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Abhaya
"Abhaya allows us to delve into the world of our ancestors and Gods through the route of great storytelling and a brilliant narrative. A thoroughly enjoyable read" - Amish Tripathi
A tale set in the times of Mahabharata. An assertive and idealistic Princess Abhaya meets the enigmatic Krishna Vaasudeva. A bereaved Dhatri, hounded by her own family is saved by Lord Bhauma. When subverted religion becomes a tool in the hands of power thirsty and strikes Bharatavarsha, the land of Aryas, Abhaya finds herself face to face with the impending doom.
“Can we combat the fear with faith? Can we keep our faith undeterred when the last traces of hope melt away? Can we receive blame and adulation, accept them and yet not give in to them?”
An excitingly different take on one of the myriad legends celebrating the light vs. darkness matrix that defines Diwali. The sparkling narration adds new facets to the compelling tale of the killing of the demon, Narakasur - Sangeeta Bahadur, Author of Kaal Trilogy
Saiswaroopa Iyer is an IITian and an investment professional turned author.
A tale set in the times of Mahabharata. An assertive and idealistic Princess Abhaya meets the enigmatic Krishna Vaasudeva. A bereaved Dhatri, hounded by her own family is saved by Lord Bhauma. When subverted religion becomes a tool in the hands of power thirsty and strikes Bharatavarsha, the land of Aryas, Abhaya finds herself face to face with the impending doom.
“Can we combat the fear with faith? Can we keep our faith undeterred when the last traces of hope melt away? Can we receive blame and adulation, accept them and yet not give in to them?”
An excitingly different take on one of the myriad legends celebrating the light vs. darkness matrix that defines Diwali. The sparkling narration adds new facets to the compelling tale of the killing of the demon, Narakasur - Sangeeta Bahadur, Author of Kaal Trilogy
Saiswaroopa Iyer is an IITian and an investment professional turned author.
- GenresFiction
390 pages, Kindle Edition
First published November 24, 2015
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Displaying 1 - 30 of 66 reviews
May 17, 2020
"Abhaya" by Saiswaroopa Iyer was on my wishlist when it was first published under only Kindle version. I kept checking book time and again for more and more reviews. And those reviews always made sure that I wouldn't remove it from the list. I considered myself lucky when I got the book from the author herself in exchange for honest review.
The book is titled on protagonist Abhaya Dhaarmaseni princess of Anagha a small fictional kingdom in the neighbourhood of Avanti in Bharatvarsha. The story is written in times of the Mahabharata with Krishna as the second main character. Abhaya was the daughter of Kind Dharmasen, who has nurtured her with a value system that made her stand out of crowd. Following her Dharma was above than herself for Abhaya. The lord of Kamapura, the temple town of Kamaksha, Bhauma is portrayed as the antagonist. Bhauma wants to leverage religion as a tool to obtain power over Bharatvarsha. During that times, Shaktas, worshippers of divine Goddess, were considered Vamacharis in simple word outcasts from the mainstream population. Shaktas way towards life and openness towards pleasure made them look outrageous to normal people. But Shakta had never given any damn toward others' opinion.
Bhauma, being Shakta, wanted to poison minds of normal people by exploiting their social and mental stress and to convert them into Shakta. He wanted a face for his mission which he found in Dharti. Years passed and Bhauma's network started spreading in Bharatvarsha and creating problems at many places. Many small tribes and towns fell because of his false play. When Anaga was defeated, Abhaya was forced to take refuge in another kingdom. During this time she found something mysterious in Shaktas and took the mission to uncover the truth.
Few best things that came out from this story
1) The character of Abhaya - An independent woman. Out of her time. Her prowess arms, intellect in political affairs & maturity towards human emotions were really portrayed outstandingly.
2) The bond between Abhaya & Krishna - Both loved each other unconditionally but never wanted to harm each other's feeling. Always wanted to save the honour of counterpart.
3) The vileness of Bhauma - I have to admit it.
4) Wrong use of religion - Book shows how in wrong hand religion can create havoc
Author has successfully covered many hit points in one small book, where other authors struggle with multiple sequences. If you would like to read a good book on woman character this is a perfect pick for you.
Detailed Review Link - http://chevusread.blogspot.in/2017/05...
The book is titled on protagonist Abhaya Dhaarmaseni princess of Anagha a small fictional kingdom in the neighbourhood of Avanti in Bharatvarsha. The story is written in times of the Mahabharata with Krishna as the second main character. Abhaya was the daughter of Kind Dharmasen, who has nurtured her with a value system that made her stand out of crowd. Following her Dharma was above than herself for Abhaya. The lord of Kamapura, the temple town of Kamaksha, Bhauma is portrayed as the antagonist. Bhauma wants to leverage religion as a tool to obtain power over Bharatvarsha. During that times, Shaktas, worshippers of divine Goddess, were considered Vamacharis in simple word outcasts from the mainstream population. Shaktas way towards life and openness towards pleasure made them look outrageous to normal people. But Shakta had never given any damn toward others' opinion.
Bhauma, being Shakta, wanted to poison minds of normal people by exploiting their social and mental stress and to convert them into Shakta. He wanted a face for his mission which he found in Dharti. Years passed and Bhauma's network started spreading in Bharatvarsha and creating problems at many places. Many small tribes and towns fell because of his false play. When Anaga was defeated, Abhaya was forced to take refuge in another kingdom. During this time she found something mysterious in Shaktas and took the mission to uncover the truth.
Few best things that came out from this story
1) The character of Abhaya - An independent woman. Out of her time. Her prowess arms, intellect in political affairs & maturity towards human emotions were really portrayed outstandingly.
2) The bond between Abhaya & Krishna - Both loved each other unconditionally but never wanted to harm each other's feeling. Always wanted to save the honour of counterpart.
3) The vileness of Bhauma - I have to admit it.
4) Wrong use of religion - Book shows how in wrong hand religion can create havoc
Author has successfully covered many hit points in one small book, where other authors struggle with multiple sequences. If you would like to read a good book on woman character this is a perfect pick for you.
Detailed Review Link - http://chevusread.blogspot.in/2017/05...
August 21, 2017
Warmed up to it.
Since a long time, I was looking for something to read with powerful woman protagonist. As soon as I heard the title of this book, I noted a point to read it immediately.
Set in the times of Mahabharata, Abhaya, an independent and strong princess of Angha, a fictional kingdom, not only inspires and entertains you but also with her intelligence shows what is right to do and what not. Abhaya is about to encounter some greater facts that she was yet unaware of. This book is an insightful take on how she deals with it.
We get to see Krishna in it as the second main character, which one doesn't get to see usually. The author has portrayed a very different Krishna than what we are used to watch. A robust antagonist was everything to make the reading experience thrilling. Blindly following any tradition or religion can cause great damage to the society and very soon, in the blink of an eye, civilizations can fall tremendously.
There is friendship, enmity, duty-bound characters and moral lessons. Conversations between Krishna and Abhaya were enlightening and refreshing. There is so much we forget to see in a day-to-day busy schedule. At many points, Abhaya provided a sense of peacefulness to my mind.
I was glad and at the same time amazed to see that the author has taken very few characters from the epic scripture and molded it in a mythological yet modern manner. To read these new and brave characters with a spark of curiosity was a delightful experience.
A little book with a powerful impact.
A profound book that answers your intense questions about faith, beliefs in religions and believing in yourself.
Since a long time, I was looking for something to read with powerful woman protagonist. As soon as I heard the title of this book, I noted a point to read it immediately.
Set in the times of Mahabharata, Abhaya, an independent and strong princess of Angha, a fictional kingdom, not only inspires and entertains you but also with her intelligence shows what is right to do and what not. Abhaya is about to encounter some greater facts that she was yet unaware of. This book is an insightful take on how she deals with it.
We get to see Krishna in it as the second main character, which one doesn't get to see usually. The author has portrayed a very different Krishna than what we are used to watch. A robust antagonist was everything to make the reading experience thrilling. Blindly following any tradition or religion can cause great damage to the society and very soon, in the blink of an eye, civilizations can fall tremendously.
There is friendship, enmity, duty-bound characters and moral lessons. Conversations between Krishna and Abhaya were enlightening and refreshing. There is so much we forget to see in a day-to-day busy schedule. At many points, Abhaya provided a sense of peacefulness to my mind.
I was glad and at the same time amazed to see that the author has taken very few characters from the epic scripture and molded it in a mythological yet modern manner. To read these new and brave characters with a spark of curiosity was a delightful experience.
A little book with a powerful impact.
A profound book that answers your intense questions about faith, beliefs in religions and believing in yourself.
June 30, 2016
It is rare indeed for a debutante author to pen a mythical tale without resorting to miracles and yet retain its modern relevance. ‘Abhaya’ effectively churns poetic Prabandha alongside philosophy, horror alongside humane and adventure alongside introspection.
Narakasura-vadh whereby Krishna rescues 16,100 virgins is the core around which Saiswaroopa weaves her Historical fiction. The mythical demon is replaced by a demoniac cult and heroic Abhaya replaces Krishna’s cherished bride Satyabhama.
Orphaned and bereft of Kingdom – princess Abhaya battles unrequited love, gory rituals, gender bias, betrayal, polygamy and loneliness before ‘earning’ her conquests.
