Evocative, haunting, and ultimately hopeful, Karenne Wood’s Weaving the Boundary explores personal and collective memories and contemporary American Indian realities through lenses of human loss, desire, violence, and love.
This focused, accessible collection carries readers into a deep and intimate understanding of the natural world, the power of language, and the interconnectedness of life. Untold stories are revealed through documented events in various tribal histories, and indictments of destructive encounters between Western colonialism and Native peoples are juxtaposed with a lyric voice that gently insists on reweaving the past, honoring women and all life, creating a sovereign space for indigenous experience. Wood writes, “Nothing was discovered. Everything was already loved.”
Political yet universal, Weaving the Boundary tells of love and betrayal, loss and forgiveness. Wood intertwines important and otherwise untold stories and histories with a heightened sense of awareness of Native peoples’ issues and present realities.
Moving from elegy to evocations of hope and desire, the poems call for respect toward Mother Earth and feminine sensibility. One hears in this collection a longing to be carried deeper into the world, to return to tradition, to nature, to truth, to an innate belonging in the “weaving” of all life.
Weaving the Boundary by Karenne Wood is, without a doubt, one of my favorite books of the year.
The very thorough summary for this poetry volume states that the collection "explores personal and collective memories and contemporary American Indian realities through lenses of human loss, desire, violence, and love." Yes it does, and, the success of that exploration originates with how Wood expresses those realities through poetry, and weaves history with contemporary issues. Her prose is gentle, lyrical or vigorous one moment, and deeply intimate the next. And haunting, always haunting! This powerful poetry collection shines with truth. Highly recommended.
All four parts of Weaving the Boundary: Keep Faith, Heights, Past Silence, and The Naming are meaningful and intense. Tough as it was to choose, I decided to highlight an excerpt from The Naming.
The Naming (excerpt)
****** Names have determined the world. To use them, call language out whole, immersing yourself in its sounds. We are made from words, stories, infinite chances through which we imagine ourselves. Estranging ourselves from the sensual world in which language was born, we will die.
What if, as through history, a language dies out, if its names cannot be uttered or if they exist mapped as place markers no one interprets: Passapatanzy, Chattanooga, Saratoga? They are part of the ground, a language of vanishing symbols.
******
Is this what we are now? fragmented, a language of shattered dispersal?
Grief keeps watch across a field darker than water. We live in a wounded space, voiceless cries breaking with all utterance, even the idea of utterance.
Without a vocabulary, how does the story continue? in words that have murdered the people before us, their voices airborne like corn pollen, out into the desert?
Have never been a fan of poetry. However have always been interested in the American Indian so put in top win this book of poetry on Goodreads. Have to admit I did like this book. Took my time and reads some each day to understand and to see from her point of view. Is about life, death and all in between. Is about history and sorrow and loss. Is about nature and all of the earth. If you are into poetry you will like Karenne Wood's book.