This is a historical fiction set in 18th century New York. From the "Never, in all its history, was the proud and opulent city of New York more glad and gay than in the bright spring days of Seventeen-Hundred-and-Ninety-One. It had put out of sight every trace of British rule and occupancy, all its homes had been restored and re-furnished, and its sacred places re-consecrated and adorned. Like a young giant ready to run a race, it stood on tiptoe, eager for adventure and discovery—sending ships to the ends of the world, and round the world, on messages of commerce and friendship, and encouraging with applause and rewards that wonderful spirit of scientific invention, which was the Epic of the youthful nation. The skies of Italy were not bluer than the skies above it; the sunshine of Arcadia not brighter or more genial. It was a city of beautiful, and even splendid, homes; and all the length and breadth of its streets were shaded by trees, in whose green shadows dwelt and walked some of the greatest men of the century. These gracious days of Seventeen-Hundred-and-Ninety-One were also the early days of the French Revolution, and fugitives from the French court—princes and nobles, statesmen and generals, sufficient for a new Iliad, loitered about the pleasant places of Broadway and Wall Street, Broad Street, and Maiden Lane. They were received with courtesy, and even with hospitality, although America at that date almost universally sympathized with the French Republicans, whom they believed to be the pioneers of political freedom on the aged side of the Atlantic. The merchants on Exchange, the Legislators in their Council Chambers, the working men on the wharves and streets, the loveliest women in their homes, and walks, and drives, alike wore the red cockade. The Marseillaise was sung with The Star Spangled Banner; and the notorious Carmagnole could be heard every hour of the day—on stated days, officially, at the Belvedere Club. Love for France, hatred for England, was the spirit of the age; it effected the trend of commerce, it dominated politics, it was the keynote of conversation wherever men and women congregated."
Amelia Edith Barr, née Huddleston, was an English American novelist. (See also under Amelia Edith Huddleston Barr.)
In 1850 she married William Barr, and four years later they immigrated to the United States and settled in Galveston, Texas where her husband and three of their six children died of yellow fever in 1867. With her three remaining daughters, Mrs. Barr moved to Ridgewood,New Jersey in 1868. She came there to tutor the three sons of a prominent citizen, William Libby, and opened a school in a small house. This structure still stands at the southwest corner of Van Dien and Linwood Avenues.
Amelia Barr did not like Ridgewood and did not remain there for very long. She left shortly after selling a story to a magazine.[Caldwell,William A.,et al.,"The History of a Village, Ridgewood,N.J.," State Tercentenary Committee, c. 1964, p. 32] In 1869, she moved to New York City where she began to write for religious periodicals and to publish a series of semi-historical tales and novels.
By 1891, when she achieved greater success, she and her daughters moved up the Hudson River to Cornwall-on-Hudson, New York, where they renovated a house on the slopes of Storm King Mountain and named it Cherry Croft. The name has been applied to that period of her career, the most productive and successful. She remained there until moving in with her daughter Lilly in White Plains in her last years.
Well, the story itself is written as five stars. Set mostly in America from 1781-1793, it provides an interesting historical perspective on the American opinion concerning the French Revolution.
The love story is sweet until the Great Accidental Misunderstanding, which is what knocked a star off for me. And there was also the matter of a great curse that the hero swore when he found out how he had been deceived. Other than that, a good solid historical with a strong Christian-faith message.
Great book showing the consequences of doing wrong and the power of doing right. It is a beautiful story of love and perseverance. It is about commitment to a relationship no matter what the cost. I loved it
According to www.thefreedictionary.com, verbose means: using or containing an excessive number of words; wordy. While I was on the website I also looked up grandiose, which means: characterized by feigned or affected grandeur; pompous.
Both excellent words I would use to describe the writing in The Maid of Maiden Lane. Perhaps the author was trying to replicate a much earlier time in American history and the speech used during that time.
Here is part of the opening paragraph: "Never, in all its history, was the proud and opulent city of New York more glad and gay than in the bright spring days of Seventeen-Hundred-and Nighty-One (1791). It had put out of sight every trace of British rule and occupancy, all its homes had been restored and re-furnished, and its sacred places re-consecrated and adorned."
Soon we are introduced to a young lady, Miss Cornelia Moran. "She might have stepped out of the folded leaves of a rosebud, so lovely was her face, framed in its dark curls...She was small, but exquisitely formed, and she walked with fearlessness and distinction. Yet there was around her an angelic gravity..."
Cornelia is the Juliet in the story. I will leave you to decide who fits the role as Romeo.
What saves this book from a 2-star rating is all the awesome one-liners. Here are a few: "...men had better be without liberty, and without God..." "New York is not perfect, but we love her." "The Dutch, as a race, have every desirable quality. The English are natural despots." "Truth is wholesome, if not agreeable..." "The man who calls a woman an angel has never had any sisters..."
And my favorite? "Death, is like the setting of the sun. The sun never sets; life never ceases. Certain phenomena occur which deceive us, because human vision is so feeble - we thinks the sun sets, and it never ceases shining..."