It’s a delight to find an author whose love for Krishn doesn’t melt into blind worship. She denies his supernatural aspect precisely because ‘his divinity needs no magic beyond his personality.’ Indeed, the deliberate use of ancient enemies – namely Garudas & Nagas as Krishna’s allies establishes his unique but holistic attempt at a unified Bharatvarsha.
The author manages to capture the essence of side characters even while keeping the spotlight on Krishna-Abhaya. For example Vainateya’s chilled attitude towards his sister’s individuality contrasts well with Vikrama’s chauvinistic reluctance. Dhatri’s inherent integrity simmers and soars even through moments of self doubt & self disgust. Thus, the book becomes as much an outward journey as an inward journey for its characters.
The author beautifully captures the striking contrasts & similarities in 2 opposing worlds. For example Shakta’s barbaric rituals find a chilling corollary in the Aryan ‘civilized world’ which is equally barbaric upon its own tainted women. Themes of virgin sacrifice and honor killing resonate with the readers because they are so very rampant & relevant today.
One liners I liked – 'Love for freedom is not the same as fear of commitment.', 'Obstacles don’t ask our age when they confront us. If anything, they make us grow up.', 'It is tempting to pass off helplessness as sacrifice.'
Room for improvement – Liberal usage of colloquial terms such as Bhrata, Bhagini, Prabho, Janaka, Vatse, Matula may bewilder casual readers and be mistaken for character names. It would be worthwhile to explain these terms in footnotes rather than in the Glossary.
Verdict: A surefire winner for lovers of Mythology, Historical fiction, philosophy, valor, adventure and introspection.
Narakasura-vadh whereby Krishna rescues 16,100 virgins is the core around which Saiswaroopa weaves her Historical fiction. The mythical demon is replaced by a demoniac cult and heroic Abhaya replaces Krishna’s cherished bride Satyabhama.
Orphaned and bereft of Kingdom – princess Abhaya battles unrequited love, gory rituals, gender bias, betrayal, polygamy and loneliness before ‘earning’ her conquests.
It’s a delight to find an author whose love for Krishn doesn’t melt into blind worship. She denies his supernatural aspect precisely because ‘his divinity needs no magic beyond his personality.’ Indeed, the deliberate use of ancient enemies – namely Garudas & Nagas as Krishna’s allies establishes his unique but holistic attempt at a unified Bharatvarsha.
The author manages to capture the essence of side characters even while keeping the spotlight on Krishna-Abhaya. For example Vainateya’s chilled attitude towards his sister’s individuality contrasts well with Vikrama’s chauvinistic reluctance. Dhatri’s inherent integrity simmers and soars even through moments of self doubt & self disgust. Thus, the book becomes as much an outward journey as an inward journey for its characters.
The author beautifully captures the striking contrasts & similarities in 2 opposing worlds. For example Shakta’s barbaric rituals find a chilling corollary in the Aryan ‘civilized world’ which is equally barbaric upon its own tainted women. Themes of virgin sacrifice and honor killing resonate with the readers because they are so very rampant & relevant today.
One liners I liked – 'Love for freedom is not the same as fear of commitment.', 'Obstacles don’t ask our age when they confront us. If anything, they make us grow up.', 'It is tempting to pass off helplessness as sacrifice.'
Room for improvement – Liberal usage of colloquial terms such as Bhrata, Bhagini, Prabho, Janaka, Vatse, Matula may bewilder casual readers and be mistaken for character names. It would be worthwhile to explain these terms in footnotes rather than in the Glossary.
Verdict: A surefire winner for lovers of Mythology, Historical fiction, philosophy, valor, adventure and introspection.
October 31, 2019
“I revere Krishna today as one of the first architects of a unified India. Yes, I believe he did exist in the obscure history of India…. Abhaya has been my window to explore and experience Krishna Vaasudeva.”
This is how Saiswaroopa Iyer introduces the second lead of her debut novel, Abhaya, in the Author’s Note. Krishna Vasudeva is second leading character because the first place is reserved for his love, his beloved Satyabhama, who takes the name and form of Abhaya in this marvellously moving creative imagination by Saiswaroopa Iyer.
The novel, Abhaya: The Legend of Diwali (Narakasura Vadha) Reimagined, is set in the times of the Mahabharata. And as the subtitle suggests, it reimagines the story of the killing of Narakasura, an episode narrated richly and variedly in Bhagavatam, Vishnu Purana, Harivamsa, and also some legends and folklores of Assam region.
The protagonist of the novel, Abhaya Dharmaseni, is the princess of Anagha, a small fictional kingdom in the neighbourhood of Avanti in Bharatvarsha, the land of the Aryas. The term Arya, as the story unfolds making it more than evident to a reader, is used in the narrative in its absolutely correct sense, as explained by Sri Aurobindo.
“… the Aryan peoples are those who had accepted a particular type of self-culture, of inward and outward practice, of ideality, of aspiration… In later times, the word Arya expressed a particular ethical and social ideal, an ideal of well-governed life, candour, courtesy, nobility, straight dealing, courage, gentleness, purity, humanity, compassion, protection of the weak, liberality, observance of social duty, eagerness for knowledge, respect for the wise and learned, the social accomplishments.” (Sri Aurobindo, CWSA, 13: 441)
Abhaya is raised in this Aryan culture by her noble father Dharmasena, and she naturally grows up to be a woman conscious of living in and living for Dharma. Her antagonist is Bhauma, who in the name of religion – religion of the Goddess nonetheless, – does all that can be done to control and possess people and their minds. His is a quest for brute and unlimited power using religion, or rather perversion of religion to poison minds, create division and chaos in society, take advantage of the vulnerable and unleash hedonism.
Situating itself firmly in the timeless tradition of Indian storytelling, one which the Indian mind never tires of, namely the story of battle between dharma and adharma, Abhaya keeps its freshness and newness in two important ways.
To read full review: https://matriwords.com/2019/10/24/not...
This is how Saiswaroopa Iyer introduces the second lead of her debut novel, Abhaya, in the Author’s Note. Krishna Vasudeva is second leading character because the first place is reserved for his love, his beloved Satyabhama, who takes the name and form of Abhaya in this marvellously moving creative imagination by Saiswaroopa Iyer.
The novel, Abhaya: The Legend of Diwali (Narakasura Vadha) Reimagined, is set in the times of the Mahabharata. And as the subtitle suggests, it reimagines the story of the killing of Narakasura, an episode narrated richly and variedly in Bhagavatam, Vishnu Purana, Harivamsa, and also some legends and folklores of Assam region.
The protagonist of the novel, Abhaya Dharmaseni, is the princess of Anagha, a small fictional kingdom in the neighbourhood of Avanti in Bharatvarsha, the land of the Aryas. The term Arya, as the story unfolds making it more than evident to a reader, is used in the narrative in its absolutely correct sense, as explained by Sri Aurobindo.
“… the Aryan peoples are those who had accepted a particular type of self-culture, of inward and outward practice, of ideality, of aspiration… In later times, the word Arya expressed a particular ethical and social ideal, an ideal of well-governed life, candour, courtesy, nobility, straight dealing, courage, gentleness, purity, humanity, compassion, protection of the weak, liberality, observance of social duty, eagerness for knowledge, respect for the wise and learned, the social accomplishments.” (Sri Aurobindo, CWSA, 13: 441)
Abhaya is raised in this Aryan culture by her noble father Dharmasena, and she naturally grows up to be a woman conscious of living in and living for Dharma. Her antagonist is Bhauma, who in the name of religion – religion of the Goddess nonetheless, – does all that can be done to control and possess people and their minds. His is a quest for brute and unlimited power using religion, or rather perversion of religion to poison minds, create division and chaos in society, take advantage of the vulnerable and unleash hedonism.
Situating itself firmly in the timeless tradition of Indian storytelling, one which the Indian mind never tires of, namely the story of battle between dharma and adharma, Abhaya keeps its freshness and newness in two important ways.
To read full review: https://matriwords.com/2019/10/24/not...
December 12, 2015
Abhaya is a fantasy novel set in ancient India, in the era of Mahabharatha. While retaining a minimal number of characters from the epic, it introduces the reader to a whole new set of (fictional) people. The story traces the events in the life of Abhaya, a young princess of the fictional city of Anagha, located in the borders of the larger, more powerful kingdom of Avanti, towards the western frontiers of ancient India.The initial chapters dwell on the growing animosity between the two kingdoms and Abhaya’s role in the same. However,towards the middle of the novel, we see a shift in the plot, where Abhaya finds herself in the midst of a far greater crisis – one that questions the very essence of all that she and her beloved Aryan civilization has stood for thus far. Abhaya, along with Krishna Vaasudeva and her brother Vikram strive to fight for what is right and protect their Faith from disintegration.
...........................................................................................................................................The novel offers much more than the story alone. There are some lovely thoughts expressed, especially in the conversations between Abhaya and Krishna. Many of these and the truth in them are relevant to this day. They show us how blind adherence to traditions and rigidity in our ways, while losing track of the actual aims can be dangerous – and how the frustration it creates in the hearts of the people can be easily exploited and thus could cost a civilization, in which religion plays a major role, dearly. And also, how a religion as ancient and diverse as Sanathana Dharma, that has multiple facets to it, cannot be branded as uncouth or uncivilized due to the questionable activities of a few fringe elements alone. It is a dharma, a way of life, that encourages us to constantly question and evolve, in our relentless quest for our ultimate aim – that of attaining oneness with the supreme being.
Read the complete review here!.
