This is a wonderful contemporary novel about two young men dealing with life, and the shadow of death - with the aftermath of cancer, and with violence and hate and family. The cover (which made me think of a paranormal, or horror) doesn't fit the mood of this story. Ignore it, and take a chance on this one, if you like reality, strong characters, clean writing, sex scenes that don't feel over-familiar, and difficult decisions.
The author does make some choices on structure that challenge the reader a bit. Ali and Yazid open the story together, after Yazid's leukemia is in remission, and after he's healed from an attack by Ali's homophobic brother, Tony. But the current-day narrative is layered with their early days, as they began dating, and meeting Ali's family, and the disastrous middle part of their story begins to loom. The alternating time frames, moving back and forth, are clearly marked, but make it harder to settle into this book deeply.
And I wanted to settle in. I loved these two men - Ali with his passion, his temper, his intense love for Yazid and his lingering nightmares about almost losing the man he wants to spend his life with. And Yazid - what a great guy. Steady, brave, a little battered but unbroken by discrimination throughout his life as an Iraqi growing up in foster care in England. He's the rock for Ali's more volatile nature, and a man with clear vision, able to pare his understanding of their life down to what matters, and to separate Ali and his true nature from Ali's family issues including Tony's violence.
At the same time, to tell this story linearly would have needed about three books (not that I'd have minded. I'd have devoured three books about these two.) But there is a power to the juxtaposition of the past and the present here, and the echoes of one in the other. It was a bold choice for structure, and may not please every reader, but it works IMO.
This is a book about how family and history and love and hate can tangle our vision and thoughts. It's about Ali's mother, who deals with difficult truths by not dealing with them, as if they will go away as long as they're ignored. It's about the question of what makes true family, and when blood is actually thicker than water, or affection. And it's about two very real, interesting, appealing young men coming through more than one kind of hell because their relationship is strong enough to make it. There is a HEA.
The author makes two other structural choices that are challenging. One is the order in which the very last scenes end, which makes the mood of the book a little darker. I actually went back and reread the HEA a couple of times to let it settle, because these guys deserve their happy life. The other is a dangling thread, the result hinted at but never stated. It's not as bad as the open issue at the end of Amy Lane's "The Locker Room" but has a little bit of the same "you decide how you think it went" effect. It works, for this book and style, (as it did for hers IMO) but if you are a "tied up in bows" reader it might leave things a little unsettled.
A strong novel, with great writing, wonderful characters, heat and love, and drama that's never forced. A little unique in structure and choices, but with a satisfying love story. I should have read it sooner, but the author is an auto-buy, and I never read the blurb, so my actual reading of it was delayed three months from when I bought it by the dark look of the cover of what turned out to be one of my favorite contemporary romance reads so far this year.