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Sounds of the Underground: A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music
In basements, dingy backrooms, warehouses, and other neglected places around the world music is being made that doesn't fit neatly into popular or classical categories and genres, whose often extreme sounds and tiny concerts hover on the fringes of these commercial and cultural mainstreams.
The term “underground music” as it’s being used here connects various forms of music-making that exist outside or on the fringes of mainstream institutions and culture, such as noise, free improvisation, and extreme metal. This is music that makes little money, that’s noisy and exploratory in sound and that’s largely independent from both the market and from traditional high art institutions. It sometimes exists at the fringes of these commercial and cultural institutions, as for example with experimental metal or improv, but for the most part it’s removed from the mainstream, “underground,” as we see with noise artists such as Werewolf Jerusalem or Ramleh, obscure black metal artists such as Lord Foul, and improvisers such as Maggie Nicols. In response to a lack of previous scholarly discussion, Graham provides a cultural, political, and aesthetic mapping of this broad territory. By outlining the historical background but focusing on the digital age, the underground and its fringes can be seen as based in radical anti-capitalist politics or radical aesthetics while also being tied to the political contexts and structures of late capitalism. The book explores these various ideas of separation and captures, through interviews and analysis, a critical account of both the music and the political and cultural economy of the scene.
The term “underground music” as it’s being used here connects various forms of music-making that exist outside or on the fringes of mainstream institutions and culture, such as noise, free improvisation, and extreme metal. This is music that makes little money, that’s noisy and exploratory in sound and that’s largely independent from both the market and from traditional high art institutions. It sometimes exists at the fringes of these commercial and cultural institutions, as for example with experimental metal or improv, but for the most part it’s removed from the mainstream, “underground,” as we see with noise artists such as Werewolf Jerusalem or Ramleh, obscure black metal artists such as Lord Foul, and improvisers such as Maggie Nicols. In response to a lack of previous scholarly discussion, Graham provides a cultural, political, and aesthetic mapping of this broad territory. By outlining the historical background but focusing on the digital age, the underground and its fringes can be seen as based in radical anti-capitalist politics or radical aesthetics while also being tied to the political contexts and structures of late capitalism. The book explores these various ideas of separation and captures, through interviews and analysis, a critical account of both the music and the political and cultural economy of the scene.
- GenresMusic
304 pages, Hardcover
Published April 1, 2016
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About the author
Stephen Graham
123 books41 followersStephen Graham is an academic and author who researches cities and urban life. He is Professor of Cities and Society at the Global Urban Research Unit and is based in Newcastle University's School of Architecture, Planning and Landscape.
Professor Graham has a background in Geography, Planning and the Sociology of Technology. His research centres, in particular, on:
•relations between cities, technology and infrastructure
•urban aspects of surveillance
•the mediation of urban life by digital technologies; and
• connections between security, militarisation and urban life.
Writing, publishing and lecturing across many countries and a variety of disciplines, Professor Graham has been Visiting Professor at MIT and NYU, amongst other institutions. The author, editor or co-author of seven major books, his work has been translated into eleven languages
Professor Graham has a background in Geography, Planning and the Sociology of Technology. His research centres, in particular, on:
•relations between cities, technology and infrastructure
•urban aspects of surveillance
•the mediation of urban life by digital technologies; and
• connections between security, militarisation and urban life.
Writing, publishing and lecturing across many countries and a variety of disciplines, Professor Graham has been Visiting Professor at MIT and NYU, amongst other institutions. The author, editor or co-author of seven major books, his work has been translated into eleven languages
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