Sharon McCone is often flying high in adrenaline, but now she flies in fact in small planes. It's a good thing. Besides being treated to the usual elements of the manhunt in Marcia Miller's detective series, we learn about the accurately portrayed world of small planes.
Mattie Wildress was McCone's flight instructor, and she is also an aerobatics flying performer at air shows. She meets John Seabrook, father of a great young son, Zach, and owner of a tree farm. He hates flying, but otherwise things between them go so well soon they are living together. One year later, the man disappears leaving behind his son, and a note with the strange instruction that Mattie change her name and job and move away. Mattie calls McCone instead. Soon, McCone uncovers enough about Seabrook to lead her to following clues across the country tracking down a killer - the only problem is, she's not sure which one of the powerful, politically connected, and wealthy former employers of Seabrook is doing the killing.
McCone is tethered to earth by her dysfunctional family, the often divorced adult siblings and their children who make appearances in every case. While she is an accomplished detective and business owner, the nature of her work has darkened her outlook. She could easily slip the bonds of ethical behavior, especially adding in the influence of her boyfriend Hy Ripinsky, fellow detective and airplane pilot. Fortunately for McCone, who is hearing the siren call of vigilantism more strongly in each book, the domestic messes and celebrations of relatives keeps her smiling - and restrains her itchy trigger finger.
The psychological depths of Muller's McCone are, as always, apparent with each new book in this series, while at the same time Muller is becoming too polished at writing these mysteries, and it shows since about book #15. However, the changes in McCone and her family, realistic and interesting, keep me reading.