I'm at an age now where I'm always looking out for more desi nostalgia and I had big hopes from the Byomkesh Bakshi series, hoping it'd be the desi Poirot or Sherlock or Peter Wimsey equivalent. I'd really enjoyed most of the movie as well which had a really complex plot, so again expectations were of being hit with something intricate.
The stories in this anthology are well, not exactly that. They are - and how to put it nicely, because I did enjoy listening to them - a bit simplistic or reductive. I am not sure if that is because there is something lost in translation, however I am inclined to think not because it is not the mahaul or the atmosphere where they lack but the basic plot and the twist you want in a whodunnit. In a whodunnit the 'who' is more important than the 'why' to give you that WTF moment. So on that front I felt these fell short of being truly world-class. Byomkesh's enigmatic-ness also seems a bit overdone at times to make him a wannabe Sherlock. I am also not sure if it is right to judge the entire series on the basis of these 7 tales, but I'm assuming they are put in because they are a representative set.
I still enjoyed them (and they grow on you over time, so stick with it) and I think for an Indian audience, the setting and the context in itself adds a lot. I'm sure the original Bengali versions have even more of that.
On the stories specifically:
- Deadly Diamond (Roktomukhi Neela)is I think the most anti-climactic one. A very poor choice to put in an anthology and lead with especially, I dropped the book for a few weeks after this
- Hidden Heirloom (Seemanto Heera), is not a classical whodunnit. I found it a bit too long but the twist and explanation is very unique
- The Avenger (Achin Pakhi) has a interesting setting and style. I quite liked the approach and the who, the why was a bit disappointing and could have been refuted
- Man in a Red Coat (Cholonar Chhondo) is good, but again found explanation was cliched. it was very clear the red coat is a red herring - anyone who's read the classic whodunnits would find this a letdown
- Quicksand (Chorabali) is probably the best one. The one quibble here is that even in this story the 'who' is given away a bit earlier than it should have been, but it's at 75% mark
- Phantom Client (Shailo Rahasya) had a good twist but mixing supernatural stuff in a real-world setting never goes well with me. Loved the descriptions of Mahabeleshwar. Poor Ajit is made to look particularly dense by the end of it
- Room Number 2's 'why' and pulling together of threads was good but it had such an obvious and blatant giveaway in the first 10%. I felt insulted that the author is almost relying/hoping on his readers being distracted/dumb enough to not pick that up to get away with it. Never would have happened in a Christie
On re-reading this, it seems like a litany of complaints so it's not all bad! As I said, it was fun but it wasn't great. I'd highly recommend these for a YA or teenager audience who haven't consumed as much international whodunnits on the page or screen. They are also very clean stories without gore and sex, so a good introduction to this genre and that period in time. The quaint sexism and judgementalism of that age made me smile - I have a feeling that Sharadindu might just get #cancelled in the woke-a-lympics if a remake is in the works :-)