The film director or `auteur' has been central in film theory and criticism over the past thirty years. Theories of Authorship documents the major stages in the debate about film authorship, and introduces recent writing on film to suggest important ways in which the debate might be reconsidered.
Plenty of head-scratching essays on auteur theories with case studies on John Ford. I would have like to read more about British cinema (it is published by the BFI after all) but there's some useful content here.