“I am a librarian. I am a servant of the Library.”
With great ideas, comes great responsibility. Said no comic book character ever, but probably should have. Think about it as an avid reader. You see a book cover that looks gorgeous, you turn it around and read the summary and it tells you the story of a young woman, working for a secret library that recovers books from alternate realities. Add a Doctor Who comparison to the mix and you have one of the most interesting sounding books in a sort of fantasy/science fiction Genre of its time.
Now read that book and tell me what you are feeling when it just doesn’t deliver what it promised to you.
I can tell you in advance, you feel disappointed and most likely kind of bumped.
The Invisible Library tells the story of Irene, a young woman who works for a mysterious library that collects precious books through many alternate realities and their librarians act like a kind of spy. There are worlds similar to ours and a lot of ones that are filled with magic and supernatural creatures. Librarians also use a specific kind of magic called ‘The Language’. After coming back from her latest mission Irene gets the task to accompany new young librarian Kai to his first fieldwork mission. They are ordered to collect an edition of Grimm’s Fairytales from an alternate London, filled with Steampunk elements and mystical creatures like vampires and werewolves. When they arrive the book they are looking for has already been stolen and thus a hunt for it begins and soon the twosome discovers that more than one party is after the book. Things soon get dangerous when an old enemy of the library gets involved.
I’ll be honest with you, I went into this wanting to love it. Books about the love for books are a great thing, a celebration even for every passionate reader and throw in some Doctor Who-esque elements and a great adventure is guaranteed.
Or rather should be guaranteed.
I’m still trying to wrap my head around what went wrong. First of all let me tell you, this book is probably as in medias res as it can get. The reader is literally thrown into the story without any explanation. While this can work very well, as proven countless times by other works of fiction, here the start is already clumsy, jarring and confusing. I was raising my eyebrow a bit, but initial confusion aside I was at least intrigued to find out more about the world and the characters living in it. Confusion also can work in a story’s advantage and in the beginning I was convinced this was the case here. Sadly, it wasn’t.
Before however I start to pin down what went wrong in my opinion, let’s start with the positive aspects first.
The idea of this book is fantastic. The Library is probably every bibliophile’s dream place and being an adventurous, alternate world-travelling spy librarian probably a job all of us would like to apply for or at least have an internship. While alternate realities are nothing new to fiction, the idea that they all have several editions of famous and valuable books that need to be protected is. Oh, how I wished this world would have sucked me in. I wanted to get lost into it so bad and go on book-related adventures with Irene. Okay, already starting with the negative I see, let’s dive into it.
I think we can all agree that a book rises and falls with the writing. For a book that celebrates the wonderfulness of literature and language the writing was very stern and, excuse my harsh wording here, kind of ugly. There are writers who manage to make every word come alive with sheer beauty, that write with a certain flow and let the reader dive into the prose allowing them to get lost in it and absorb every little detail. Then there are those who want to do that and unfortunately manage the exact opposite. Despite a lot of descriptions it was hard to imagine the world(s) in this book. It was hard to imagine the characters. It was hard to feel anything or connect to anyone. The action fell flat, the pacing was way off and even the dialogue ranged from cheesy and clichéd to very strict and overcorrect. Speaking of dialogue, speech patterns were practically none existent. Irene has a certain overly correct way of articulation and while I thought it was a quirk belonging to her, emphasizing her love for grammar and language, I quickly noticed that most characters in the book talked in a similar manner. There was no clear distinction, apart from very rare moments. I also got the impression that this book is intended for more mature readers (direct references to sex and alcohol, in a very clumsy way) but the writing itself seemed more aimed at young adults.
The second problem comes from the world building. Now I personally firmly believe that creativity knows no boundaries and that it does not need guidelines. Writing however does. If you as a writer create fantastical worlds, do whatever you like with them, but explain how these world work to your readers. Especially if that world considers several kinds of magic. A reader needs to know how a world works and how magic in a world works to understand the limitations of what characters are capable off and to know how high the stakes are. Same goes for magical creatures living in a world. You have vampires, werewolves and dragons? Awesome, but what kind of? Nowadays vampires differ from the image Bram Stoker gave us withDracula and not all werewolves are constantly shirtless and play lacrosse like Teen Wolf shows us, so what kind of creatures do live in this world? While there are brief explanations they are a little bit all over the place and are dropped in the middle of action scenes or in rather long, dialogue heavy expositions. In my opinion books like this need at least one character that functions as an avatar for the reader. That is why say Harry Potter works so well. The reader discovers the wizarding world through him and with him. There is a sense of childlike wonder and adventure attached to it rather than just loads of exposition between action scenes. Irene is already well-established in the world of the library and knows her way around alternate realities as well, so she is definitely ruled out as an avatar from the beginning. An interesting choice for the protagonist, I might add. When the reader is introduced to Kai it seems like he will become the character for readers to relate to, until it is pretty clear that he has a secret and knows a lot more than he is letting on. Finally we get the character of Vale, a kind of Sherlock Holmes variation of alternate London who fills in the shoes of reader surrogate in a semi way. Through him the reader will get some needed answers and explanations but not until almost the last third of the book and then, instead of an exciting way, in almost two chapters only containing expositional dialogue and Irene answering questions. Way to go. In the end the world is not really approachable despite interesting rudiments and magic just seems to work the way it is convenient to the plot.
