I find myself in a quandary. There is an element of fantasy inherent to the romance or erotica genre. Ergo, one can't expect to read such a book and find all aspects realistic. However, good romance novels and erotica blend the fantasy into the story, making it feel natural, no matter how unrealistic it may be for a couple, who has met such a short time ago, to have such powerful feelings for each other. Superior writing, characters that feel fleshed out, and, that dreaded phrase, world building, all go hand-in-hand to create a genre book that is palatable.
How then, does one review a book which isn't bad, per se, but certainly has some fundamental flaws? In The Wrong Guy, Francesca is a naive little rich girl, whose parents have been so involved in building their own business empire, she doubts their love for her. This leads her to enter a relationship with a business associate of her father's, one that is not healthy in any way, shape, or form. When her father receives photos that appear to threaten the whole family, he hires bodyguards for protection. This leads Francesca to meet Rick. While he owns the company, he is short bodyguards, so takes on the duty.
Francesca is young - only 21 - and seeking love. She thinks she has found it in Adam, so allows him to engage in the type of sex he wants. It's okay - because he loves her. Despite giving into him, she does refuse him some things: she will not give up or jeopardize her job; she will not go to the sex club he wants to take her; and, she will refuse him certain sex acts.
To their credit, the authors illustrate that this is an unhealthy relationship, without blatantly spelling it out. Francesca has some backbone and demonstrates it. And yet, for every act of defiance she manages, she allows Adam to 'punish' her and he continues to cross her boundaries. When she finally ends their relationship, it is not because of this, but because Rick unveils the results of the investigation his company did on the man.
Rick is engaged and this seems more designed for more drama than anything else. For a man who is engaged, he has no problem leaving his fiance to plan their wedding or dropping their plans to be a bodyguard for a woman to whom he feels an attraction. And, for all that Rick is there as a bodyguard, it never really feels like Francesca is in any danger. In the end, the authors seemed to want to write a book that explored a mishmash of different tropes. The result is a book that disappoints more than it entices.