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A major new interpretation of how one of the great figures of Christian history came to write the greatest of all autobiographies
Augustine is the person from the ancient world about whom we know most. He is the author of an intimate masterpiece, the Confessions, which continues to delight its many admirers. In it he writes about his infancy and his schooling in the classics in late Roman North Africa, his remarkable mother, his sexual sins ('Give me chastity, but not yet,' he famously prayed), his time in an outlawed heretical sect, his worldly career and friendships and his gradual return to God. His account of his own eventual conversion is a classic study of anguish, hesitation and what he believes to be God's intervention. It has inspired philosophers, Christian thinkers and monastic followers, but it still leaves readers wondering why exactly Augustine chose to compose a work like none before it.
Robin Lane Fox follows Augustine on a brilliantly described journey, combining the latest scholarship with recently found letters and sermons by Augustine himself to give a portrait of his subject which is subtly different from older biographies. Augustine's heretical years as a Manichaean, his relation to non-Christian philosophy, his mystical aspirations and the nature of his conversion are among the aspects of his life which stand out in a sharper light. For the first time Lane Fox compares him with two contemporaries, an older pagan and a younger Christian, each of whom also wrote about themselves and who illumine Augustine's life and writings by their different choices.
More than a decade passed between Augustine's conversion and his beginning the Confessions. Lane Fox argues that the Confessions and their thinking were the results of a long gestation over these years, not a sudden change of perspective, but that they were then written as a single swift composition and that its final books are a coherent consummation of its scriptural meditation and personal biography. This exceptional study reminds us why we are so excited and so moved by Augustine's story.
607 pages, Kindle Edition
First published September 22, 2015
“a conversion requires a decisive change whereby we abandon a previous practice or belief and adopt exclusively a new one. It involves a 'turning which implies a consciousness that the old way was wrong and the new is right'.... I do not restrict conversions to changes from one religion to another. Conversions are possible within one and the same religious commitment, as historians of early and medieval Christianity recognize.”
“Modern readers find it hard to remember that much of it [the vividness with which Augustine lays his past before God] may have been less startling in the context of its time. I will therefore present it against two near-contemporaries' lives. My aim is not to write a biography of all three persons, but to place Augustine, with the Confessions in his hand, as the central panel in a triple set of sketches, like a triptych on a medieval Christian altar. On the left side stands a sketch of his older contemporary Libanius, casting a look of profound disapproval up at Augustine, not least because he himself was a pagan and a committed Greek teacher, one who detested Latin and the technical skill of shorthand. On the right side, looking up with tempered adoration, is a sketch of his younger Greek-speaking contemporary Synesius, a Christian, a bishop and a fellow lover of philosophy.
The lives of Libanius and Synesius do not overlap with all of Augustine's early career, but they help to bring out aspects of it, his social class and the demands which it imposed on him, the pressures of his schooling and his worldly ambitions, his relations with close family members and the ideals of friendship which he projected onto those around him. Like Augustine, Libanius and Synesius wrote about ascents to a divine presence. More mundanely, they illustrate the social perils of travel abroad to great cities, followed by a return, like Augustine's, to a home town. They address their own and others' sexual lives in ways which contrast with Augustine's. They also illumine the bitterness which appointments to prominent jobs could ignite, especially, as ever, in a Christian church.”
”So far, we have followed Augustine's memories with a constant eye on his conversions. There have been three, to philosophy, to celibacy and within Christianity to the supposedly 'true Christianity' preached by Mani. Conversion has been the obvious theme to pursue in his early life because he himself looks back on it in terms of a turning from and towards God. It is also the theme which makes him special for modern historians. He is the only early Christian who has told us in detail about his conversions. They are not conversions to Christianity from non-Christian belief. They have emerged as conversions away from rhetoric, worldly ambition, and sex.
After his decision in the garden many modern scholars continue to look for yet more conversions and make them a guiding theme in their accounts of the following years. Augustine continued to try to convert others, but in my view he underwent no more conversions himself. However, he is also special for being the author of a masterpiece, the Confessions. Confessing, therefore, is the thread which I will trace in the next eleven years until this masterpiece's beginning. Gradually, he will assemble in his mind the pieces which enable him to confess in a novel way. If he had confessed his sins to God after coming indoors from the garden, his prayer would have sounded very different. Eleven years later, he had written on deep questions of free will and grace, sin, faith and predestination, questions which were to become central parts of his legacy to Christian thinking. They are also the themes with which Luther, Calvin, and many others would engage through knowledge of his writings and which would earn him his status as a Doctor of the Catholic Church. They are a far cry from his days as Milan's Libanius, 'selling lies for a living.'”