Prvi američki doseljenici koji putuju Srednjim zapadom prijavljuju da su videli utvare, ali ti, Doktor i Marta mislite da je to posledica aktivnosti vanzemaljaca. Možeš li da uđeš u trag tuđinima pre no što bude prekasno? Pridružite se Doktoru Huu i Marti na putovanju kroz vreme i prostor, i oblikujte priču sopstvenim odlukama. Odaberite svoju pustolovinu!!!
Colin Brake is an English television writer and script editor best known for his work for the BBC on programs such as Bugs and EastEnders. He has also written spin-offs from the BBC series Doctor Who. He currently lives and works in Leicester.
Brake began working on EastEnders in 1985 as a writer and script editor, being partly responsible for the introduction of the soap's first Asian characters Saeed and Naima Jeffery. From there, he went on to work as "script executive" on the popular Saturday night action adventure program Bugs, before moving to Channel 5 in 1997 to be "script associate" on their evening soap Family Affairs.
In the early 2000s, Brake wrote episodes of the daytime soaps Doctors and the revival of Crossroads.
Away from television, Brake had his first Doctor Who related writing published as part of Virgin Publishing's Decalog short story collection in 1996. He then had his first novel Escape Velocity published by BBC Books in February 2001 as part of their Eighth Doctor Adventures range based on the television series Doctor Who. At the time, Brake was quoted as saying how appropriate it was that he was now writing for Doctor Who, as he was briefly considered as Eric Saward's replacement as script editor on the show - a job that eventually went to Andrew Cartmel instead.
Brake followed Escape Velocity with the Past Doctor Adventure The Colony of Lies in July 2003, and then with the audio adventure Three's a Crowd from Big Finish Productions in 2005. His Tenth Doctor Adventure The Price of Paradise was released in September 2006. He has also written an audio for their Bernice Summerfield range, and a short story for their Short Trips range.
After four different paths there seems to be a pattern. While in the beginning of each path one has a lot to decide, each ending comes hurriedly and with close to no decisions. That’s a bit sad. I don’t know if there was a limit to how many pages should be written or if the author ran out of time, but I would have liked if the pacing would not have enhanced so massively towards each end.