The End of the Dark Era

by Tseveendorjin Oidov, Simon Wikham-Smith (Translator)

The End of the Dark Era is the first book of Mongolian poetry to be published in the United States, and one of the few avant-garde collections to have come from the vast steppes of Mongolia. Poet Tseveendorjin Oidov, who is also one of Mongolia's most renowned painters, traverses the Mongolian dreamscape in poems populated by horses, eagles, and a recurring darkness that the poet dissipates with his startling descriptions and abiding empathy. The short poems of the book's second half are accompanied by thirty‐six of Oidov's abstract line drawings.

Genres: Poetry

168 pages, Paperback

First published July 12, 2016

Reviews

[Bogi Takács]

Not speaking Mongolian, I felt the translations weren't very strong, making it hard to form an opinion of the poems themselves. Loved the visual art component though, some of the best depictions of horses I have ever seen; and really appreciated how the short poems and the art worked together.

Source of the book: Lawrence Public Library

[Cooper Renner · Rating 2 out of 5]

I most enjoyed Oidov's stylized illustrations in the second part of this book. The poems themselves recall either the Modernism (Oidov is proudly Modernist) of 100 years ago (the earliest, too declamatory and strident Modernism) or the ecstatic poems Bly was writing or translating half a century ago. Some readers will be quite taken with them, but I was disappointed.

[Cody Stetzel · Rating 4 out of 5]

I thought this was a great collection with some interesting surprises to consider about language and my relationship therein.

[ElenaSquareEyes · Rating 1 out of 5]

Translated by Simon Wickhamsmith.

One of my favourite things with translated poetry is when on one page is the poem in the original language and on the opposite page is the translation. Even if you can’t read the original language, or make much sense of it at all when it’s in a completely different alphabet like here, it’s cool to see how the poem was originally laid out, how many lines there were and how much space it took up.

The first half of The End of the Dark Era is poems from between 1975-1983 and they’re all about a page long. A lot of them are about nature, or paint vivid scenes of the ocean, rocks or forests through them. There’s a distanced or almost dreamlike quality to a lot of them, and some feel like little mini stories being told to you.

The second half of the collection is called “Advantgardism” and is a collection of short fictions. Each poem or fiction is no more than five lines long and each are accompanied by an illustration by the author on the opposite page. The illustrations are all line drawings of horses in different poses. Personally, I found the illustrations more interesting than the writing, they were just unlike any illustrations I’d really seen before and they manage to make the horse look animated which is impressive. Though I did like how the words and image complemented each other.

I think the poems of Tseveendorjin Oidov are not for me. A few are brief but effective, but most seem to be the kind of poetry that I just don’t understand or would better understand if I had someone to guide me through them. Apparently, Tseveendorjin Oidov is considered to be the first Mongolian modernist and modernism is something I could never really get my head around – even when I studied it a bit at university. Maybe if you’re a modernist fan you should try some translated Mongolian modernist poetry and see how that compares to Western modernism writing.