...........................................................................................................................................The novel offers much more than the story alone. There are some lovely thoughts expressed, especially in the conversations between Abhaya and Krishna. Many of these and the truth in them are relevant to this day. They show us how blind adherence to traditions and rigidity in our ways, while losing track of the actual aims can be dangerous – and how the frustration it creates in the hearts of the people can be easily exploited and thus could cost a civilization, in which religion plays a major role, dearly. And also, how a religion as ancient and diverse as Sanathana Dharma, that has multiple facets to it, cannot be branded as uncouth or uncivilized due to the questionable activities of a few fringe elements alone. It is a dharma, a way of life, that encourages us to constantly question and evolve, in our relentless quest for our ultimate aim – that of attaining oneness with the supreme being.
Read the complete review here!.
November 26, 2016
Have to say it's lovely the way the author has utilized the not so well known Narkasur episode to redefine Krishna and in doing so has also given us a new heroine to root for! The connection between Krishna and Yogmaya is beautifully worded and I wish it had been explored even more nevertheless their exchange towards the end is heartening.. Loved the book for its novel way of approaching history and politics of a bygone age in a brilliant way.
March 17, 2017
The book starts in the Eastern Hills of Bharathavarsha; a king from these lands is out for a regular temple visit and he and his Senapati save a woman (Dhatri) from what can be a modern day’s equivalent of honor killing. As Dhatri takes her time to recuperate, the author takes us to the western part of the nation where we see a small kingdom Anagha where a nervous King holds his firstborn “Abhaya” for the first time in his hands.
What does fate have in store for these women who come from the two ends of the Bharathavarsha? What are the troubles, travails and moments of triumph that await them? Are these troubles meant only for them or for all the women who stay between the ends of the nation? What is their approach towards life? Where does Sri Krishna come in all this?
While we get all the answers as we read the book, we also get to see what ails the land. Minds steeped in blind faith, unchallenged ideals of patriarchy, religious bigots killing the fundamental freedoms of the people, greedy men who cannot think beyond immediate gains and master manipulators who want to control the entire world.
As we embark our journey with Abhaya and join her in her fights on the ills around her, we also learn valuable lessons in leadership, governance, statecraft, ethics and the ways and means to overcome the moral dilemma that plagues a lot of good brains. We see our assumptions challenged and beliefs shattered, we see a new version of the protagonist and ourselves as we move ahead. To me, these learnings are indeed the USP of the book.
What did Like?
1. The characters, to begin with, awesome is a small word to describe the way the characters have been depicted. I loved the way the author showed different shades of the feminine spirit.
Abhaya — The princess, Dhatri — the practitioner, Subhadra — the diplomat, Kadambari — the troubled lady, Shyeni — the woman with a free spirit, Mrinalini — the loyal assistant, Atulyaprabha — the selfless one and KanakaPraba — a woman who was a little timid. Amazing women from different walks of life but with a single aim, betterment of the world. I thoroughly enjoyed reading about all of them.
2. It is not about women alone, we have some amazing men too, Dharmasena’s wisdom, Mura’s love for family, Vikram’s love for his mother, Vinateya’s love for Krishna and finally Sri Krishna for everything He is. The way the author sketched each of these characters was fantabulous.
3. The conversations. You can’t but fall in love with them. Particularly the ones
between Abhaya and Lord Sri Krishna. Every sentence here means a lot. You come across some fantastic learnings of life. Add to this the soliloquies of Abhaya, and you know you are reading a masterpiece. Trust my words, dear friends; you would end up highlighting many of the lines.
4. The layers of meaning, a keen observer would see layers of meaning in the book. The book is not speaking about the past alone; the author intelligently claims that her brain is set in 2000 BC. No, she is pretty much talking about things happening around us. Do read and re-read; you would realize what she is talking about. One can only commend the author for what she has done.
5. The pace of the story and message. The book challenges our assumptions and forces us to think differently. The book is not a romantic escapade or an action packed thriller. while keeps us at the edge of our seats anticipating as to what happens next, it gives us a message on our own Dharma.
Conclusion
It is a must read. For, as Lord Sri Krishna says to Abhaya,
“It is easy to rebel and call for a revolution. What is difficult is to inspire evolution. That happens with transforming thought, not condemning people, That happens by challenging their thought and not by provoking their egos.”
Abhaya inspires evolution. Do read it.
What does fate have in store for these women who come from the two ends of the Bharathavarsha? What are the troubles, travails and moments of triumph that await them? Are these troubles meant only for them or for all the women who stay between the ends of the nation? What is their approach towards life? Where does Sri Krishna come in all this?
While we get all the answers as we read the book, we also get to see what ails the land. Minds steeped in blind faith, unchallenged ideals of patriarchy, religious bigots killing the fundamental freedoms of the people, greedy men who cannot think beyond immediate gains and master manipulators who want to control the entire world.
As we embark our journey with Abhaya and join her in her fights on the ills around her, we also learn valuable lessons in leadership, governance, statecraft, ethics and the ways and means to overcome the moral dilemma that plagues a lot of good brains. We see our assumptions challenged and beliefs shattered, we see a new version of the protagonist and ourselves as we move ahead. To me, these learnings are indeed the USP of the book.
What did Like?
1. The characters, to begin with, awesome is a small word to describe the way the characters have been depicted. I loved the way the author showed different shades of the feminine spirit.
Abhaya — The princess, Dhatri — the practitioner, Subhadra — the diplomat, Kadambari — the troubled lady, Shyeni — the woman with a free spirit, Mrinalini — the loyal assistant, Atulyaprabha — the selfless one and KanakaPraba — a woman who was a little timid. Amazing women from different walks of life but with a single aim, betterment of the world. I thoroughly enjoyed reading about all of them.
2. It is not about women alone, we have some amazing men too, Dharmasena’s wisdom, Mura’s love for family, Vikram’s love for his mother, Vinateya’s love for Krishna and finally Sri Krishna for everything He is. The way the author sketched each of these characters was fantabulous.
3. The conversations. You can’t but fall in love with them. Particularly the ones
between Abhaya and Lord Sri Krishna. Every sentence here means a lot. You come across some fantastic learnings of life. Add to this the soliloquies of Abhaya, and you know you are reading a masterpiece. Trust my words, dear friends; you would end up highlighting many of the lines.
4. The layers of meaning, a keen observer would see layers of meaning in the book. The book is not speaking about the past alone; the author intelligently claims that her brain is set in 2000 BC. No, she is pretty much talking about things happening around us. Do read and re-read; you would realize what she is talking about. One can only commend the author for what she has done.
5. The pace of the story and message. The book challenges our assumptions and forces us to think differently. The book is not a romantic escapade or an action packed thriller. while keeps us at the edge of our seats anticipating as to what happens next, it gives us a message on our own Dharma.
Conclusion
It is a must read. For, as Lord Sri Krishna says to Abhaya,
“It is easy to rebel and call for a revolution. What is difficult is to inspire evolution. That happens with transforming thought, not condemning people, That happens by challenging their thought and not by provoking their egos.”
Abhaya inspires evolution. Do read it.
December 6, 2015
I think any historical fiction requires introducing fiction in known history and creating a sense of doubt in the mind of readers. The doubt which the author introduces - if what’s in the book is true or if the history one knows is true - is the fine line between an average book and an awesome one. Debutante author - Sai Swaroopa’s "Abhaya" is all this and more. She’s been tremendously successful in implanting doubt about actual history in the readers mind. The plot, philosophy, protagonists, antagonists are all very well defined and developed. Though the story is set in times of Krishna, the problems that Krishna & Abhaya face and, problems facing Bharatavarsha are dealt with in a very contemporary way. The idea of women empowerment and girl child equality is also propounded as extensions of thoughts espoused in Vedas.
As far as the storyline goes - Abhaya is the princess of the small kingdom of Anagha. Her father, Dharmasena, imbibes Dharmic knowledge in her and in his adopted son Vikrama. The siblings’ Dharma gets tested over and over but it’s their steadfast adherence to it which helps them come out with flying colors. Their kingdom neighbors Saurashtra and Avanthi. Things heat up when Abhaya helps princess of Avanthi to elope with Krishna much to the chagrin of the crown prince of Avanthi. So he seeks Abhaya’s hand in marriage. A marriage that Abhaya has no interest in but something which she has to, given her kingdom’s dependence on Avanthi for survival.
At the other end of the nation is the kingdom of Kamarupa whose lord Bhauma makes use of Shaktism as a veil for his evil designs. Krishna being Krishna is everywhere trying to protect Bharatavarsha, install Dharmaraja as the Emperor of India, protect Abhaya, and at the same time resurrect Sanatana Dharma.
Can Abhaya overcome the difficulties to herself and her kingdom? Is Krishna successful in resurrecting Dharma in Bharatavarsha? It is said faith can move mountains but can it move Krishna? Can Krishna become Murari?
These are some of the questions that you will have to read the book to know the answers to. Abhaya’s journey is as much as, her struggle and passion to save her kingdom, as it is her path towards Self-Realization and becoming One with the Supreme Being.
While reading this story I felt a gamut of emotions. I found it hard to put down the book. It spawned a thousand thoughts in my mind and I hope it does the same for you too. I thoroughly enjoyed reading this book and I’m comfortable in saying you will as well. Good reading, fun reading, quick reading, thoughtful reading. It’s what I expect from a book and Sri Swaroopa delivers it with élan.
