“It is a truth universally acknowledged, that a new college instructor with a doctorate in Literature, must be in want of teaching techniques.”
I have been teaching literature to college students for about two years and as much as I love the material I teach, I struggle with communicating the most important aspect of why we teach literature to all kinds of majors: critical thinking is not reserved for quantifiable subject matter alone. What I mean by this is that if a student can assess a work of literature, derive meaning from it, understand it on more than one level, tear it apart and put it back together again, he or she can productively contribute to any manner of occupation, and society in general.
This is where The Pocket Instructor comes in. This book is filled with tried and tested exercises for the college classroom that help an instructor connect with the active learner, and offer ideas to enhance student-centered pedagogy. As expressed in the introduction, “These days the work environment is frequently an extension of the learning environment. Our capacities for social interaction, group problem-solving, and intellectual play, along with a willingness to keep on learning, innovating, and implementing, have become core conditions for success in a rapidly evolving and increasingly networked global economy.”
So this handy little book (neither small, nor lean, mind you) groups the exercices by categories, such as those that initiate discussion, get at the elements of literature, and some that are staple exercises for any literature class, etc. Each exercise is explained in a few detailed paragraphs and then the instructor offers reflections on their own in-class experience, such as what worked and how students reacted, grew, what they learned, etc. College professors from all over the globe have contributed to the compilation, and the editors have done a fine job of listing specifics for each exercise (ie: genre, course level, student difficulty, teacher preparation, class size, semester time, writing component, close reading, and estimated time) so that you can choose the ones that best fit for your own course plan.
I am looking forward to trying a lot of these this coming semester, and have already noticed that they can easily be adapted to suit my own style and intention for each class session. This book truly feels like a mini-godsend for someone who might already do a fine job in the classroom but wants to get much better at teaching literature. And for any ABD or new Ph.D. on the market, I highly recommend this to complement the most-likely little bit of pedagogy you picked up in graduate seminars.