking

Talking
in tongues
like Mom

I'm not
Joyce or
Yeats - Yikes!

I'm just
your Pop
the top

drawer
in your
dressing

Give me
only
your hand

to re-
turn to
the groom.
- Epithalamion, pg. 81-83

* * *

dear jw

O'Hara is dying in the dunes
Guitar the axe of apes
Tropes assigned their millennia
Billions of dollars in debt
Florid pillars of regret
Big Boogies behind the weather
Following the head that cried melody
Or called the siblings dirty names
Carving a mythology of sonic boomers
Including both waffle and vacuum
Into whom won't two go?
There's a seam in seamless
and it's always crooked
From walking that way to the bank
Of the River of No Return
- A Wake for Zappa, pg. 100

* * *

A florid

orange
rhymes

nothing
mothers

abortion
canceled

build
destroys

drive
pollutes

manufacture
migrates

air
blackens

lungs
blacken

*

A
faun

forested
breath

in
trees

topped
farmed

but
never

clear
cut

Water
shed

tears
disappearing

mountains
decapitate

progress
Plant

Revolution
Sew

buttons
seeds

blood
brothers

un-
named
- The Natural, pg. 116-117

* * *

So yellow
over the mountains

casting a gleam on the snow
a 'shadow' on the water

Sun's mirror
trees too far away to smell


*

Much good fortune in retrospect
Plenty faux French food

Much drunk annoyance
Say, attention, stewed

No moon tonight, bu thought
came into play, a cloud

around the moon that wasn't there
an aura, light, like Gerry

Recycle the sound, echo
without saying

the original
art

*

Media

No moon
as far

as I
can see.

It's not
me it's

the trees
the fog

the ra-
dio.

*

Origins

We come from
the moon - we

arrived like
snow, rain, hail

something like
that - weather

the big bang...
Fall down go

*

An

other Moon would so

prosaic
like the sun

in your eyes
blind for a

moment - deaf
for a mo-

ment, meant I
can't hear, see,

believe in anything

*

Rakosi

One
word

enough
so

quit
already!

Silence
ensues.

Guns &
butter.

*

Taxes

It is my right
to walk around the trees

to see the moon!

*

Maureen

Walk with the dead
see if I care

I'm no less dead
than the next guy

may be pinker-
ton - is this a

western? Are those
trees over there? -

the goddamn moon
keeps

shining
blocking

our view of
the stars

*

Wife

If there
wasn't

a moon
where wd

you be,
Baby?

*

Linneaus

Title first first
name middle name
last

the shoe

a poem to commemorate
some dead friends:
the alphabet

let's not
go there

*

The Davids

One was
obscure

the oth-
er was

obtuse.
What can

I do
I do

love them
both - men

in con-
struction.

*

Jazz

Trane crossing
boundaries

blowing cool
before cool

had heat - he
in vented

sound - he re-
tarded some

thing, we think
possibly

Queen Street - where
we eat like

persons blessed

*

Pouch

Dead sons
given up to the sea?

Ladies! I
love you like

everybody else
in a large group

where my denial
of yr grief

will be palpable:
a wake.

*

Con Alma
for Pouch Cove


Piano
River / Creek

Ocean
Sea

'Fish":
Cod

Snow
Now

God
Help you

*

Reid

Brother
in law

Outlaw
Stealer

of moon
big fish

in small
ocean

*

Don

Put on -
No, put

off - no,
write but

and then
quit - end

the be-
ginning

Don't be
the big

bang - it
doesn't

rhyme.

*

The Beats Are All Dead

I've always thought
there were too many syllables
in "alphabet'

so haiku were
the only way
to do

*

Tomorrow
an inadequate hoku


The moon
came up

a day later

THE END
- Moon Over Viagra, pg. 161-170
Displaying 1 of 1 review