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It’s a world of colossal skyscrapers. Hover-cars fly above in the dark, rainy skies and gray people walk below on the grimy, hard streets in the “Neon Jungle.” Uber-governments and mega-corporations fight for control of the super-city, but so does crime.
An average woman, Carol—hardworking and decent in every way— loses her daughter to the psycho Red Rabbit. Can Police Central find the girl in time—alive? And is it really a random, senseless kidnapping in the fifty-million-plus city?
There are a million victims and perpetrators in this High-Tech, Low-Life World. This is one of those stories…before we meet our private eye (and unlikely hero), Cruz, in the soon-to-be-released, debut novel, Liquid Cool
55 pages, ebook
First published August 1, 2015
He calls the policemen "officers," but the policewoman he calls "female officer," which becomes even worst in a scene in which the only officer is a woman, and her gender is mentioned again and again, and again—for no good reason. The thing is: you won't call a woman a policeMEN, because she is not a man, you'll call her a policeWOMAN, but the word "officer" has no gender attached to it, thus making the use of "female officer" slightly sexist—which can be unintentional but is still there.
Long descriptions should create suspense, they should be a build-up for a twist or just a way to trigger your brain to play scenarios, imagining probable outcomes that may be very far from the actual conclusion of the scene, but still instigate you to engage with the story. This book just shows some detailed suspenseless—chill even—scenes for no good reason. It felt to me like there was only build up but no payoff.