What a ride! Makoto Tateno gives us a complex story of murder and intrigue using a number of familiar tropes (corrupt police, damaged childhoods, murder for hire) but then gives them enough unexpected twists to keep the pages turning. Along the way, she also delivers a strange concoction made of a demented take on toxic concepts of gender, misogyny, and trans- and homophobia. Even stranger, this concoction is partially redeemed through the romantic relationships between the two main characters. I'm not sure if I need a psychologist, a philosopher, or a cultural critic to pick it all apart, but this is BL, after all.
Goh, a gay man, is partners with Taki, a straight guy. Together they are good-guy burglars who steal things for paying clients, who often turn out to be the police. Volume 1 of the series establishes their personalities, professional skills, and interpersonal dynamics in a series of stories involving the drug trade. We soon discover that, even though Goh has an unending series of young male lovers and Taki is a Don Juan with the ladies, Goh has a serious crush on Taki.
In the Omnibus Volume 2, we get the end of the series, which is mostly centered on Taki’s childhood, the reappearance of his adoptive parents, and the discovery that Taki was unintentionally involved in the murder of their handlers’ family.
All the typical BL emotions and story devices are used, with plenty of angst, yearning, regret, and the life changing realization that comes with discovering your true love. There's also plenty of violence centered on the strong, independent uke’s life being threatened, giving the seme lots of opportunities to display his unrelenting devotion.
One character is M2F trans, which normally would be good for trans representation. But the sex change here is motivated not by the inner truth of not being in the correct body, but rather by heteronormative values: the M2F character wants to be with Taki, the straight guy, so becomes female in an ill-fated attempt to conform with Taki’s straight male desires and society’s expectations. Along the way, this character also starts acting differently, exhibiting all the stereotype cliches of a woman scorned - jealousy, rage, maniacal fury.
This is all countered by a rather sweet, if formulaic, storyline of Taki sacrificing himself for Goh, once he realizes he loves Goh, and Goh overcoming all odds to rescue Taki, the love of his life. Unfortunately, Taki’s personality changes into the typical dewy eyed uke fawning over his seme - but, because it's near the end, and because some of Taki’s old personality still breaks through, it all ends up being all right.
The art is old school, with only marginal attempts at anatomical correctness, and instead most of the artist's effort is put into making each figure and panel read as emotionally intense as possible. Still, her visual narrative skill is impressive, with a number of two page spreads being visually arresting and the visual pacing adding significantly how I experienced the manga.
Overall, Yellow is more impressive than I expected, with a marginally fascinating crime drama interlaced with a high-stakes romance. Even though shackled a bit by heteronormative values, it still delivers a progressive, affirming message that can satisfy both male and female readers.