If I had to pick a word for this book, I'd go with "competent."
It was a fair read - but a rather boring one. There's a reason I didn't pick "comfortable" or "familiar" to describe this title; those words sound too fond to really convey how detached I felt while reading this book. It does nothing in particular wrong, and in fact, does a fair amount right, but there was a sense of deja vu to reading this, with a plot so predictable it had played out in my mind almost beat for beat in my head before I reached the end. There are stories that hit a lot of common tropes, and then there are stories that seem to be running on a checklist, and this is just a few hairs shy of being one of the latter.
It's a typical fantasy story - four kids discover they're different from their peers, and are taken under the wing of an older, wiser mentor to learn their new powers and come to terms with their destinies. Characters must hide their new, fascinating powers/abilities/heritage/secret world from their peers whilst overcoming the new challenges that those new blessings take. All the while, a villain lurking in the shadows threatens to destroy this new, magical world the protagonists have come into, by corrupting it or taking the power for themselves, and once their mentors are compromised, these new, green heroes must test their mettle against the big bad, or else they and the magical world they protect will.... well. You know the drill.
The thing is, secret magical worlds, and secret magical destinies, are kind of my bread and butter. They can almost all be boiled down to such a plot with little to no variation on it, and - well - as Hallmark Movies and Superhero Flicks prove, sometimes predictable plots aren't a flaw, they're a bonus! When. Done. Well. "Changers" had all the beats I look for in a new series: characters who come from different backgrounds and social statuses, learning to work together, to master cool hidden powers, all to save a magical world hidden right under our noses. It had potential, and yet I found myself remarkably detached from the story thanks to the lack of emotional complexity put into it.
Mack, for example. He's the only kid with a family member directly involved with the magical world, (so far,) and his Grandfather's legacy is closely tied with the villain and the plot, a legacy which is a lot of pressure to live up to. At least, you'd think. But see, Mack's the last of the four to learn how to Change, having to sit on the sidelines while the other three stretch their newly-Changed muscles, and for a kid who always dreamed of having a magical destiny, this is a huge disappointment for him. So he spends the lion's share of the book acting frustrated - acting *cheated*, really, because he's the only one of the four who actually WANTED this, and his Grandfather won't help him Change for some plot contrived reason - and since changing seems to be instinctual, rather than something taught or mastered, the plot gives him little to do but pout about it.
Imagine, instead, a plot where Kitsune need to be in a state of calm in order to Change, and Mack's growing anxieties at being left behind leave him unable to master the Zen state of mind required to join his friends. Mack would have something to learn, and thus something tangible to fail at, and something that dove into the depths of his character. Why does the mundane world bore him so? Why does he fear being ordinary? How can he let go of his growing self doubt and find calm in the face of such odds seen at the end of the book?
(It also gives him a real reason to be frustrated at his Grandfather's lack of teaching; surely there must be a ~trick~ to meditating, he thinks, while his Grandpa knows that Mack's problems are deeper than a simple breathing exercise can resolve, but I digress.)
The other characters felt... similarly lacking, to me. Fiona's storyline felt like it was the most fleshed out of the bunch, and I felt like I could almost feel her thrill when she changed for the first time. But the moment I heard Fiona's backstory, and saw the distant figure in the water... well, let's just say Fiona's whole character arc passed before my eyes in an instant - a plotline that this series won't cover until *book four.* If the series' most complex character is so easy to figure out, that should tell you something.
The characters' motivations do their job well enough, but the social and emotional problems they face are very shallow. Surface level, and nothing much more, which can lead to a bit of a boring read for those who connect to stories through characters they relate to.
Now- a break from the lamenting to bring you the pros!
I am fairly well versed in mythology, or I'd like to think so, anyway, but the mythologies the book chooses to focus on - Kitsunes, Selkies, Impudulu, Nahuals - had even me browsing wikipedia for more information. This series would undoubtedly introduce a lot of kids to new mythologies and cultures they're unfamiliar with. Also! The characters' ethnicities are diverse and actually seem to match the mythological creatures they Change into - a bonus, in my eyes. It's a very deft way to dodge accidental cultural appropriation.
The prose is, again, competent and easy to read, straightforward and understandable. And, however shallow I found the conflicts, the story does set them up and execute the character dynamics it's aiming for. The end seems a little rushed, but it does find a way to bring the young protagonists directly into the conflict with the villain without having the experienced adults throw that destiny on their shoulders. The adults absolutely intend to deal with the Villain head on, themselves, and only end up needing the kids' help because of a very firmly foreshadowed loophole.
Honestly, my biggest problem with the book felt like it was too predictable, too simple, too safe. It actually felt like it was made with being adapted into a tv/cartoon show in mind, rather than just trying to excel on its own as a book. It was a way to pass the time, I suppose, and though I don't feel compelled to pick up the second in the series, reading it wasn't a terrible way to spend an afternoon.