As far as the storyline goes - Abhaya is the princess of the small kingdom of Anagha. Her father, Dharmasena, imbibes Dharmic knowledge in her and in his adopted son Vikrama. The siblings’ Dharma gets tested over and over but it’s their steadfast adherence to it which helps them come out with flying colors. Their kingdom neighbors Saurashtra and Avanthi. Things heat up when Abhaya helps princess of Avanthi to elope with Krishna much to the chagrin of the crown prince of Avanthi. So he seeks Abhaya’s hand in marriage. A marriage that Abhaya has no interest in but something which she has to, given her kingdom’s dependence on Avanthi for survival.
At the other end of the nation is the kingdom of Kamarupa whose lord Bhauma makes use of Shaktism as a veil for his evil designs. Krishna being Krishna is everywhere trying to protect Bharatavarsha, install Dharmaraja as the Emperor of India, protect Abhaya, and at the same time resurrect Sanatana Dharma.
Can Abhaya overcome the difficulties to herself and her kingdom? Is Krishna successful in resurrecting Dharma in Bharatavarsha? It is said faith can move mountains but can it move Krishna? Can Krishna become Murari?
These are some of the questions that you will have to read the book to know the answers to. Abhaya’s journey is as much as, her struggle and passion to save her kingdom, as it is her path towards Self-Realization and becoming One with the Supreme Being.
While reading this story I felt a gamut of emotions. I found it hard to put down the book. It spawned a thousand thoughts in my mind and I hope it does the same for you too. I thoroughly enjoyed reading this book and I’m comfortable in saying you will as well. Good reading, fun reading, quick reading, thoughtful reading. It’s what I expect from a book and Sri Swaroopa delivers it with élan.
February 17, 2016
Saiswaroopa in her debut novel asks a very important question: would mythology be different if a few key characters had sensibilities quiet ahead of their times?
very ambitious and brave effort that makes a satisfying read mostly. The unique retelling of stories from Krishna's life ( like the 16000 princess one) is done with panache and sensitivity. Traditional fans of Conan the Barbarian style sword and sandal fiction may come away disappointed since the fights are dealt with economy.
The subtext of today's leftist movement (not sure if intentional or not) luring disenchanted youths by promise of revolution and a free lifestyle is striking and the ending is unpredictable and satisfying. The place where each of the major characters reach has a sense of a destination reached after a long and arduous road.
Must read for both women centric and mythological fiction fans.
very ambitious and brave effort that makes a satisfying read mostly. The unique retelling of stories from Krishna's life ( like the 16000 princess one) is done with panache and sensitivity. Traditional fans of Conan the Barbarian style sword and sandal fiction may come away disappointed since the fights are dealt with economy.
The subtext of today's leftist movement (not sure if intentional or not) luring disenchanted youths by promise of revolution and a free lifestyle is striking and the ending is unpredictable and satisfying. The place where each of the major characters reach has a sense of a destination reached after a long and arduous road.
Must read for both women centric and mythological fiction fans.
October 21, 2016
At the beginning i felt bet confused with the character names but after completion of first few chapters fell in love with them especially with 'Mura'.
This book of 390 pages is something like a box of sweets. Every chapter was totally different. Mainly poems on lord Krishna was too good. It shows author's devotion on the lord Vasudeva. Author fictional writing skills are amazing and the language she used in the book is quit simple which can easily understand by maximum population.
I strongly recommend it.
#HappyReading
Venkatesh Veera
This book of 390 pages is something like a box of sweets. Every chapter was totally different. Mainly poems on lord Krishna was too good. It shows author's devotion on the lord Vasudeva. Author fictional writing skills are amazing and the language she used in the book is quit simple which can easily understand by maximum population.
I strongly recommend it.
#HappyReading
Venkatesh Veera
September 2, 2016
An interesting literary phenomenon in India today is the rise of historical fiction. Most of these books try to retell our myths, legends, folklore, history and culture in an innovative and interesting manner. The commercial success of these books suggests that such books appeal readers’ need for an adventure (challenging the odds, taking on an impossible task or an intense longing for some extra-special power). This is not a single reason, though. And, one may find as many reasons as one may like to. Such books also act as a medium of passing on information, explaining some deep and profound stuff, and teaching some lessons in the process. Overall, such books provide an interesting story to engage with. At the same time, while most of these books certainly make an entertaining read, a number of these fail to catch the real essence of our history. These books fail to capture the real power of ancient stories in modern lives. These books fail to explain the philosophy behind these ancient tales. However, the same cannot be said about the book I am going to review today.
The book I am going to review today is Abhaya by Saiswaroopa Iyer. This book shows Saiswaroopa Iyer handling her debut novel with great artistic power. The references given at the end of the book shows that the book is backed by a comprehensive research and the author did her homework really well before starting this book. Set in the era of Mahabharata and based on an ancient story (killing of Narkasura), the book takes you on a thrilling journey filled with adventure, romance and anticipation.
The story revolves around Abhaya, the princess of a small kingdom called Anagha. The territory of Anagha is situated in the borders of a dominant and influential kingdom called Avanti. While these two kingdoms are on diplomatic and peaceful terms with each other, a certain sort of animosity is growing on between these two. Things started to go worse when Abhaya helps princess of Avanti to elope with Krishna, ruler of Dwarka. This finally leads into the kingdom of Avanti attacking Anagha. The king of Anagha dies defending his kingdom but Abhaya manages to save the people of his kingdom by taking them to Indraprastha on the advice of Krishna. Another plot runs parallel to the story of Anagha in the book. This second plot revolves around Bhuma, the lord of Kamarupa who is trying to use Shakta cult to rule all over India. Somewhere in the middle of the book, these two plots merges with each other and the book leads to a fascinating climax.
Religious bigotry, hypocrisy and the degeneration of institutionalized religion into an instrument of exploitation are some of the important themes of this book. I think the very choice of these themes is a bold stroke of genius. Dealing with these subject matters derives its effectiveness from a total control of all aspect of these problems. The overall picture presented in this book is not only objective, but also balanced. There is no tear-mongering here, neither you find tearing of the hair over the questions raised in this book. The author’s value-judgments are mostly brought home through action and situation except in the concluding pages where the poet in her heart suddenly seems to become the mouthpiece of the author herself. Additionally, the book under review shows how the genre of historical fiction can be a very good medium for discussing some of the problems of contemporary present. This is what we generally find missing in a large number of historical fictions.
Turning our attention to the other aspects of the book, we find that the characters (including the secondary ones) have been sketched really well. At the same time, I feel the physical characteristics of different characters could have been given some space in the book. However, the lack of this does not affect the overall plot at all. The narration is both crisp and fluent. Scenes are vividly described. Though the pace of the story-line drags in some portions of the book, the book, in general, maintains a steady pace.
Overall, the book left a very good impression on me. For me, the book is an impressive artistic achievement. In addition to entertain you, the book offers so many valuable insights. And, most importantly, the clarity of artistic vision is not clouded over here by conventionalities.
Note: This review was originally posted on:
https://pgalmora.wordpress.com/2016/0...
The book I am going to review today is Abhaya by Saiswaroopa Iyer. This book shows Saiswaroopa Iyer handling her debut novel with great artistic power. The references given at the end of the book shows that the book is backed by a comprehensive research and the author did her homework really well before starting this book. Set in the era of Mahabharata and based on an ancient story (killing of Narkasura), the book takes you on a thrilling journey filled with adventure, romance and anticipation.
The story revolves around Abhaya, the princess of a small kingdom called Anagha. The territory of Anagha is situated in the borders of a dominant and influential kingdom called Avanti. While these two kingdoms are on diplomatic and peaceful terms with each other, a certain sort of animosity is growing on between these two. Things started to go worse when Abhaya helps princess of Avanti to elope with Krishna, ruler of Dwarka. This finally leads into the kingdom of Avanti attacking Anagha. The king of Anagha dies defending his kingdom but Abhaya manages to save the people of his kingdom by taking them to Indraprastha on the advice of Krishna. Another plot runs parallel to the story of Anagha in the book. This second plot revolves around Bhuma, the lord of Kamarupa who is trying to use Shakta cult to rule all over India. Somewhere in the middle of the book, these two plots merges with each other and the book leads to a fascinating climax.
Religious bigotry, hypocrisy and the degeneration of institutionalized religion into an instrument of exploitation are some of the important themes of this book. I think the very choice of these themes is a bold stroke of genius. Dealing with these subject matters derives its effectiveness from a total control of all aspect of these problems. The overall picture presented in this book is not only objective, but also balanced. There is no tear-mongering here, neither you find tearing of the hair over the questions raised in this book. The author’s value-judgments are mostly brought home through action and situation except in the concluding pages where the poet in her heart suddenly seems to become the mouthpiece of the author herself. Additionally, the book under review shows how the genre of historical fiction can be a very good medium for discussing some of the problems of contemporary present. This is what we generally find missing in a large number of historical fictions.
Turning our attention to the other aspects of the book, we find that the characters (including the secondary ones) have been sketched really well. At the same time, I feel the physical characteristics of different characters could have been given some space in the book. However, the lack of this does not affect the overall plot at all. The narration is both crisp and fluent. Scenes are vividly described. Though the pace of the story-line drags in some portions of the book, the book, in general, maintains a steady pace.
