I had this book on my Kindle for a few years before deciding to purchase a physical copy. That's not an unusual habit of mine, as I will buy physical books if I like the e-book well enough. I remember having started to read my e-book copy some time ago, but I can't recall if I ever finished. This time around, though, I did finish it - and I'm glad I did. While this might be another Cinderella re-telling, it's not just another Cinderella re-telling.
Ella, by Jessilyn Stewart Peaslee, is (essentially) a standalone Cinderella-inspired YA novel. (There is a "sequel," Will's Ella, which is a retelling from a male character's perspective, and a prequel, Always Ella, which outlines the stepmother's backstory. But these aren't necessary to understanding or appreciating this book.) Here, years after her father's passing, Ella Blakeley shares house room with Victoria, her manipulative stepmother, and two bratty stepsisters. Thanks to her stepmother's iron-clad reign, Ella has become a prisoner in her own home and Victoria's slave. Each day, Ella survives by virtue of her wits and stubborn perseverance, alongside the encouragement and helping hand of her best friend, Will. Suddenly, it seems Ella's luck has changed as the handsome Prince Kenton proclaims he will hold a ball through which he will open the palace's door to the kingdom's citizens with the hopes of finding a wife. Ella aspires to attend the ball, hoping this might be her way to escape her stepmother's abusive shadow. But will sheer resolve be enough to change the course of her life - or has the answer been waiting right in front of Ella all along?
The most distinctive feature about this re-telling is that it is devoid of any fairy tale or fantasy elements: no magic, no fairy godmother, no talking mice, and no pumpkin carriage. (But there are a gorgeous blue gown and a pair of glass slippers!) As much as I adore fantasy and fairy tales and appreciate well-told re-tellings, I was impressed with how Ella holds its own as a Cinderella-minus-magic story. It's a different approach, to be sure - and I thoroughly enjoyed it!
Given the fact Ella plays the leading role of a Cinderella redux, it would have been tempting to either not give her a personality or turn her into a special snowflake. Peaslee does neither as she crafts a well-rounded, intelligent, imperfect, resourceful female lead. I appreciate the fact there is little attention paid to Ella's physical beauty but, instead, readers are shown a complete portrait of her internal beauty. That becomes a moral interwoven throughout the story: true beauty comes from within and is based on character, not appearances. While this might sound cliched, it's never delivered with a tired or trite hand but becomes a subtle undercurrent throughout the progression of Ella's growth.
I loved Ella's resolve and resourcefulness, as she is determined to not let her abusive stepmother beat her down, literally and figuratively. Even though she's been made a servant in her own home, Ella holds her head up high and does what she can, first and foremost, to make sure her home is taken care of and, secondly, because she doesn't wish for her stepmother and stepsisters to starve - a surprising show of restraint compared to how Ella is treated in return. Even though the novel stops shy of saying Ella is 100% self-sufficient, it makes it clear that Ella's victories are not the result of plot conveniences. Instead, Ella makes her own way through life, doing her best to navigate the depressing valleys she often finds herself in, though it's not without a little help from her friends.
Make no mistake: these friends aren't talking mice, singing birds, or even a lovable fairy godmother. Instead, the biggest source of Ella's help is her closest friend, Will. I loved Will, both as a character in his own right and as part of a good character pairing with Ella. Will is sweet and helpful, but he's not a push over, a wimp, or a faceless "boy next door" trope. He struggles to contain his anger at the injustice of Ella's predicament, and he is more than happy and willing to help alleviate her situation in any way he can. Their friendship is wholesome and genuine in a way that other YA books could take a cue from. Ella never acts "boy crazy," desperately trying to hold on to Will, and Will never acts possessive of Ella. He is willing to let her go her own way, even if it means he can't follow. Their love and loyalty to each other runs deep, and it's another aspect to the story as a whole that makes it a joy to read.
Another surprise positive for me was the novel's lack of a fantasy angle. I say this is a surprise because I love fantasy literature and good fairy tale re-tellings; however, I don't object to a fairy tale being given a non-fantasy makeover. If anything, doing so can put a fresh face on a traditional story that, otherwise, might be subject to yet another magic-infused variation that does little to craft an original tale beneath the surface. Ella presents readers with a generic historical setting and subtracts the fairy tale's fantastical elements. This is done so that the characters are not given easy outs or solutions to their problems. Ella and Will must use their intelligence and resources to tackle obstacles; and while the road is never easy, the struggle in the end is worthwhile.
The messages Ella presents are universal and remain true to the themes of the original Cinderella, even borrowing a few cues from the Disney adaptation with some slight adjustments. Hope, perseverance, and love triumph all, and forgiveness of one's enemies is preferable to living a vindictive or bitter life. Likewise, Ella learns that sometimes what looks good on the outside isn't always what's best in the long run. While I won't dive too much into spoilers, one way this novel deviates from the fairy tale is that the prince's ball isn't the end-all, be-all event readers might be expecting. Again, I liked this aspect to the story as it keeps the plot and its characters grounded. There are no easy solutions or answers here, much like in real life, so the subtle morals presented are also important life lessons for both the characters and readers.
My only possible petty complaint - and even the word "petty" sounds too harsh - is that the overall plot is a linear narrative. All of the story beats one would expect from a Cinderella-inspired tale are accounted for, and while this wasn't a deterrent for me, it bears mentioning in case some readers like a few more twists and turns in their fairy tale re-tellings. Likewise, Ella's eventual love interest is obvious almost from the start, but, again, that's not a huge negative as I think it was meant to be that way. Both of these attributes work in context as the novel, while subtracting magic from the Cinderella equation, seeks to read like a fairy tale of its own making with a simple message and straightforward structure. And to that aim, it succeeds.
Overall, Ella is a charming, clean YA re-telling of Cinderella that replaces magic and a fairy godmother with hard work and a determined heroine who has her best friend by her side. Fans of fairy tale re-imaginings would do well to explore this iteration, as its decision not to rely on a fantasy narrative works in its favor. This is, unquestionably, a Cinderella story that, with a solid cast and engaging delivery, is capable of standing on its own two glass slipper feet.
Content:
Language - None.
Violence - Nothing in terms of anything graphic or gory. Ella suffers abuse at the hands of her stepmother, Victoria. While most of the abuse is verbal, Victoria also emotionally toys with Ella, gaslights her, and frequently strikes her hands with a stick whenever Ella displeases her. (In one scene, it's implied that Ella was whipped as we're told her back is sore from a recent punishment, but no such act occurs on the page.) Elsewhere, we are told about different loved ones passing away, and two characters suffer from an illness and eventually pass.
Sexual Content - None. Some characters exchange a few chaste kisses but nothing ever goes further.