Excerpt from Jenny Lazy laughing languid Jenny. Fond of a kiss and fond of a guinea. Whose head upon my knee to-night Rests for a while, as if grown light With all our dances and the sound To which the wild tunes spun you round: Fair Jenny mine, the thoughtless queen Of kisses which the blush between Could hardly make much daintier; Whose eyes are as blue skies, whose hair Is countless gold incomparable: Fresh flower, scarce touched with signs that tell Of Love's exuberant hotbed: - Nay, Poor flower left torn since yesterday About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
British poet and painter Dante Gabriel Rossetti, brother of Christina Georgina Rossetti, founded the Pre-Raphaelite brotherhood, a society, in England in 1848 to advance the style and spirit of Italian painting before Raphael (Raffaelo Sanzio); his known portraits and his vividly detailed, mystic poems, include "The Blessed Damozel" (1850).
This illustrator and translator with William Holman Hunt and John Everett Millais later mainly inspired and influenced a second generation of artists and writers, most notably William Morris and Edward Burne-Jones. His work also influenced the Symbolists, a group of chiefly French writers and artists, who of the late 1800s rejected realism and used symbols to evoke ideas and emotions. He served as a major precursor of Aestheticism, an artistic and intellectual movement or the doctrine, originating in Britain in the late 19th century, that from beauty, the basic principle, derives all other, especially moral, principles.
I’m glad this wasn’t the first long poem I’d read by Rossetti. The lurid theme (for the Victorian era) and contemporary theoretical trend towards gender studies are the only things going for it. The meter and rhyme are rather simple, and the theme is just as tired and worn out as poor Jenny. From Petronius to the Police’s “Roxanne,” the madonna–whore complex/hooker-with-a-heart-of-gold lament is as old as the “oldest profession” in Western culture. This poem doesn’t add much to the discussion, beyond being a Victorian representation of the trope.
I found it a bit sexist but perhaps my view would alter when I had attended my lecture and seminar on it and had developed a better understanding of it? Let's wait and see...