Wonderful
I was a little concerned about a sequel to "Ridiculous," which I love greatly. The way Ms. Carter manages to convey just how little power women had in Regency England, while simultaneously telling an absorbing story with vivid characters, is utterly unique. "Ridiculous" managed to be fun and interesting and new, and I was afraid "Obstreperous" wouldn't live up to it's predecessor.
It does. And it's a whole different kind of story - it's less funny, but not in a bad way. At the end of "Ridiculous," Millicent Boarder gave up the identity of Mr. North to marry Mr. North's friend, the Duke. Making Millicent a Duchess, obviously, and in possession of her own fortune, since "Mr. North" left all his funds to the Boarder family. Mildred, the second sister, had married the Duke's secretary, Mr. Simpson.
There's a sudden, mysterious claim on the will from another party, and the two married couples go off on their wedding trips to investigate. Felicity Boarder (who's a total nincompoop, established in the previous book) left in fashionable Bath to supervise her one remaining daughter, Maude, and the Duke's young sister, Lady Elizabeth.
The is Maude's story. She doesn't really remember when her father was alive and when they had some money. She vividly recalls the workhouse, working as a virtual slave in her cousin's household, and the grinding poverty and utter helplessness of four landless women with no male relatives to take them in (because this is how things actually worked, in Recency England). Maude takes enormous comfort in the inheritance she has from "Mr. North," which is hers independently and means she will never go homeless or hungry. The sudden claim against the will that might reduce or even eliminate that money is more terrifying to Maude than any one can imagine, and being left in a house with a sweet, uneducated young lady her own age who has always had money and power, supervised by her flighty, undependable mother, just makes it worse. She and Beth are friends, but they're from two different worlds. Maude craves safety; Beth longs for adventure.
There are balls and dresses and society and dancing, but Carter writes it in such a way that you can see just how precarious a single woman's status could be. The wrong dress, the wrong association, and you're unmarriagable. Beth is dragged from place to place and person to person by Maude's mother, who turns into the worst sort of snob because Beth is the Sister Of A Duke and therefore of consequence and has been left in her care. Major missteps by Felicity mean hideous social embarrassment for both Beth (who, as the sister of a Duke, can weather almost anything) and Maude (whose prospects can be totally ruined by her mother's behavior).
The mystery, meanwhile, is investigated by Millicent and the Duke at one end and Simpson and Mildred at the other. Lots of squishy, unpleasant weather, uncomfortable coaches, and Millicent performing brilliantly in a whole range of male personas.
There are love interests, with issues of their own - a set of identical twins, with the second-born recently retired from the Navy and firstborn serving as a vicar. A bishop decided, long ago, that the second born twin, being left handed, was cursed, and has done his best to screw up the poor guy's life completely. There's old school rivalries, entertaining confusion regarding whether or not the twins are one person, and the vicar and the sailor meet Maude and Beth.
Hijinks ensue. Also skullduggery, kidnapping, pistol practice, impromptu house parties, gypsies, and Maude's mother taking up drinking excessively. A lot of it is really funny, but Carter doesn't let the reader forget that a lot of this excitement could quite literally ruin the rest of Maude's life. Maude just wants to be safe. She wants a home no one can take from her, and she'd rather like a husband who intends to stick by her.
The mystery is resolved, Maude and the wrong twin fall in love (but he's the right one for her) and the married couples return home to see the total hash of things Felicity has made, even going so far as accepting a proposal from a fortune-hunting younger son of good family so that Maude can be "properly" married. Everything gets wrapped up with a HEA, except for Beth, who needs a lot of maturing before she's an adult, despite the fact that she's the same age as Maude. It's insinuated at the end that Beth's story will be next.
The book has all the trappings of a tradition Recency romance - gowns, parties, the town, nobility gentry, mystery, romance, mistaken identities, misunderstandings, unabashedly evil villains. And the plot moves along at a good clip, though I sometimes wanted Millicent to shut up while gathering info as a farmer to get back to Maude. But like "Ridiculous," the book never lets you forget just how precarious life was for women at that time.