It’s a generally good overview of the history of the American stage musical, however most of the historical weight is in the 1800s-1930s. After that it becomes less and less detailed in the actual history. For example there’s a good 30 pages about the Great Depression and musicals from that era, and only like 3 on the modern musical (2000-2010s). The critical perspective pieces at the end were a mixed bag, some were very interesting (like the musical culture internationally) while others were very bland, or out of touch/out of place; such as the paper on how to examine a musical (literally has advice like “listen to the lyrics”. No shit Sherlock) or the one on community theater. Overall it’s a good book, but I didn’t feel like I learned a ton of new information.