Overall, the book left a very good impression on me. For me, the book is an impressive artistic achievement. In addition to entertain you, the book offers so many valuable insights. And, most importantly, the clarity of artistic vision is not clouded over here by conventionalities.
Note: This review was originally posted on:
https://pgalmora.wordpress.com/2016/0...
September 12, 2017
Novels based on aitihasika and pauranika narratives have become quite popular ever since Amish Tripathi's Meluha series. Ashok Banker, Amish Tripathi, Ashwin Sanghi are some of the authors who have contributed successfully to this genre. Saiswaroopa Iyer's Abhaya is a fantastic addition to this genre.
Abhaya is set in the Mahabharata period. The incidents in the novel coincide with the Pandavas' bid to perform the Rajasuya. The novel is a retelling of the Narakasura vadha episode wherin it describes a new threat in the form of Lord Bhauma of Kamarupa who uses a subverted form of the Shakta religion in order to covertly destroy the Arya civilization and gain control over the Arya empire. The novel describes the effort of Abhaya and Krishna Vasudeva, the prince of Dwaraka in combating this challenge.
The plot is very interesting and it keeps you hooked throughout. The use of a foreign language to describe a native narrative deserves an applause in this novel, since not once does the reader get put off by use of nouns and verbs that are anachronistic in nature. The story telling is quite good, though in the first half, more action sequences could have been narrated in detail instead of describing them via the post-mortem analysis technique or via a third party narration. However, there is sufficient meat in the second half, which tells us that the author is quite capable of describing the action sequences in a lucid manner.
The characters are very relatable. We have in Abhaya a princess who is doted by her father and brother, who doesn't shy away from saying and doing things which are in the spirit of Dharma. Krishna Vasudeva plays a perfect foil for this character in the manner in which he tackles challenging situations. We have a loving brother Vikrama whose concern for her coupled with his obligation towards his kingdom drives him to guilt. Then we have Dhatri who becomes the high priestess of Kamaksha in order to improve the lives of Arya girls in the plains.
For me the best parts of the novel are the ones where Abhaya is conversing with Krishna. Their relationship is beautifully described. The way it transforms from Sakhya to Prema is beautifully woven into the story. In the story we see a Krishna akin to the character of Krishna in SL Bhyrappa's Parva or K M Munshi's Krishnavatara Series, in that there's nothing supernatural about him. He is just a person whose goals coincide with that of Dharma, he seeks out the Artha to achieve the Dharmic goal. And he does this in a very endearing manner. The author has acknowledged both Parva and Krishnavatara series in the list of books at the end.
Another strong point about the book is the way female characters are written. There are very strong female characters, but they are definitely not the garden variety of male-hating, panty-burning feminists that we encounter in social media. The strength of the female characters in the books seems to come from the inner-most core of Sanatana Dharma which has always been pro-life as opposed to pro-ideology. A sensitive issue about how change needs to be brought about is shown through the contrasting approaches taken by Dhatri and Abhaya.
I would strongly recommend this work to anyone who is interesting in retelling of our epics. This one is tastefully done. And what's more! It revives the kind of story-telling by the likes of KM Munshi in a foreign language without making it seem so foreign. Kudos to the author for that!
Abhaya is set in the Mahabharata period. The incidents in the novel coincide with the Pandavas' bid to perform the Rajasuya. The novel is a retelling of the Narakasura vadha episode wherin it describes a new threat in the form of Lord Bhauma of Kamarupa who uses a subverted form of the Shakta religion in order to covertly destroy the Arya civilization and gain control over the Arya empire. The novel describes the effort of Abhaya and Krishna Vasudeva, the prince of Dwaraka in combating this challenge.
The plot is very interesting and it keeps you hooked throughout. The use of a foreign language to describe a native narrative deserves an applause in this novel, since not once does the reader get put off by use of nouns and verbs that are anachronistic in nature. The story telling is quite good, though in the first half, more action sequences could have been narrated in detail instead of describing them via the post-mortem analysis technique or via a third party narration. However, there is sufficient meat in the second half, which tells us that the author is quite capable of describing the action sequences in a lucid manner.
The characters are very relatable. We have in Abhaya a princess who is doted by her father and brother, who doesn't shy away from saying and doing things which are in the spirit of Dharma. Krishna Vasudeva plays a perfect foil for this character in the manner in which he tackles challenging situations. We have a loving brother Vikrama whose concern for her coupled with his obligation towards his kingdom drives him to guilt. Then we have Dhatri who becomes the high priestess of Kamaksha in order to improve the lives of Arya girls in the plains.
For me the best parts of the novel are the ones where Abhaya is conversing with Krishna. Their relationship is beautifully described. The way it transforms from Sakhya to Prema is beautifully woven into the story. In the story we see a Krishna akin to the character of Krishna in SL Bhyrappa's Parva or K M Munshi's Krishnavatara Series, in that there's nothing supernatural about him. He is just a person whose goals coincide with that of Dharma, he seeks out the Artha to achieve the Dharmic goal. And he does this in a very endearing manner. The author has acknowledged both Parva and Krishnavatara series in the list of books at the end.
Another strong point about the book is the way female characters are written. There are very strong female characters, but they are definitely not the garden variety of male-hating, panty-burning feminists that we encounter in social media. The strength of the female characters in the books seems to come from the inner-most core of Sanatana Dharma which has always been pro-life as opposed to pro-ideology. A sensitive issue about how change needs to be brought about is shown through the contrasting approaches taken by Dhatri and Abhaya.
I would strongly recommend this work to anyone who is interesting in retelling of our epics. This one is tastefully done. And what's more! It revives the kind of story-telling by the likes of KM Munshi in a foreign language without making it seem so foreign. Kudos to the author for that!
July 15, 2020
A very balanced view of world. An author who believes in goodness of our rich culture, it reflects in the writing. More importantly a balanced view of the world which houses men and women. Not a feministic, not a male chauvinistic. Good one
September 1, 2016
Set in ancient India, Abhaya starts with Lord Bhauma – the king of Kamarupa – saving Dhatri from the enraged crowd with the help of his commander Mura and failing to save Dhatri’s love: Amaranatha.
Dhatri is then introduced to Shakta practices and eventually declared as the ‘Mahayogini’ of the Shaktas.
Meanwhile, the story heads ahead with the birth of the hero of the story, Abhaya, the daughter of Dharmasena, and the princess of the province of Anagha. On the day of Abhaya’s birth, Kadambari, the sister of the Naga Chief Varahaka, hands over her son to Dharmasena and sets off towards the south due to some unbearable circumstances.
The character of Abhaya then evolves tackling the difficulties that come her way, where Krishna – the absolute warrior, accompanies her ahead in the story. To know what exactly all of these characters are related, you need to read the book.
Talking about the plot and narration of the story: the plot is well researched; and is nicely knitted. The narration has a good flow, and the dialogues make a powerful impact onto a reader. If talking bout the things that I liked, I would give a huge thumbs up to the way the battle scenes are depicted.
Coming to the storytelling and characters of the story, the readers can easily visualize the scenarios written, as those are vividly described – without breaking the flow of the storytelling. The characters are very well put and the interaction between or among the characters hold a charismatic effect on the unfolding of the story. Few of the scenes are witty enough to make you laugh, a plus point for that, as that adds a glare to the story. In spite of trying a genre that needs a lot of work, the author has managed to give a power packed story to the readers. Twists and turns are guaranteed.
3.5/5 stars from my side.
Talking about the things that could’ve been improved: the chapters could’ve been placed in a little different manner, the reason I tell you – there are many characters in the story and when the chapter is left at cliffhanger, it becomes a little difficult to recall the exact chapter that one read earlier. I had to shuffle through the pages to link the chapter that I was reading. Also, there are some grammatical errors which could be looked upon. The pace of the story is affected in the middle of the book, probably due to the slow pace of the story. Also, the plot turns quite predictable as we near to the end. Apart from that, kudos to the author for writing a well researched story, telling the tale of the heroic and inspirational Abhaya.
The author has clarified that the Grammatical errors have been rectified in the print edition. So, let’s not consider that point in the review now.
Regards,
Aniruddha Pathak
Dhatri is then introduced to Shakta practices and eventually declared as the ‘Mahayogini’ of the Shaktas.
Meanwhile, the story heads ahead with the birth of the hero of the story, Abhaya, the daughter of Dharmasena, and the princess of the province of Anagha. On the day of Abhaya’s birth, Kadambari, the sister of the Naga Chief Varahaka, hands over her son to Dharmasena and sets off towards the south due to some unbearable circumstances.
The character of Abhaya then evolves tackling the difficulties that come her way, where Krishna – the absolute warrior, accompanies her ahead in the story. To know what exactly all of these characters are related, you need to read the book.
Talking about the plot and narration of the story: the plot is well researched; and is nicely knitted. The narration has a good flow, and the dialogues make a powerful impact onto a reader. If talking bout the things that I liked, I would give a huge thumbs up to the way the battle scenes are depicted.
Coming to the storytelling and characters of the story, the readers can easily visualize the scenarios written, as those are vividly described – without breaking the flow of the storytelling. The characters are very well put and the interaction between or among the characters hold a charismatic effect on the unfolding of the story. Few of the scenes are witty enough to make you laugh, a plus point for that, as that adds a glare to the story. In spite of trying a genre that needs a lot of work, the author has managed to give a power packed story to the readers. Twists and turns are guaranteed.
3.5/5 stars from my side.
