WINNER - 2015 Obie Award for Playwriting and PerformanceTHE KILROYS LIST - 1st Place - 2015
FINALIST - 2015 Susan Smith Blackburn Prize
NOMINEE - 2015 4 Drama Desk Awards including Best Play
Mae returns home to help take care of Dad and - maybe (a little) - herself. "You Got Older" is a tender and darkly comic new play about family, illness, and cowboys - and how to remain standing when everything you know comes crashing down around you.
Clare Barron is a playwright and actor from Wenatchee, Washington. She won the 2015 Obie Award for Playwriting for You Got Older. She was a finalist for the 2019 Pulitzer Prize for Drama for Dance Nation.
Source: Wikipedia
Librarian Note: There is more than one author in the Goodreads database with this name.
You Got Older is one of the better plays I've read in a long time. The relationship between Mae and her dad bears some similarities to my own relationship with my dad and that really impacted my connection to this piece.
I really like how Clare Barron isn't afraid to go "there" with some really kind of weird exchanges between characters, but in it's the weirdness that makes it so authentic.
Well...that was a tough read for someone who has lost a father and had a wedding without him... It's pretty freaking accurate, though, the feelings that occur in traumatic circumstances and the illogical/irrational things that one does regularly during the trauma. How (almost) comic one's choices are, and yet so damn painful to think back on...
So...I guess this is a good play; I should probably sit with it a day before writing a review, but...I'm writing it, regardless.
I also liked that the play is set in a part of Washington State that reminds me of my own childhood, and I also liked the specificity of the characters, without having too much exposition.
The sexiness and the language would probably make this a difficult sell to a lot of theaters, but...I like it...
What I like about this play the most, and what sets it apart from other "dysfunctional family" plays for me, is that this family isn't estranged and hateful towards each other. This family understands each other and takes care of each other because they are family. Because there is love. We get to see the perverse and weird parts of Mae's inner self, and we don't pity her. We aren't shaming her. We're right there with her, because Clare Barron has let us into this private space with her. And when Mae interacts with her father and the rest of her family, she doesn't have to feel ashamed or suppressed. Because she's trying her hardest and she's not doing it alone.
dead dads with voice problems, disability, living with your parents for periods of time as an adult, oh my. i wrote a short story that i’m realizing cribs a lot from this, and i nurse a secret theory that both stanley and the cowboy in detransition, baby take a lot from the cowboy in this. apparently there’s a revival of this starring alia shawkat and directed by original director that’s starting off broadway soon, and i wish it wasn’t prohibitively expensive to go see it because i think it’d be huge for me
Raunchy, surprising, scattered in a truly exciting kind of way—it’s challenging to make a head of, in the way that life is hard to make sense of. Ultimately really poignant about how the difficulties of facing the future.
What’s great is that it’s not afraid to be weird to present a truth. At times the half-finished thoughts feel a bit all over the place but I think those last moments are really earned.
Rises above the sea of contemporary plays written in a similar voice by its gentle pressure against the conventions of naturalism and by how sincerely its emotions are felt.
This play is well written and takes an interesting yet predictable turn. This story takes the reader on a journey of a family specifically Mae (the daughter) and their journey dealing with cancer.