Dated.
Robin Daltons memoir of her Sydneyupbringing as the only child in a rambunctiously large inner city upper crust family who are down on their luck reads like an Antipodean version of the Mitfords , without the politics.
The matriarch, her sister and numerous house guests offer much anecdotal fodder, while Dalton’s
mother chain smokes and entertains. The show is kept on the road by the father, who seems to have been spat from the same Naval mould as the late Price Phillip. He is the local doctor, and when his income does not keep up with his gambling, his wife hides bills in the drawers, pawns the jewels of an aunt, or makes recourse to her store credit account - all recounted in a very light note.
Much is made of their ‘Australian-ness’ which is chiefly explained by their mixed heritage (Jewish/Irish Presbyterian)and universal addiction to the racecourse, yet Dalton mistakes a Major Mitchell cockatoo for a Galah. (Perhaps this was one of her fathers jokes she failed to discern) She is generally disparaging (like so many of her generation who spent their adult lives abroad) of everything else. The architecture is awful, the culture is declining, the accent broad etc etc.
The humour is at times excruciating. The casual racism, sexism, classism and cruelty no longer stand as funny. I can’t help but feel for the poor women patients, one I would suggest suffering from menopausal anxiety, and the other from endometriosis- both fobbed off as whining hypochondriacs.
I’m glad the pompous git kneecapped himself.
Disappointingly, we do not get to know the maiden aunts. A family rift keeps them at a distance.
It might have been a better story to uncover them - women born into the Belle Époque still hanging on between the wars.
So yeah, it’s of it’s time, but nah, doesn’t hold up.