The plot is half fantasy/steampunk adventure and half a classic detective story. It promises fun and action, but never really takes off. There is a confusion up and down between clumsy action scenes and rather uninspiring detective work. Now, I do believe that a good detective story is one that allows readers to connect dots and guess plot twist, but it shouldn’t present everything on a silver platter. Everything is far too obvious to make the mystery intriguing. Even the identity of villain (hilariously named) Alberich does not come as a shock or even a little surprise. Like the rest of the story the twists feel almost static
The book also suffers from a feeling of being overstuffed. There is just too much, with too little explanation. I got the feeling that the author wanted to create all these great characters and forms of magic, wanted to have all these different worlds and use every supernatural creature she had ever seen on a CW show and while I do see a certain enthusiasm there, she forgot to develop anything beyond the rough framework. Someone, probably an editor, should have said ‘stop’. This, being the first book in a series, should have focused on a slow world building and not on throwing everything there is at the reader without giving him time to breathe or give him a chance to understand how it all goes together.
But all of this is nothing compared to the characters. I have said this in plenty reviews now and I will always repeat it: If you give me engaging and three dimensional characters, I’ll probably ignore a lot of stuff that would normally bother me.
Irene caught me on the wrong foot from the beginning. “But hey it happens, we had a tough start but things can get better if I get to know her better.“ Oh what a sweet summer child I was. There was something oddly cold and distant about her from the first chapter that, instead of getting better, actually got worse. I was indifferent towards her in the beginning and started to dislike her probably half way through the book, only to return to my initial indifference in the end. Tell you what, a strong dislike would have been more favorable, at least it would mean I care at all, but indifference is an alarming sign. Irene is somewhat unattainable and irritating to me. We get to know parts of her backstory but never in a way that it makes her remotely interesting, because it is never quite enough. That also results in the fact that her decisions and choices are sometimes odd and don’t make much sense. Her personality falls flat due to the lack of detail about her life. I guess Cogman tried to make her more mysterious by actively keeping her past from the reader and only dropping hints now and then, but since there wasn’t much to go for otherwise it backfired a lot.
The other characters are not doing much better. Kai is the most interesting in my opinion due to his backstory and heritage but sadly gets sidelined a lot in favor of Irene doing whatever Irene does and sending him off to do whatever she wants him to do. This also brings out another problem in the writing. We have a limited third person, meaning that while the narrator is in fact telling the story from a third person perspective it is still somewhat limited to Irene’s point of view, which is really unfortunate here.
Vale is an attempt to create a Sherlock Holmes type of character, but in less mesmerizing and far more average. He is just not as compelling as his famous prototype. Though again, he is more interesting than Irene herself, also due to his hinted and never fully explained backstory (btw I know this is only the first book and not everything gets an explanation just yet, but repeating the same pattern with every single character gets old pretty fast).
The rest of characters stay very one dimensional, which says a lot since the three most developed ones aren’t that compelling either.
Irene’s rival Bradamant has potential to be interesting, but also suffers from a lack of motivation, backstory and personality. Her feud with Irene is briefly explained in the end and rather laughable and makes both women look very childish and adds to the overall irritation (did we ever learn how old any of these characters are? I literally just finished this book and can’t remember it). The supposedly mysterious and sinister Fae ambassador Lord Silver gets a nice introduction, but later on turns a little bit into a parody of himself when he orders his minions around like a mustache twirling villain and never actually does anything impressive. Finally main villain Alberich (seriously that name) is more of an invisible entity during most part of the book and only shows up half way through with somewhat of a threatening entrance. Again, that later falls flat. The ‘big twist’ is not really a surprise and Alberich quickly turns into ‘Monologuing Bad Guy XY’ that is quickly outwitted and possibly would have had more success if he had simply stopped talking and just killed the heroes. But whatever. “Join me on the dark side, we can monologue.” Don’t you hate it when villains do that? Alberich basically fulfills every villain trope there is.
In the end of the day an idea can be fantastic and intriguing, but if not executed well it doesn’t become a good book.
I can see why people enjoy this book. I can even see the potential for future installments to actually become better, however I don’t have any desire to continue with the series. If there is not one character to truly care about, why should I follow their stories?
Conclusion: A fine idea with the potential to grow, but suffering due to a very clumsy execution.
Recommendation: If you like books about books and fantasy/science fiction adventures with steampunk elements you might as well check it out. Just because I couldn’t connect to the characters doesn’t mean others can’t.