Talking about the things that could’ve been improved: the chapters could’ve been placed in a little different manner, the reason I tell you – there are many characters in the story and when the chapter is left at cliffhanger, it becomes a little difficult to recall the exact chapter that one read earlier. I had to shuffle through the pages to link the chapter that I was reading. Also, there are some grammatical errors which could be looked upon. The pace of the story is affected in the middle of the book, probably due to the slow pace of the story. Also, the plot turns quite predictable as we near to the end. Apart from that, kudos to the author for writing a well researched story, telling the tale of the heroic and inspirational Abhaya.
The author has clarified that the Grammatical errors have been rectified in the print edition. So, let’s not consider that point in the review now.
Regards,
Aniruddha Pathak
December 20, 2015
The rise of Indian Historical Fiction is among the greatest things to have happened to our literary scene over the last decade or so. Though there is always an argument that it isn't fiction, since writers take liberties in their writing after basing their book on a set of 'facts' as espoused by our scriptures, lets call it fiction so as to be politically correct.
Yes, the books are bringing our history closer to the young generation of India. But more importantly, they are bridging the gap between tradition and science, and as a part of the narrative, they so ably answer contradictions about our culture.
Abhaya is a modern retelling of an ancient story, and the author clearly wants the book to be read as fiction without worrying about its scriptural references. But again, it is obvious that Sai Swaroopa, who is a first-time author to the niche, values her mythology so much, that she takes her liberties very carefully! Every single character, every quirk they display, the way they go about their relationships, everything has carefully constructed boundaries. And it is quite a joy to read. There are no confusions in the author's mind, and hardly any controversy for us to debate about.
The story the author chooses is a rare gem - Narakasura Vadha, and till the last chapter, the correlation with the story we have been told as children is kept under wraps.
I bought the Kindle version, and a good e-book in today's times is one which keeps us going back and forth between Wikipedia and other sources in order to satiate curiosity about facts that come up while reading the book. While reading Abhaya, this happened a dozen times! The fact that Narakasura was from Kamarupa (Assam) was news to me! So the story of Kamarupa on Wikipedia took up half an hour to read and cross-verify :) Thank you Swaroopa for a thorougly enjoyable history lesson!
The plot, I won't divulge. There is no absolute protagonist in this tale, and that makes it quite enjoyable! There are Abhaya, Krishna, Vikram, Bhauma, Dhatri, and a host of others whose characters are etched out beautifully, and they each take center stage as the story progresses. The plot doesn't lose pace, and the books reads uniformly well all through - no mean achievement for a first-time author!
But again, the real beauty of the book is the way it weaves through traditions without losing a beat, answers questions which have haunted us for so long, and also throws up new thinking points about how our ancestors were so much more mature and wise than we are today. There is only an e-version available. Get it. Hope the publishers manage to put out a print version of the book too.
Yes, the books are bringing our history closer to the young generation of India. But more importantly, they are bridging the gap between tradition and science, and as a part of the narrative, they so ably answer contradictions about our culture.
Abhaya is a modern retelling of an ancient story, and the author clearly wants the book to be read as fiction without worrying about its scriptural references. But again, it is obvious that Sai Swaroopa, who is a first-time author to the niche, values her mythology so much, that she takes her liberties very carefully! Every single character, every quirk they display, the way they go about their relationships, everything has carefully constructed boundaries. And it is quite a joy to read. There are no confusions in the author's mind, and hardly any controversy for us to debate about.
The story the author chooses is a rare gem - Narakasura Vadha, and till the last chapter, the correlation with the story we have been told as children is kept under wraps.
I bought the Kindle version, and a good e-book in today's times is one which keeps us going back and forth between Wikipedia and other sources in order to satiate curiosity about facts that come up while reading the book. While reading Abhaya, this happened a dozen times! The fact that Narakasura was from Kamarupa (Assam) was news to me! So the story of Kamarupa on Wikipedia took up half an hour to read and cross-verify :) Thank you Swaroopa for a thorougly enjoyable history lesson!
The plot, I won't divulge. There is no absolute protagonist in this tale, and that makes it quite enjoyable! There are Abhaya, Krishna, Vikram, Bhauma, Dhatri, and a host of others whose characters are etched out beautifully, and they each take center stage as the story progresses. The plot doesn't lose pace, and the books reads uniformly well all through - no mean achievement for a first-time author!
But again, the real beauty of the book is the way it weaves through traditions without losing a beat, answers questions which have haunted us for so long, and also throws up new thinking points about how our ancestors were so much more mature and wise than we are today. There is only an e-version available. Get it. Hope the publishers manage to put out a print version of the book too.
February 10, 2016
Saiswaroopa Iyer’s ‘Abhaya’ is an engrossing work of fiction set in the ancient times. Characters from the Mahabharata mingle with fictional people, including Abhaya, the princess of the fictitious kingdom Anagha. Saiswaroopa has faded the lines between the ancient and the contemporary in this fantasy novel through her storytelling that gives back the epic as much as it draws. The author reflects on dharma, faith, fear, compassion and love with rare sensitivity. Abhaya’s transformation from a princess to a strategist and a warrior against the backdrop of political shifts taking place in Bharatvarsha is exciting and engaging.
Princess Abhaya’s journey from Anagha to Kamarupa, the high seat of the Shakta order where she confronts her doubts and questions surrounding faith, belief and rituals, is a tough one. Her immense love for Krishna Vasudev turns her quest from one kingdom to another and from one emotional territory to another, into a pilgrimage of sorts. In travel, during combats, during close encounters with death, and in moments of despair, Abhaya the warrior princess remains brave and gentle. In the consciousness of love, she eventually finds herself. The author has generously revealed her imagination of strong-willed, self-respecting and thinking women in Subhadra, Shyeni, Kadambari, Dhatri (the chief yogini at Kamarupa) and Atulyaprabha who has undertaken the spiritual duty of cleaning the Ganga ghats in Varanasi. Pomposity is restricted to Kamarupa.
Saiswaroopa releases her well-rounded perspective on gender, relationships and faith through dialogues and conversations between the characters in a narrative that’s warm, flowing and fertile with rituals, fighting scenes, the wear and tear of time and travel, and moments of solitude in love. Women in ‘Abhaya’ talk to women. They address emotional strife with courage. They hold the mirror to each other firmly. Women question men. The women provide the answers and conceal boldly. They speak for each other. They demand. They hold stories and emotions marvellously. They love silently and show the readiness to sacrifice for love.
The cunning provocations from Anuvinda the prince of the Avanthi, and the ruthless attack on Anagha break Abhaya’s protective mould. She steps forward. Rising to her feet, she takes charge of the situation and engages the enemy. The resulting burden of her people’s pain strengthens her to take up the higher cause of duty and dharma.
Do we want to love and live like Abhaya? Perhaps, the many women in ‘Abhaya’ are who we want to be or are. Saiswaroopa's work stirs many such thoughts.
Princess Abhaya’s journey from Anagha to Kamarupa, the high seat of the Shakta order where she confronts her doubts and questions surrounding faith, belief and rituals, is a tough one. Her immense love for Krishna Vasudev turns her quest from one kingdom to another and from one emotional territory to another, into a pilgrimage of sorts. In travel, during combats, during close encounters with death, and in moments of despair, Abhaya the warrior princess remains brave and gentle. In the consciousness of love, she eventually finds herself. The author has generously revealed her imagination of strong-willed, self-respecting and thinking women in Subhadra, Shyeni, Kadambari, Dhatri (the chief yogini at Kamarupa) and Atulyaprabha who has undertaken the spiritual duty of cleaning the Ganga ghats in Varanasi. Pomposity is restricted to Kamarupa.
Saiswaroopa releases her well-rounded perspective on gender, relationships and faith through dialogues and conversations between the characters in a narrative that’s warm, flowing and fertile with rituals, fighting scenes, the wear and tear of time and travel, and moments of solitude in love. Women in ‘Abhaya’ talk to women. They address emotional strife with courage. They hold the mirror to each other firmly. Women question men. The women provide the answers and conceal boldly. They speak for each other. They demand. They hold stories and emotions marvellously. They love silently and show the readiness to sacrifice for love.
The cunning provocations from Anuvinda the prince of the Avanthi, and the ruthless attack on Anagha break Abhaya’s protective mould. She steps forward. Rising to her feet, she takes charge of the situation and engages the enemy. The resulting burden of her people’s pain strengthens her to take up the higher cause of duty and dharma.
Do we want to love and live like Abhaya? Perhaps, the many women in ‘Abhaya’ are who we want to be or are. Saiswaroopa's work stirs many such thoughts.
February 7, 2017
Its a book on the legend of Narakasura in a different perspective. The story starts with Bhauma the lord of kamarupa saving Dhatri from her own people and ends with Bhuama getting killed by the same lady (of course there are couple of chapters after Bhauma s death).Bhauma is the lord of kamarupa, temple town of kamaksha whose senapati is Mura. The followers of the Kamaksha are Shaktas. Dhatri is made mahayogini in a shakta conclave, using her bhauma wants to expand the shakta tribe and abducts many women.
The other story is that of Abhaya the princess of Anagha. The story from her birth till she unites with her love krishna vasudeva. Abhyas father dharmsena is king of anagha. he got a adapted son vikrama whose biological mother is kadambari. Abhaya and vikarama grow up and vikrama goes in search of her biological mother who gave him to king Dharmasena. Anagha kingdom is friendly neighbour of Avanthi though the prince of avanthi, Anuvinda is not in favor of Abahya as she helps his sister mitravinda elope with krishna when they arrange a swayamvara for her without calling Krishna to it.
