Rhea Daniels has just been released from prison. Incarcerated from the age of 17, she is adjusting to life on the outside and working out how to manage life as an adult for the first time. She’s also dealing with a family who loathe her and a community afraid of her.
Her new boss, Morgan Scott, has her own challenges. An ex-minister run out of public life by her sexuality, Morgan hides away on her farm and creates her sculptures, which bring in enough money to pay the bills.
The two characters are very different, and yet both are running from themselves as much as from the outside world. The safe haven they create on the farm may not be enough to keep the outside world from intruding into their quiet connection.
Rhea is really well written as a character. Ford’s experience as a psychologist helps markedly with this, I have no doubt. Rhea is believable, and while troubled, is solid enough as a character to overcome some of the difficulties she faces, both internally and externally. Morgan is less well written, and this becomes a problem later in the book when her character seems to be a little too heroic and two-dimensional.
There is a decent amount of tension throughout the book, and Ford uses that to keep the story ticking over while she slowly brings the two main characters together. This is a romance, but it has a strong plotline of danger throughout, so if it is a gentle romance you’re after, this is not the book for you.
I really liked the depth of the characterisation of Rhea. It is the strongest part of the book, and obviously written from experience. The internal and external threats (without giving the plot away) are scary enough to give the book tension throughout and it is a tense book, without ever getting really nasty. I suspect that’s quite a narrow and tricky ledge to balance on as an author. The book had interesting characters and depth I wasn’t expecting. I’m looking forward to reading her next book.
Advanced reading copy provided by NetGalley for an honest review.