This biography leaves you with an understanding of the musician and the man, while it also describes how gospel music of the black church influenced white rock and roll in America in the fifties and sixties. Many black singers from church choirs participated in gospel quartets who travelled the South to perform at other churches. Singers from these quartets frequently crossed over from gospel to popular music, by using the melodies of church hymns but secularizing their lyrics to create mainstream rock and roll tunes for mass appeal. Singers like Sam Cooke, Aretha, and Lou Rawls who grew up singing in the black church are examples of singers who crossed over with great success.
Cooke not only had the ability to win over "Sister Flute, the archetypal woman who could be found in any black church congregation surrendered to the power of gospel music , but the marketing intelligence, musical talent and personal charisma to win over white radio audiences with hits like "You Send Me, Chain Gang, and Red Rooster. He evolved from singing in gospel groups, and cutting records on small gospel labels to recording rock and rythm and blues for white producers like Lou Adler. Cooke succeded as a performer playing gigs like the Copa to all white audiences, and as manager of his own record label producing his own material the way he wanted. Successful as he was, Cooke had a social consciousness, of civil rights and was an example of success for many blacks. The 50s and 60s were a time of black civil rights, and Cooke worked to emancipate himself from small record labels that would dictate the songs he sang, and assume rights to a catalog of original tunes he wrote. His death at a seedy motel, and the sordid public spéculation about it remains an unresolved tragedy, but his legend as a musical superstar prevails.