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621 pages, Kindle Edition
First published December 31, 2015
STEALING SORCERY
The War of Broken Mirrors #2
Author: Andrew Rowe
Genre: Epic Fantasy / High Fantasy / Magic / Audiobook
First Published: December 31, 2015
Audiobook Publisher: Podium Publishing
Narrator: Nick Podehl
Length: Long-form epic audiobook
Reviewer: Kiba Snowpaw
Age: 38 winters
Role: Ice Alpha Wolf of HowlStrom, veteran fantasy reader, long-haul audiobook listener
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INTRODUCTION – Hook & Thesis
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Stealing Sorcery is the kind of audiobook I should have loved.
On paper?
This is my territory. Deep magic systems. Political intrigue. Murder mystery. Training arcs. Gods, paladins, trials, conspiracies. All the ingredients that usually make my tail wag.
And yet… this was my second full listen, years after the first, and the verdict didn’t change.
I didn’t hate it.
I didn’t quit it.
But I never truly sank my claws into it either.
This audiobook left me more confused than compelled, more mentally taxed than emotionally invested. It felt grindy, fragmented, and oddly distant — like watching a blizzard through fogged glass.
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BASIC PLOT SUMMARY (No Spoilers)
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The story expands directly from Forging Divinity, shifting the focus from a single city into a broader political and religious landscape.
At its core, the book follows three parallel narrative threads:
• Lydia Hastings investigating a politically explosive murder tied to immortal sorcerers
• Jonan Kestrian operating as a spy with hidden loyalties and divine complications
• Taelien entering the Trials of Unyielding Steel in pursuit of becoming a Paladin
Each storyline unfolds mostly independently, occasionally brushing against the others, while hinting at a much larger, slower-burning meta-plot involving gods, relics, and unseen forces.
Conceptually, it’s ambitious. Structurally, it’s demanding. In audiobook form, it becomes mentally exhausting.
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THE AUTHOR – Context & Craft
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Andrew Rowe is now widely respected for later works like Arcane Ascension, where his strengths are far more refined: cleaner structure, stronger hooks, tighter pacing.
Stealing Sorcery sits in that early-middle phase of his career. The ambition is enormous, but restraint hasn’t fully kicked in yet.
Rowe loves:
• Systems
• Rules
• Internal logic
• Layered conspiracies
And here, he leans hard into all of it — sometimes at the cost of clarity and momentum.
This book feels like an author still proving how smart his world is, rather than letting the story breathe.
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CHARACTERS – Strong Concepts, Weak Anchors
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Lydia Hastings
Competent. Intelligent. Hyper-focused.
But emotionally distant. Her internal monologue dominates large stretches, which works on the page but feels overbearing in audio.
Jonan Kestrian
Arguably the most engaging perspective. A spy with layered motives and divine baggage. Still, his constant secrecy adds to the overall confusion rather than relieving it.
Taelien
The physical core of the story — trials, combat, growth. His arc should be the adrenaline line. Instead, it often feels siloed from the rest of the narrative.
The problem isn’t the characters themselves.
It’s that none of them feel like a stable emotional anchor for the listener.
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STRUCTURE – The Audiobook’s Biggest Enemy
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This book lives and dies on its structure — and for audiobooks, it’s mostly a death sentence.
• Constant POV switching
• Long internal monologues
• Multiple names, titles, aliases
• Parallel plots with minimal immediate payoff
Every time momentum starts to build, the story jumps tracks. In print, you can flip back. In audio, you just… drift.
This is the biggest reason I struggled both times.
It’s not that the story is bad.
It’s that it is hard to follow without visual reinforcement.
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THEMES & ANALYSIS
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The book explores:
• Power inherited versus earned
• Faith as a political weapon
• Identity shaped by institutions
• The cost of belonging
All solid themes. All thoughtfully handled.
But again — they’re presented intellectually, not viscerally.
I understood what the book was saying.
I rarely felt it.
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SCENES – Action, Trials, and Restraint
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There is action here. Training. Combat. Trials.
But it’s spread thin and often interrupted. The Paladin trials should feel brutal and consuming — instead they feel procedural.
No romance focus. No erotica. No emotional intimacy that grounds the chaos.
The result is a story that feels busy without feeling intense.
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WORLD-BUILDING – Deep but Overloaded
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Rowe’s world is deep. Very deep.
• Religious hierarchies
• Magic dominions
• Political factions
• Gods and demi-gods
The issue isn’t quality — it’s density.
Compared to Arcane Ascension, where the world unfolds through lived experience, Stealing Sorcery often feels like a lore briefing.
Immersive? Yes.
Comfortable? No.
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PRAISE & CRITIQUE
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What Works:
• Intelligent magic systems
• Strong long-term setup
• Excellent narration by Nick Podehl
• Clear improvement over Book 1 in technical writing
What Doesn’t:
• Overly fragmented POV structure
• Too many characters to track in audio
• Low emotional pull
• Feels like a “Book 1.5” or filler arc
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COMPARISON
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Compared to Forging Divinity, this book is more polished but still structurally awkward.
Compared to Rowe’s later works, it feels like a prototype — ambitious but unrefined.
Compared to genre peers like Sanderson or Will Wight, the systems are comparable, but the pacing and accessibility lag behind.
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PERSONAL EVALUATION – The Wolf’s Honest Take
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As Kiba — as an Ice Alpha who values clarity, flow, and earned impact — this audiobook left me frustrated.
I wanted to like it.
I expected to like it.
But instead, I found myself mentally checking out more often than leaning in.
Too much was going on.
Too many threads.
Too little payoff per hour listened.
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CONCLUSION & RATING
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Stealing Sorcery is a smart, ambitious, lore-heavy fantasy audiobook that rewards patience — but punishes listeners who struggle with fragmented narratives.
Recommended for:
• Dedicated fans of Andrew Rowe
• Readers (not listeners) who enjoy dense structure
Not recommended for:
• Casual audiobook listeners
• Anyone sensitive to POV overload
Rating: 3 / 5
A book I respect.
A story I acknowledge.
An audiobook I probably won’t revisit a third time.