“Moving Target” is another book in the current “new canon” of Star Wars novels released as lead-ins and tie-ins to the new movie “The Force Awakens”. It is written by Cecil Castellucci and Jason Fry, whose other contribution to the new canon, “The Weapon of a Jedi”, was mediocre at best.
“Moving Target” is somewhat better than the previous novel but not by much. Set between “The Empire Strikes Back” and “The Return of the Jedi”, “Moving Target” follows Princess Leia as she leads a small group through the galaxy on a secret mission. The rest of the crew---Luke, Lando, Chewie, and the droids---are absent, presumably on Tattoine planning a way to free Han from his carbomite prison in Jabba's palace.
Like the previous book, Castellucci/Fry’s “Moving Target” begins with a framing device, set in the “current” time period of the new film. Leia is older, wiser, and somewhat sadder (which could be explained by certain unmentionable events in the new film), and she is being asked to record her memoirs.
I’m not sure what purpose the framing device in either novel serves other than as a way to drop clues about the new movie. Unfortunately, the “clues” aren’t incredibly revealing, and they are wasted on those of us who have actually seen the film. Castellucci/Fry probably could have done away with them entirely without breaking up the narrative flow, but I have a feeling that some of the decisions about what to include and not include in the book were not entirely Castellucci/Fry’s.
The story within “Moving Target” is ho-hum, at best. It introduces a few new characters, who may or may not have any relevance to the new movie. My feeling is that they don’t. Unlike Sarco Plank, who was introduced in “The Weapon of a Jedi”, and was featured in the new movie for almost an entire second (you can literally blink and miss his “cameo”), I don’t think any of the characters in “Moving Target” are mentioned or appear in the new film at all. I could be wrong. Perhaps I blinked during their scenes.
Overall, the two books that I have read within the “new canon” have been disappointing, but it will not deter me from reading more.
It does, however, cement my view that the “old canon” was some of the best writing within the Star Wars Expanded Universe. Perhaps it is because most of the old canon was not written for a young adult audience, which appears to be the target audience for the new canon.
Fair enough.
I have nothing against young adult fiction. Indeed, I think some of the best stuff is going on in young adult literature nowadays. I certainly have nothing against Fry’s writing abilities.
The problem I have is that these two books by Fry read more like ad-copy and marketing ploys for the new movie than actual novels.
Not that the novels in the old canon weren’t written to sell merchandise and broaden the franchise, too. George Lucas probably had a lot of input in what was to be included or not included in those novels, but it never really felt heavy-handed or, well, so franchise-y. (I just made that word up.)
For the most part, Lucas seemed to give the writers of the SWEU enough creative freedom to write what they wanted, within a wide parameter, of course. This is why authors like Timothy Zahn, Michael Stackpole, R.A. Salvatore, Greg Keyes, Barbara Hambly, Elaine Cunningham, Vonda McIntyre, Joe Schrieber, Michael Reaves, Aaron Allston, James Luceno, Troy Denning, Kathy Tyers, Kevin Anderson, and numerous others were able to write great books that consistently made their way onto bestseller lists and garnered huge followings of fans. That didn’t happen solely because the words “Star Wars” were on the covers.
Lucas could have continued to publish crap based on current market research and target demographics, but the fans would have seen through that quickly. Instead, he picked talented writers and let them play freely in his sandbox.
It seems to me that the people involved in the “new canon” books are letting the writers play in the sandbox but confining them to only a small area and not giving them many toys and tools with which to play.