Spoilers!
....
Next instalment in my Persephone expedition. This book might be short, but there is plenty to say about it.
Contrary to what the title suggests, the story focuses on Frankie Burnaby, a twelve-year-old girl, living in the Canadian village of Lytton. Her narration however is not as simple as it seems. The mention of Ernestine's fate on page 6 (and other foreshadowing comments later on) not only shocked me out of my reading, but also made it clear that Frankie is also 'talking' from an unknown point in future adulthood. The author goes on blending the girl's perceptions and language with the insights of her older self, a little bit like Dickens' Pip. Over the course of the book, the story that appeared to be a retelling of her life becomes in fact her recounting...of the places and ways known (to her) in which Hetty Dorval has appeared.
From the very first page, Wilson's style is captivating, especially when she describes the various landscapes. British Columbia is painted in beautiful details:
"In the sunlight, the dun-coloured gorges of the blue-green river look yellow and ochreous, and in some places there are outcroppings of rock that are nearly rose red."
"A figure of a man or beast crawling distant across the great folds and crevasses of these sprawling hills would make you stop, look, point with surprise, and question."
Throughout the book, there are many references to light and shadow - "It is the sage-brush that covers nearly everything, and that in the mutations of sunlight and moonlight helps change the known hills to the unfamiliar" - and this very much applies to Hetty. So visible in her angelic beauty and yet her true nature remains unseen. She appears one thing, then another, yet both striking and somewhat ethereal. Even her weapon is said to be of lightness (p.26) and although it means something else, I cannot but wonder if Wilson chose that word on purpose.
Although the novella does show the effects of poisoning gossip and misconceptions to a certain extent, especially without proof, it does take the stereotyped avenue. Hetty is indeed the woman of 'no reputation' that all fear, picking people at her whim and discarding them as easily. However, Wilson focuses on another facet which I would guess was not as usual. There is no malice in Hetty but just an inability to deal with any constraints, social or emotional. The author shows a version of the human character who believes to be outside of society’s rules, but as the quote states at the beginning of the book, "no man is an Iland" and this is what I feel Wilson was aiming for: the effects people have on each other. This is however something Frankie is aware from an early age - "But I lived in a glass goldfish bowl where the behaviour of each fish was visible to all the other fishes, and also to grown-up people outside and in the vicinity of the glass bowl”. We see her, throughout the various episodes, mature from an awe-struck child to a wiser and courageous young adult, prepared to face any eventuality for those she loves.