The two stories run in parallel until the anageshwari temple priests daughter Pingala gets kidnapped by Shakta men. She gives the secret path to temple of anageshwari which is used by the prince of avanthi to attack the anagha kingdom. Dharmasena king of anagha gets killed in the attack and Abhaya takes shelter in Indraprastha. During her stay in Indraprastha, subhadra sister of krishna senses Abhayas love for Krishna.
The rest of the story about Abhaya finding how anuvinda get to know about the secret path, how Bhuma is spreading his venom in the name of religion, how Abhaya makes Dhatri realize the true nature of Bhuama. How Krishna, Abhaya unite after killing Bhuama with the help of vikrama and vainateya.
For a debutant novelist this book is very good. What i like is the portrayal of the emotions between the Abhaya and Krishna vasudeva. The crispness in the narration, nowhere i felt the narration is slow.
I thought it would have been more gripping if the true nature of Bhauma is revealed at a later point in time than in the middle of the book. Once Bhauma s nature is known the rest of the plot is pretty much predictable.
Thanks for the book Saiswaroopa Iyer, may you write many more books in coming days.
The other story is that of Abhaya the princess of Anagha. The story from her birth till she unites with her love krishna vasudeva. Abhyas father dharmsena is king of anagha. he got a adapted son vikrama whose biological mother is kadambari. Abhaya and vikarama grow up and vikrama goes in search of her biological mother who gave him to king Dharmasena. Anagha kingdom is friendly neighbour of Avanthi though the prince of avanthi, Anuvinda is not in favor of Abahya as she helps his sister mitravinda elope with krishna when they arrange a swayamvara for her without calling Krishna to it.
The two stories run in parallel until the anageshwari temple priests daughter Pingala gets kidnapped by Shakta men. She gives the secret path to temple of anageshwari which is used by the prince of avanthi to attack the anagha kingdom. Dharmasena king of anagha gets killed in the attack and Abhaya takes shelter in Indraprastha. During her stay in Indraprastha, subhadra sister of krishna senses Abhayas love for Krishna.
The rest of the story about Abhaya finding how anuvinda get to know about the secret path, how Bhuma is spreading his venom in the name of religion, how Abhaya makes Dhatri realize the true nature of Bhuama. How Krishna, Abhaya unite after killing Bhuama with the help of vikrama and vainateya.
For a debutant novelist this book is very good. What i like is the portrayal of the emotions between the Abhaya and Krishna vasudeva. The crispness in the narration, nowhere i felt the narration is slow.
I thought it would have been more gripping if the true nature of Bhauma is revealed at a later point in time than in the middle of the book. Once Bhauma s nature is known the rest of the plot is pretty much predictable.
Thanks for the book Saiswaroopa Iyer, may you write many more books in coming days.
June 19, 2018
I was reeling back and forth by the time I read this book. I started at 7 PM and then ended up finishing it at 3 AM. The book was that good and i loved it. Abhaya who is the re imagined Satyabhama is an amazing, stubborn character who refuses to give up and that is what I loved about her. She reminded me of myself. Krishna, of course, our hero is charming and amazing as ever. The kind of conflicts in the book is amazingly and beautifully portrayed. I felt quite sorry for Dhatri, a pivotal character who was being betrayed by the very man she believed in. Throughout the story I was like, 'Please come to your senses! Don't you see what's happening around you?'
And then at the end of the book, in the climax, what she asks of Abhaya is literally unspeakable. My heart almost stopped when I read that part where Dhatri gives her an ultimatum to save the man she loved. God, how I hated her that moment. I so wished I could get inside the book and make her understand. I was so relieved when Krishna came to Abhaya's rescue. By the end of the book, my heart was so happy and I was like numb with happiness. Then I discovered the second book in the series called Mauri. I am currently reading it and I am loving the ways of the characters. Can't wait to finish it.
All in all this book was beautiful, phenomenal and the best book I have read in 2018, in the genre of Hindu-mytho fiction.
you rock Saiswaroopa Iyer!
And then at the end of the book, in the climax, what she asks of Abhaya is literally unspeakable. My heart almost stopped when I read that part where Dhatri gives her an ultimatum to save the man she loved. God, how I hated her that moment. I so wished I could get inside the book and make her understand. I was so relieved when Krishna came to Abhaya's rescue. By the end of the book, my heart was so happy and I was like numb with happiness. Then I discovered the second book in the series called Mauri. I am currently reading it and I am loving the ways of the characters. Can't wait to finish it.
All in all this book was beautiful, phenomenal and the best book I have read in 2018, in the genre of Hindu-mytho fiction.
you rock Saiswaroopa Iyer!
September 19, 2016
Saiswaroopa's Book Abhaya has an amazing story carved out from the Ithihaa-Purana Cosmos (which is the home and heaven of a Mahabharata-researcher like me!). The story has its basis on the Narakassura Vadha episode, prominently mentioned in the Bhagavata Purana, Vishnu Purana and Harivamsha but also found in the Mahabharata and Ramayana as fragments. The author has discovered many hidden dimensions of this story to surprise the reader in multiple ways. The most striking among these is the exposure of that dark force in the human society which consistently tries to control the human spirituality and the human quest for divinity, by creating exclusive monotheistic religions to achieve world domination, political imperialism and the subjugation of the human spirit. You can also see how beautifully the author explains the philosophy of Krishna, his playfulness, the mystery behind the 16000 wives of Krishna, the mystery of the baby girl who replaced Krishna and faced the wrath of Kamsa and of course the mystery of Abhaya! Who is she?
The book also introduce the reader to the Vamachara, Shaktha, Yogini-Tantra traditions of Hindu Dharma as well as the glory of the Great Goddess and her famed Kamakhya Temple at Kamarupa.
The book also introduce the reader to the Vamachara, Shaktha, Yogini-Tantra traditions of Hindu Dharma as well as the glory of the Great Goddess and her famed Kamakhya Temple at Kamarupa.
September 25, 2016
Abhaya is an inspiration to the modern woman of today
The author has backed the story with very strong character like Abhaya who inspires you through out. This is a well narrated fiction makes you read again and again. Abhaya made me laugh, made me cry, made me think and question myself about my own existence. In many ways Abhaya's character can be referenced as an inspiration to the modern woman. The plot between Krishna and Abhaya are very well written. Especially I like the narration when the characters speak to their inner self at times through out the book, especially Krishna. At the end of the book I literally fell in love with Abhaya and I so much wanted a woman like Abhaya in my life if not I will name my daughter as Abhaya. There is so much more I would like to write in a review for a book I loved reading but I will convey my thoughts to the author personally. All I can say is I went through a range of emotions through out the book that left me speech less and I am happy that I have picked this book. I will ensure to refer this book to whoever I know is interested in reading mythological fiction. An excellent way to retell a story and many thanks to Swaroopa.
The author has backed the story with very strong character like Abhaya who inspires you through out. This is a well narrated fiction makes you read again and again. Abhaya made me laugh, made me cry, made me think and question myself about my own existence. In many ways Abhaya's character can be referenced as an inspiration to the modern woman. The plot between Krishna and Abhaya are very well written. Especially I like the narration when the characters speak to their inner self at times through out the book, especially Krishna. At the end of the book I literally fell in love with Abhaya and I so much wanted a woman like Abhaya in my life if not I will name my daughter as Abhaya. There is so much more I would like to write in a review for a book I loved reading but I will convey my thoughts to the author personally. All I can say is I went through a range of emotions through out the book that left me speech less and I am happy that I have picked this book. I will ensure to refer this book to whoever I know is interested in reading mythological fiction. An excellent way to retell a story and many thanks to Swaroopa.
May 17, 2017
This book had been on my to-read list for quite some time. Finally, I decided to give it a shot over other books higher up in the priority and I must say this book proved to be beyond my expectations. Abhaya definitely didn't read like someone's debut work, instead it was quite mature writing, and at many places i was forced to draw comparison with authors like Amish Tripathi, who have excelled in this kind of genre.
One particular thing which I liked in this book (and which is usually rare in other books in general) is the way a female character has been presented as lead protagonist, without demeaning other characters, particularly male ones who find equally respectable space in the story.
I have not read the original epic tale, and now I don't need to read it anymore, because I feel that this fictional retelling is more interesting and enjoyable.
Nice to know that Saiswaroopa Iyer is working on another project, which I am looking forward to read.
One particular thing which I liked in this book (and which is usually rare in other books in general) is the way a female character has been presented as lead protagonist, without demeaning other characters, particularly male ones who find equally respectable space in the story.
I have not read the original epic tale, and now I don't need to read it anymore, because I feel that this fictional retelling is more interesting and enjoyable.
Nice to know that Saiswaroopa Iyer is working on another project, which I am looking forward to read.
August 22, 2019
Always interested in Puranic stories, this novel come as surprise for the topic & quality of storytelling by the author. First of all - Diwali as a festival is always associated with Shri Ram & Ravan, however, this novel tries to address this episode with a slightly different perspective of Narakasur-Uddhar.
Initial some chapters were dedicated for character building and must say that Ms. Iyer didn't shy away or tried to put pace in this stage, and it is the reason why she takes the reader into depths of Kamaksha, Angha etc.
