Dorothy Kathleen Broster (1877 - 1950) produced 15 popular historical novels between 1911 and 1947.
The Yellow Poppy (1920) about the adventures of an aristocratic couple during the French Revolution, was later adapted by Broster and W. Edward Stirling for the London stage in 1922. She produced her bestseller Scottish historical novel, The Flight of the Heron, in 1925. Broster stated she had consulted eighty reference books before beginning the novel. She followed it up with two successful sequels, The Gleam in the North and The Dark Mile. She wrote several other historical novels, successful and much reprinted in their day, although this Jacobite trilogy (inspired by a five-week visit to friends in Scotland), featuring the dashing hero Ewen Cameron, remains the best known.
The Flight of the Heron was adapted for BBC Radio twice, in 1944, starring Gordon Jackson as Ewen Cameron, and again in 1959, starring Bryden Murdoch as Cameron. Murdoch also starred in radio adaptations of the book's sequels, The Gleam in the North and The Dark Mile.
While Ewen Cameron of Ardroy, the protagonist of Broster’s first two books of her Jacobite trilogy does make an appearance in this last of the three, the book’s main focus is on the troubles of his cousin Ian Stewart of Invernacree. While riding home one day Ian witnesses a coach overturn into a loch and is called upon to rescue the lady trapped inside and take her to his father’s house to be cared for till she recovers. She turns out to be Olivia Campbell, the daughter of Campbell of Cairns, the man who commanded that part of the government forces which killed Ian’s elder brother Adam at the Battle of Culloden. Despite his growing feelings towards her this impediment to marriage means that any liaison is foredoomed.
In the meanwhile, Finlay MacPhair of Glenshian, an old foe, has contrived to make it look like Ewen Cameron or one of his tenants (which amounts to the same thing) has stolen two of his cattle and is pursuing him in the courts for restitution while he has attempted to persuade a Mr Maitland, the sender of the letter to the Government which had in the end resulted in the execution for treason during the rebellion of Ewen’s kinsman Archibald Cameron (and for which Maitland now suffers pangs of conscience,) to give the credit for this to Glenshian so that he can claim recompense for the many favours he thinks the government owes him. Maitland is a friend of Olivia Campbell’s family; indeed she calls him godfather. There is also some toing and froing as regards Hector Grant, who has formed an attachment to Ian Stewart’s sister, and whose imprisonment by Glenshian leads to him discovering the truth of the ploy with the cattle by overhearing a conversation in Gaelic which Glenshian’s retainer does not realise Grant can understand.
There is a degree of buckling of swashes, (made difficult it’s true by the bar on bearing arms suffered by Highland gentlemen in the wake of the ’45,) a high degree of coincidence and a blizzard of exclamation marks, not to mention a convoluted means by which our thwarted lovers may achieve a happy conclusion – all of which signal that the literature here may not be quite of the highest quality. But it fulfils the function of the adventure story (the good guys win and the baddies get their comeuppance) and serves as a reminder that the ramifications of Bonnie Prince Charlie’s defeat resonated and not only in the general but also the personal lives of the inhabitants of Highland Scotland - and beyond - for many years afterwards.
I love this trilogy, and this is my favourite of the three. I especially liked the scenes on the island with the moon daisies, and the one with the bog asphodel. Making wild flowers part of a love scene. What's not to like?