As one of the leading critical voices on art of the post-war years, Lawrence Gowing (1918 - 1991) combined a passion for close visual involvement with formidable literary skills. Having begun his career as a painter, Gowing's monograph on Vermeer (1952) brought him early recognition as a writer who combined this experience with a meticulous historical perspective. His foremost commitment was with the pioneering painters of the late-nineteenth and early-twentieth centuries, notably Paul Caezanne and Henri Matisse. The exhibitions Gowing curated at Tate, London, and the Museum of Modern Art, New York famously helped to mould and reshape public perceptions. Characterised by a desire to instruct and encourage, his writing reflects a highly successful career as a curator and teacher. Introduced by the editor Sarah Whitfield, four decades of writing are brought together for the first time in this volume.
Sir Lawrence Gowing (April 21, 1918 - February 05, 1991) was an English artist, writer, curator, and teacher.
Initially recognized as a portrait and landscape painter, he quickly rose to prominence as an art educator, writer, and, eventually, curator and museum trustee. As a student of art history he was largely self-taught.
Sir Lawrence was born Lawrence Burnett Gowing to Horace Gowing, a draper, and his wife, Luisa. Born in Stoke Newington and raised in London, his first painting of note, Mare Street, Hackney, made reference to his father's shop. After attending the Downs School at Colwall, Herefordshire and Leighton Park School, in 1938 he enrolled in the Euston Road School, where he studied with William Coldstream.
He was Principal of the Slade School of Fine Art at University College, London from 1975 to 1985.