What i loved mostly is that author kept the pace with the subject, was completely honest & faithful to the characters she carved (esp. the female protagonist). Shri Krishna is known as teacher of the world, and the way he clarifies the philosophies in many situations, basis circumstances is simply mesmerizing.. You can relate why he could only preach geeta, because he understands dharma, karma & philosophy so much. This also suggests, the level of devotion Ms. Iyer has towards Krishna, that she could easily paint Shri Krishna & his would be action / suggestion / advice.
I strongly recommend it.
#HappyReading
Initial some chapters were dedicated for character building and must say that Ms. Iyer didn't shy away or tried to put pace in this stage, and it is the reason why she takes the reader into depths of Kamaksha, Angha etc.
What i loved mostly is that author kept the pace with the subject, was completely honest & faithful to the characters she carved (esp. the female protagonist). Shri Krishna is known as teacher of the world, and the way he clarifies the philosophies in many situations, basis circumstances is simply mesmerizing.. You can relate why he could only preach geeta, because he understands dharma, karma & philosophy so much. This also suggests, the level of devotion Ms. Iyer has towards Krishna, that she could easily paint Shri Krishna & his would be action / suggestion / advice.
I strongly recommend it.
#HappyReading
May 11, 2017
A memorable read
A gripping tale set in the Mahabharata era, Abhaya has many strong and varied characters. The protagonist (fictional) is assertive yet sensitive, idealist yet adaptive to changes in rapidly changing circumstances. Familial bonding, valour, commitment to one's cause & word, strategic & critical thinking, love, devotion as well as basic insticts shape the varied characters, many of which are interpretations of well-known ones from dwapar yuga. The author's love for Krishna is evident more as a friend (sakhya bhava) with human traits than divine. As also many dharmik traditions are touched upon in different story lines that merge towards the end. The author also makes several socio-political-economic observations relevant to our times, including themes such as gender dynamics, economic development, environment protection & political alliances.
I look forward to meet some of these fascinating characters -especially women - again in Saiswaroopa's next in the series.
A gripping tale set in the Mahabharata era, Abhaya has many strong and varied characters. The protagonist (fictional) is assertive yet sensitive, idealist yet adaptive to changes in rapidly changing circumstances. Familial bonding, valour, commitment to one's cause & word, strategic & critical thinking, love, devotion as well as basic insticts shape the varied characters, many of which are interpretations of well-known ones from dwapar yuga. The author's love for Krishna is evident more as a friend (sakhya bhava) with human traits than divine. As also many dharmik traditions are touched upon in different story lines that merge towards the end. The author also makes several socio-political-economic observations relevant to our times, including themes such as gender dynamics, economic development, environment protection & political alliances.
I look forward to meet some of these fascinating characters -especially women - again in Saiswaroopa's next in the series.
July 16, 2017
Though I have rated the book by 4 Stars, but it doesn't deserve the rating.
When a reader picks up a book for a read, obviously he looks for good content that will took him to a different world, away from his/her miseries or monotony. And when the characters of the story are so impeccably crafted, that they surround you, for every moment, even in your dreams where you see them visually in action or even better, you conversing with them; well the author has mastered the craft in there.
Abhaya is one such book where the author has profoundly weaved the characters and the emotions entwined. This is one of the books I would recommend for a pleasure read, or to know our history in a logical way. Though I would have liked if some episodes would been elaborated a bit more and the concept of religion was explained in a better way, but again "perfection is a journey".
Thank you Saiswaroopa for such an excellence, my best wishes for your next venture.
Oh and about "Though I have rated the book by 4 Stars, but it doesn't deserve the rating", it deserves 5 stars :)
When a reader picks up a book for a read, obviously he looks for good content that will took him to a different world, away from his/her miseries or monotony. And when the characters of the story are so impeccably crafted, that they surround you, for every moment, even in your dreams where you see them visually in action or even better, you conversing with them; well the author has mastered the craft in there.
Abhaya is one such book where the author has profoundly weaved the characters and the emotions entwined. This is one of the books I would recommend for a pleasure read, or to know our history in a logical way. Though I would have liked if some episodes would been elaborated a bit more and the concept of religion was explained in a better way, but again "perfection is a journey".
Thank you Saiswaroopa for such an excellence, my best wishes for your next venture.
Oh and about "Though I have rated the book by 4 Stars, but it doesn't deserve the rating", it deserves 5 stars :)
August 31, 2017
I started reading the book with curiosity and after waiting for many pages (almost thought about shelving this book) for something to happen, finally my patience paid off and thanks to Krishna for that :). Once the author got into the depth of the story, She just galloped right through. The story, underlying philosophy, characterization and the almost poetic prose totally absorbed me. The book is not purely a thriller or mythological fiction, it has undercurrents of philosophy and a deep understanding of religion and its practices but beyond all it talks about the core tenets of human existence - Faith and Hope and Change.
It is an amazing read and Saiswaroopa Iyer has not only brought out the human-ness of the mythological figures (whom we either doubt or consider as divine) she has unbelievably tied them and the story to a very believable form.
It is an amazing read and Saiswaroopa Iyer has not only brought out the human-ness of the mythological figures (whom we either doubt or consider as divine) she has unbelievably tied them and the story to a very believable form.
November 7, 2017
I love stories set in ancient India. Among tales that I love, stories about Lord Krishna are my favourite. Abhaya was a fresh take on all such tales I have read till now.
Familiar characters from the Mahabharata and a few fictional characters drive the story ahead in this brilliant story.
A brave princess along with her brother sets about to right the wrongs in their corner of the world which might have long-lasting consequences.
I loved Abhaya from page one. It took me on time travel to a period when the flute of Krishna brought in hope, courage, and meaning to the lives of the ones who loved him and worshipped him.
Abhaya presents a very human form of Lord Krishna. A great friend, brother, and lover.
Highly recommended if you love mythological fiction.
Familiar characters from the Mahabharata and a few fictional characters drive the story ahead in this brilliant story.
A brave princess along with her brother sets about to right the wrongs in their corner of the world which might have long-lasting consequences.
I loved Abhaya from page one. It took me on time travel to a period when the flute of Krishna brought in hope, courage, and meaning to the lives of the ones who loved him and worshipped him.
Abhaya presents a very human form of Lord Krishna. A great friend, brother, and lover.
Highly recommended if you love mythological fiction.
June 11, 2019
Abhaya, a brave princess of Anagha finds herself in trouble when she embarks on a mission to find out the reason behind mysterious kidnappings of young girls of Aryavarta. Aiding her, is none other than Vasudev Krishna. Will they succeed?
This is Saiswaroopa Iyer's debut novel, and I must say, it is a great read. It is rare to find such mythological fictions based on female protagonists. So, this one is quite a breath of fresh air.
Plotting is great. The book is quite a page-turner with thought-provoking discussions between characters.
The language is decent, but could have been much better, especially since this is epic genre. I found quite a few typos, which means the book needed better editing.
Nonetheless, for a debutante author, I'd give this book 4 stars.
This is Saiswaroopa Iyer's debut novel, and I must say, it is a great read. It is rare to find such mythological fictions based on female protagonists. So, this one is quite a breath of fresh air.
Plotting is great. The book is quite a page-turner with thought-provoking discussions between characters.
The language is decent, but could have been much better, especially since this is epic genre. I found quite a few typos, which means the book needed better editing.
Nonetheless, for a debutante author, I'd give this book 4 stars.
November 25, 2016
If you are fan of Pauranic fiction, then I would recommend you Saiswaroopa’s “Abhaya”, based on the lore of “Narakasura”. The story has been written so profoundly that it hooks the reader instantly. The characters, their thought process, their weakness, their strength, everything has been portrayed excellently.
I personally loved the way the author has portrayed the character of Krishna and the relationship of Abhaya and Krishna. Abhaya’s straightforward character and her fight for the right makes the reader to immediately fall in love with her.
I personally loved the way the author has portrayed the character of Krishna and the relationship of Abhaya and Krishna. Abhaya’s straightforward character and her fight for the right makes the reader to immediately fall in love with her.
September 19, 2017
Abhaya is at once engaging, playing in the shadows of its much-known and revered Mahabharata, while creating a memorable halo of its own. Revolving around the eponymous daughter of a slain king, the plot balances faith, politics, love and war as Abhaya travels from her decimated kingdom towards a supposedly evil presence, a cult that has spawned out of the mind of a madman who seeks dominion through blind faith. Mytho fiction in India is scaling new heights with strong feminine leads, but on this salt and pepper threads of Abhaya, it is Krishna's colorful spices that light up the tapestry.
October 18, 2016
Abhaya is very much about bridging the new and the old.
It is based on an ancient lore, of Narakasura, yet it is a brand new story, of a brand new protagonist.
It depicts Krishna, as a man, with his personal, and political constraints, yet without compromising his status as a God.
It has a lot contemporary dialog on topics ranging from politics to polygamy ... and yet they fit in seamlessly in the mouths of characters thousands of years old.
(From Amazon Review)
It is based on an ancient lore, of Narakasura, yet it is a brand new story, of a brand new protagonist.
It depicts Krishna, as a man, with his personal, and political constraints, yet without compromising his status as a God.
It has a lot contemporary dialog on topics ranging from politics to polygamy ... and yet they fit in seamlessly in the mouths of characters thousands of years old.
(From Amazon Review)
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